Fallout: Power Play Card Game Review

War. War never changes. What does change, however, are board games. Those suckers change all the time, with thousands of new ones coming out every year, sometimes in big boxes, others in little ones, and occasionally ones based on a popular property. That’s the case with Fallout: Power Play, a small-area control card game designed by Resurrectionist Games and published by Modiphius Games, currently up for pre-order. It’s a small game with some good bones to it, but its compact design is more of a hindrance than a benefit.

Fallout: Power Play puts two to four players in command of four possible factions, each with their own unique decks and special ability. These are the Brotherhood of Steel (good at completing missions to earn influence and hunkering down in a location), Super Mutants (lots of big and powerful unit cards to deploy at locations), the Enclave (excellent at disrupting other players’ turns), and Raiders (thieves, every last one of them).

On their turn, players deploy agents to locations, complete quests to earn rewards, and use their faction-specific ability, all in a bid to earn the most influence in the different places, netting you victory points. Whichever player has their agent holding a location at the end of the turn gains influence over the spot, with the top play considered to be “dominating” and earning a victory point. The first player to reach 10 points triggers the end game and scoring, with whoever has the most points winning at the end of that round.

Things get shaken up a bit thanks to the random Wasteland Encounter cards you draw at the start of each round, and unique Power Play cards that each player has in their deck. These events can range from spawning ghouls that attack everyone’s agents to even detonating an Atom Bomb Baby and destroying everything at the location(s) where players have the most influence. That one is a particularly fun card to see safely from the sidelines, as all of your friends’ units are blasted out of existence all at once in the region they were fighting so fiercely over.

If the encounter cards are the right hand of chaos in Power Play, then the titular Power Play cards in your deck are the left hand of chaos. These cards have the potential to be played not only on your turn, but also in response to other players’ actions. Think an Instant spell in Magic: The Gathering. This resulted in some tense back-and-forth, play-and-counterplay moments with my friends, and I often found myself holding my breath whenever I would put down one of my more powerful cards in hopes they wouldn’t get countered or worse.

While at first glace, Power Play may appear to be more of a simple “bigger number better” war game, the more I played, the more nuance and strategy I found in it. Each location only has spots for four agents, and in games with fewer players, this allows for you to allocate multiple agent resources to a location. But regardless of how much you are overpowering the other players in a spot, you will still only gain a single victory point at the end of the round. On the flip side, every round where you don’t have an agent at a location will result in your losing an influence at that location (to a minimum of 1), so it pays to spread out your forces.

This management almost makes Power Play into more of a worker placement game, and I often found myself opting to have one stronghold as my main “VP generator” and then spreading out and setting up at the other locations to pull off big influence gain turns by completing quest cards that would net me a boost in influence for a spot. Whenever I managed to pull off these well-laid plans, it tickled that good spot in my brain and never got old.

Resurrectionist Games, Power Play’s designer, has put together a card game with solid bones, and its focus on capturing and holding locations reminds me of the hot new TCG Riftbound. That said, issues surrounding the delivery and presentation of the game blemish and knock Power Play down some notches. The most disappointing of which is that the whole product feels less like a Fallout card game and more like something with the beloved property slapped on the side of it.

Despite the four factions and other nods to the Fallout universe, I never felt as though Power Play did much with the property. Instead of decks featuring notable characters from the games that fans would recognize, the designers opted for bland and generic fill-ins instead. Taking the Brotherhood of Steel deck, for instance, a group whose Power Armor is arguably just as synonymous with the series as the signature blue-and-yellow vault suits, your forces are composed of no-name cards like “Knight” or “Elder.” Instead of a generic Elder, why not have the lead agent be a character like Arthur Maxson or Sarah Lyons?

The home base locations of each of the factions feel rather soulless and are identical to one another from a gameplay standpoint. While “activate a location” is an option you can take on your turn, there are only two locations that have something to activate, with the others being the starting strongholds of each faction. They are “War Camp” or “Raider Fortress” instead of something memorable from the series, like Nuka-World or even a Vault. I would have appreciated these spots to be two-sided, with a generic, ability-less side and the other having an action associated with it and pulled from somewhere players would recognize if you were in the mood for a more advanced game mode. Alas, no such luck.

This more uninspired approach extends into the art and even the card descriptions. Keeping on the Brotherhood train, the Initiate and Field Scribe agent cards feature nearly identical character faces, and cards like their “Knight” read as “Each time Knight kills an Enemy…” which feels generic. Do these things impact how the game plays? No. But if you’re going to adapt a well-known property, you want it to feel meaningful, and considering the attention to detail I’ve come to expect from Modiphius, especially with Fallout, thanks to the Fallout TTRPG they also publish, Power Play just doesn’t get there.

My other main gripe with Power Play has to do with some of the quality control and decisions involved with how the game is packaged. Now, I’m all for a game being nice and compact; heck, one of the most prestigious awards I can give (in my mind anyway) is the Glovebox Award, given to games that are small and fun enough that I always want them with me wherever I go (Flip 7 is an example). It’s rare that I’ve found a game that feels too small – but Power Play does. Inside its box are spots for two decks of cards, with a small gap in between. Now, these two spots aren’t quite deep enough to contain all of the standard-sized cards included, causing some annoying shifting, and unfortunately, you can just forget sleeving your cards.

Fallout: Power Play also uses tokens to mark each faction’s influence in the regions and other little reminders. Unfortunately, these tokens are incredibly tiny. And while the faction tokens are at least color-coded, some of the reminder tokens, all of which are about 3/4 the size of a dime and contain text, are barely legible from anything more than maybe six inches from your face, let alone from across a table. Power Play may also be the first board game I have that uses tokens but doesn’t come with a small bag to keep them in. And to make matters more annoying, they easily slip into the small gap between the two decks. Thankfully, my cardboard hobby has granted me extra baggies that I was able to put them in, but beforehand, more than a couple of times, I spent more time than I care to admit trying to get some of these damn cardboard pieces out of the box.

Fallout: Power Play is a great example of how a bunch of little missed opportunities and annoyances can add up, and it’s a shame. This is one of those products that I can see potential and promise if Resurrectionist Games takes a bit more care into any future properties they adapt. The underlying game is fun, and I can imagine a day down the road where Power Play becomes the system, and you can buy additional sets, akin to, say, Smash Up!, and you can have the Brotherhood of Steel facing off against the forces of the Borg from Star Trek, or the demons of Hell from Doom pushing back Super Mutants. That’s a game I would love to play, and if they put a bit more care into those sets, you can count me in day one. It may even make it into the glovebox.

Disney Lorcana’s Full Release Schedule for 2026 Confirmed

Disney Lorcana has seemingly gone from strength to strength since its debut, with Winterspell marking its eleventh set when it arrives in February.

Ravensburger has been pulling from just about everywhere in the Disney pantheon of heroes and villains, and this one will give us some Christmas-themed cards… a little too late for the event itself (but still cute, nonetheless).

Lorcana Release Schedule 2026 – At a Glance

  • Winterspell – February 20 (Preorders Live)
  • Wilds Unknown – May 15
  • Attack of the Vines – Q3
  • Coco and More – Q4

While Ravensburger has confirmed some new products coming this year, the second half of 2026 still remains something of a mystery. Here’s all we know coming to Disney Lorcana in the coming months, and we’ll update this as we hear more.

Winterspell – February 20

Winterspell, as we mentioned, has the unenviable task of offering cards related to Christmas almost two months late (or ten months early, if you’re an optimist). The set launches on February 20, with a prerelease on February 13, and will introduce snowy variants of characters.

Alongside the sweet snowy designs on the covers, if you’re curious what comes with each of these items, here’s the breakdown: the booster pack sets you up with 12 cards, including six Common cards, three Uncommon cards, two cards of either Rare, Super Rare, or Legendary rarity, and one random foil card. Preorders are now live, with Amazon being the best place to buy right now.

If you’re hoping to have a bit more than just the booster pack on hand, the booster pack display comes with 24 packs. And for a little bit of everything, the Illumineer’s Trove comes with a card storage box, six card dividers, eight booster packs, six damage-counter dice, and a lore counter.

Expect Mickey Mouse, Snowboard Ace, to bump shoulders with Jiminy Cricket, Willie the Giant, and Lonely Resting Place pulling double duty as the Ghosts of Christmas Past, Present, and Future. Get ready for more card reveals in the coming weeks ahead of launch. TCGPlayer also has listings for individual cards, booster packs and boxes, and the new Illumineer’s Trove.

Scrooge McDuck Gift Box – March 13

While not tied to a fresh set, there are two new releases on March 13 which Collectors will want to be aware of. The first is the Scrooge McDuck Gift Box. It’s not up for preorder right now, but will include an exclusive Scrooge McDuck, S.H.U.S.H. Agent in Glimmer Foil, and five random booster packs.

The curious thing to note is that those packs are from prior sets, so you could get five from Winterspell, or you could end up with some classics. Up next, the Collection Starter Set has a portfolio adorned with Stitch, Rock Star, a Glimmer Foil variant of Stitch, Carefree Snowboarder, and four booster packs.

Wilds Unknown – May 15

With all due respect to Winterspell, this is the set that’s likely to take up a lot of the oxygen in Disney Lorcana’s 2026 release schedule. It’ll lean into cowboy fantasies, and who better to lead that charge than Woody himself, alongside Buzz Lightyear. Wild Unkowns marks a significant change for Lorcana releases, as the TCG leans more into Disney’s Pixar characters, starting with The Incredibles and Toy Story.

This will also add new Prelease Kits to the Lorcana product pool, each including a promo card, dice, six booster packs from the latest set, and a deck box. Honestly, Ravensburger, you had me at Toy Story, but I’m excited to see the game grow.

I’ve also long lauded Gateway as a great starter product for new Lorcana players, but in May we’ll get also new 2-Player Starter Set with preconstructed decks, lore trackers, tokens, and some playmats, also as part of Wilds Unknown. This one launches on May 15, as recently confirmed, with prerelease from May 8.

Attack of the Vine – Q3

Looking further ahead, we don’t know a great deal about what’s coming later, but a few details have already been confirmed by the Lorcana team. Attack of the Vine, featuring characters from Monsters Inc and Turning Red, will launch sometime in Q3 2026.

Coco and More – Q4

Then, towards then end of the year, Coco is set to make its first Lorcana appearance, but we know little more than that. Disney’s possibilities are seemingly endless, though, and while Star Wars and Marvel each have cardboard appearances in Unlimited and Magic: The Gathering to prepare for, don’t be surprised to see the House of Mouse and Ravensburger pull out some even more deep cuts in 2026, and beyond.

Lloyd Coombes is an experienced freelancer in tech, gaming and fitness seen at Polygon, Eurogamer, Macworld, TechRadar and many more. He’s a big fan of Magic: The Gathering and other collectible card games, much to his wife’s dismay.

See an Exclusive Excerpt of the Star Wars Outlaws Prequel Novel Low Red Moon

Random House Worlds is gearing up to release its latest Star Wars novel, author Mike Chen’s Star Wars Outlaws: Low Red Moon. You might assume the book showcases an earlier adventure in the life of goldhearted smuggler Kay Vess, but you’d be wrong. Instead, the book focuses on one of the most surprising figures in the game, Jaylen Vrax. The book explores how Jaylen met the fearsome bodyguard droid ND-5 and made his way through the ranks of the criminal underworld.

Ahead of its February 3 release, IGN can exclusively debut a preview of Star Wars Outlaws: Low Red Moon. This excerpt is set early in the book, just after Jaylen is rescued by ND-5 following an attack on his family’s compound. Check it out below:

“You killed them,” Jaylen said, adrenaline surging in him, helping him upward. He staggered to his feet, stiff pain in every muscle. “You killed them,” he repeated.

“I have already acknowledged that.”

Jaylen’s plan had worked. Which meant that it would have worked had Roisem and Nnytyl stopped arguing, stopped causing chaos so he could give the restraining bolt to A1-A1. He could have passed the hardware over, then come up with some distraction for the protocol droid to mount the restraining bolt.

But now, everyone was dead—because they just wouldn’t listen. And that notion burned Jaylen in a different way than when he thought about Sliro.

“No, you don’t understand. You killed them. They didn’t have to die. The Empire took everything from us. And now you’ve taken everything from me. Why? Why would you do this?”

ND-5 looked at Jaylen like he was asking for directions into town. “I executed orders according to my programming.”

“Oh, so that’s it? You’re just an assassin that kills whoever you tar get?” Jaylen threw a pointed finger at the droid, though doing so caused him to wince.

“Yes. That is how droids operate.”

Jaylen wanted to scream. If his body could support it, he probably would have. Some sort of primal release felt necessary at this point. In stead, he swayed on his feet, nausea rolling in his stomach. “What hap pens now?” he asked quietly. “I can barely move.”

“The shock wave struck you. I was able to protect you from only the shrapnel. The noise and pressure have likely given you a concussion. You have soft tissue damage from the impact as well.” ND-5 walked over and put out a long thin arm to support him. “You will need some time to heal. We will use this guest’s shuttle. They do not need it anymore.”

Even as Jaylen moved with ND-5’s help, he couldn’t stifle the laugh ter coming through. “This is madness. How do I know you’re not just going to kill me next?”

“This restraining bolt is telling me to serve you. That has the highest priority in my directive sequence.”

“It’s as simple as that, huh?” Jaylen replied in a dry voice. “You droids. You’re so binary.”

“It does not need to be any more complex than that.” In the distance, sirens clashed with the sound of oncoming thunder. “For now, I await further instructions from you.”

That was exactly what Jaylen meant by binary. “So I could just tell you to leap off a cliff and you would?”

“Yes.”

Jaylen believed the droid. He had no reason not to. He could tell ND-5 to do anything, including shutting himself down—hell, he’d blasted his own chest to follow Jaylen’s directive.

“Well,” Jaylen said slowly, “why shouldn’t I do just that?” He was only musing, but the thought soon rolled into a real, grounded question. He could choose to give the order. Or he could choose to stay quiet. “How would you assess the current situation?” he asked, as if he were chatting with A1-A1 in the garden cottage.

“Emergency vehicles will be here shortly. I can commandeer this shuttle. You will likely need seven to ten days for physical recovery. In addition, they will think you are dead.”

Jaylen paused, feeling the ground beneath his feet. In the distance, he saw that ND-5 was right: The lights of emergency shuttles finally hov ered above the compound. “Who is ‘they’?” he asked with a laugh.

ND-5 stood silent, though his head tilted ever so slightly. From the exposed innards of the droid’s upper body, Jaylen heard mechanisms and electronics struggling to work. “I do not know. That information must have resided in the part of my memory core that is now damaged.”

Part of Jaylen wanted ND-5 to dismantle himself in the most violent way possible. But he let that impulse pass for one simple reason:

A BX commando droid was valuable as a protector. And a servant.

Jaylen needed both right now. Someday, he might scrap him. But not now. Because everything about Jaylen’s personal galaxy had just reset. This thing, this droid, had taken everything from Jaylen. And now ND-5 would help give him a new life.

Reprinted from Star Wars Outlaws: Low Red Moon by Mike Chen. © 2026 by Lucasfilm Ltd. Published by Random House Worlds, an imprint of Random House, a division of Penguin Random House LLC.

For more on the future of the Star Wars franchise, find out what to expect from Star Wars in 2026 and see the one thing we need from Lucasfilm’s new Presidents.

Jesse is a mild-mannered staff writer for IGN. Allow him to lend a machete to your intellectual thicket by following @jschedeen on BlueSky.

Fortnite Gets a New Roguelike Map and a Visit From Jason Statham

The British are coming. Specifically, IGN can exclusively reveal that action man Jason Statham – star of Lock, Stock and Two Smoking Barrels, Hobbs and Shaw and The Meg – is coming to Fortnite today. He lent his chiselled jawline and voice to the game to promote his new movie Shelter as part of a new in-game experience.

The Stath appears as his character from Shelter, Michael Mason. In the movie Mason is a former assassin who is forced to dust off his guns (aren’t they always?) to protect himself and a girl – Jessie – that he rescued from the sea surrounding the remote Scottish island he calls home. Players can fight alongside him on a new custom map inspired by the movie, taking on waves of enemies in order to protect Jessie. If that wasn’t enough, a huge storm is on the way, which is actually pretty accurate for the Scottish highlands.

The custom map comes with some additional game features to heighten the roguelike experience the creators are going for, with a combination of permanent upgrades, random weapon loadouts and a ‘Rebirth system’ that will give you permanent buffs for resetting your progress. It’s vital to mention that the weaponry is given out by a dog.

There’ll also be a community tournament featuring top streamers that will let viewers vote on the specific conditions for the matches, like weapon restrictions or inverted controls.

The experience was created by Sawhorse and Chartis Interactive, with contributions to the design of the map from Fortnite creators like Jayth, the guy behind Fortnite’s Zombie Escape Tag.

“It’s been exciting to combine the roguelike genre—one of Fortnite’s most popular modes—with a unique film like Shelter, especially with Jason Statham involved,” he said.

The Shelter experience is available in Fortnite now – Island Code 2883-8391-6703 – and the movie, also starring Bill Nighy, will be in theaters on January 30.

Crimson Desert Locks in March Release Date as Dev Acknowledges ‘Strong Anticipation’

Crimson Desert has gone gold, locking in its global release date of March 19, 2026. That’s across PC via Steam, PlayStation 5, Xbox Series X and S, and Mac.

Developer Pearl Abyss described going gold as a “major development milestone” for the open-world action-adventure game. It thanked fans for their continued support, acknowledging what it called “strong anticipation” that has built up over the course of the last year.

Here’s the official blurb on Crimson Desert:

Set in the vast continent of Pywel, Crimson Desert is an open-world action-adventure game that follows the journey of protagonist Kliff and his Greymane companions. The title has been praised for its realistic, high-fidelity graphics, dynamic combat, and the freedom and interactivity of its open world, delivering a heightened sense of immersion and intensity.

Earlier this month, Pearl Abyss called Crimson Desert’s open world “absolutely massive,” bigger even than that of Bethesda’s Skyrim and Rockstar’s Red Dead Redemption 2.

Speaking on the Gaming Interviews YouTube channel, Pearl Abyss’ Will Powers said that describing the size of Crimson Desert’s world in terms of numbers doesn’t do it justice, because doing so fails to capture the scope and scale of the game. But he did go as far as to compare it to two of the biggest open world games around.

“I don’t think numbers really do it justice because, how big is that in terms of scope and scale?” he said. “But what we can say is that the world’s at least twice as big as the open world, the playable area, of Skyrim. It’s larger than the map of Red Dead Redemption 2.”

Powers went on to insist that the size of Crimson Desert’s open world won’t determine its quality. Rather, what you actually do in it is the key factor.

“The continent of Pywel is absolutely massive, but size doesn’t really matter if there’s nothing to do,” he said. “Open-world games are about doing things, having activities, having distractions. So we wanted to create a world that’s not only massive, but is also incredibly interactive.”

Unlike Skyrim and Red Dead Redemption 2, in Crimson Desert you can fly around on a dragon, so despite the size of its world, you’ll be able to get about quickly. And don’t expect RPG elements in terms of decision-making and choice and consequence as it relates to your character, either. The sheer amount of things to do in the world will facilitate the role-playing part of Crimson Desert, which players will form through “head canon.”

“You choose the type of character you want to play as in terms of your progression within the systems in the game,” Powers explained. “And then through head canon you’re having this very different experience than other players because of the scope and scale of the game. You’ll be distracted by something, you’ll go on this quest line, you’ll have an experience that’ll be radically different than someone else, even though they’re playing the same game and the same canonical storyline that you both are going through.”

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Exclusive: Frozen’s Anna – Soothing Sister and Do You Want to Build a Snowman? From Disney Lorcana’s Winterspell Set Revealed

IGN can exclusively reveal two new Frozen-themed Disney Lorcana cards from the upcoming Winterspell expansion that have exciting implications for both the lore and gameplay of the TCG, and they are Anna – Soothing Sister and the Do You Want to Build a Snowman? song card.

Disney Lorcana’s Winterspell expansion will be released at local game stores and Disney Stores on February 13 and everywhere else on February 20, and one of the Legendary cards players will be searching for is Frozen’s Anna – Soothing Sister.

To learn more about these cool (we had to do it!) cards, we spoke with members of the Disney Lorcana team.

“Anna – Soothing Sister is the first Disney Lorcana card with a 0 ink shift cost,” Lukas Litzsinger, Winterspell Game Design Lead, said. “This means that you can put together some truly impressive turns where you play another card, or two, from your hand in addition to shifting Anna. She can truly swing the momentum of the game in your favor. But that sort of power does come with a condition: a card has to have left a player’s discard this turn. Thankfully, there are several good options included in Winterspell for this to occur, including on her shift base.

“Her second ability, Warm Heart, likewise has synergy with cards in your discard. This gives players a strong direction when building the deck: not only do you want to have a card leave your discard for her shift ability, but you also want to get characters in your discard with high lore value.”

From a lore perspective, this card pairs very fittingly with Elsa – Ice Artisan, who herself is one of the leading figures of Winterspell.

“In Winterspell, we tell the story of a vine that’s growing out of control and sucking up flood ink,” Jenna Giuffrida, co-lead on narrative design for Winterspell, shared with us. “In an effort to quell its growth, the Illumineers of the realm summon powerful glimmers to help deal with it. One of them, an Elsa glimmer, accidentally freezes the whole realm in her attempt to stop the vine.

“Just as Elsa’s costume demonstrates her role as the powerful force of nature that caused the storm and froze the vine, Anna’s costume reflects the ways she balances her sister. When Elsa is in need of comfort (and thawing out, so to speak), she turns to Anna for empathy and hope, so you can see some of that in the spring theming of her character card.”

As for Do You Want to Build a Snowman?, this song brings together the sisters in a really wonderful way, but it was tough for the team as they really wanted to get it right.

“We get to see both these glimmers come together in Do You Want To Build a Snowman? and really feel the tension in the moment–Anna isn’t as upset with Elsa as perhaps she fears,” Giuffrida said. “We also knew it would be a missed opportunity in this gloriously snowy set not to provide fans with such an iconic and recognizable song card.”

“This was a difficult card for us to get right,” Litzsinger added. “We went through many iterations of what it meant to build a snowman in our game, but the breakthrough came when we took a step back and realized that it wasn’t actually about building a snowman. It was about asking someone else if they wanted to help you build a snowman. This led to a card effect where you ask that question, and also gave us a new template: you get to ask your opponent YES! or NO! and the card does something different depending on their response. We worked closely with Darla Kennerud and our editing team to make this new template happen, and the card is all the more charming for it.”

These cards are only two of the many that fans will soon be able to chase that will continue to build the Lorcana universe even larger, and the Lorcana team has been busy teasing exciting new details about Winterspell and beyond. Alongside these Frozen characters, Winterspell will also feature fan-favorite characters from Pocahontas, Angel from Lilo & Stitch: The Series, and Darkwing Duck.

Furthermore, the two Iconic cards of this set will be Moana – Curious Explorer and Pocahontas – Peacekeeper, and they will both sport a “Papercut Style” that evokes paper snowflake decorations.

Following Winterspell, Glimmers from Toy Story, The Incredibles, and Brave will join the roster in Wilds Unknown when it is released in game stores on the Ravensburger Play Hub on May 8 and everywhere else on May 15.

Lastly, Summer will bring the Attack of the Vine! set, and that will feature glimmers of Monsters, Inc.’s Mike Wazowski and James P. Sullivan.

Adam Bankhurst is a writer for IGN. You can follow him on X/Twitter @AdamBankhurst, Instagram, and TikTok, and listen to his show, Talking Disney Magic.

Clair Obscur: Expedition 33 Sets World Record for Game of the Year Awards, Surpassing Elden Ring

Clair Obscur: Expedition 33 has set the world record for most Game of the Year awards, surpassing FromSoftware’s Elden Ring.

Last week, IGN reported that Clair Obscur: Expedition 33 was once again sweeping award nominations, this time at the Game Developers Choice Awards, where it’s been nominated for all but one award, and earlier that same week, Clair Obscur: Expedition 33 absolutely dominated the Annual D.I.C.E. Award Nominations along with Ghost of Yotei.

Even with with the BAFTAs, DICE, GDC Awards and more still to go, ResetEra’s Angie — who’s been keeping an eye on all the nominations and wins — reports that Clair Obscur: Expedition 33 has clocked up a staggering 436 awards, surpassing prior top-spot-holder, Elden Ring, which has 429. The rest of the top five is rounded out by The Last of Us Part II (326 awards), Baldur’s Gate 3 (288), and The Witcher 3: Wild Hunt (281).

Providing most of their workings and rationale, Angie also believes Expedition 33 has secured more Players’ Choice awards than anything else — The Last of Part II received 115, Elden Ring 97, Baldur’s Gate III has 89, while Sandfall’s record-breaking JRPG has 125 — but interestingly, when Game of the Year wins are calculated by the percentage of total awards given out during the release year, Clair Obscur takes the bronze. Though it has scooped 70% of all the awards given out this year, Street Fighter II received 80% back in 2005, and 1998’s The Legend of Zelda: Ocarina of Time did even better at 87%.

Not all award years are equal, of course — the number of awards will depend upon the number of outlets/organizations publishing a Game of the Year winner (Clair Obscur was IGN’s 2025 game of the year), and this list includes awards given not just by gaming press, but also newspapers, radios, podcasts, and more — but it’s nonetheless a testament to Clair Obscur: Expedition 33’s impact. Hop on over to ResetEra for the full list (thanks, GamesRadar).

It’s been an incredible time for Sandfall, which has found itself thrust into the mainstream following Clair Obscur’s success. Even French president Emmanuel Macron celebrated the game for winning Game of the Year. But it’s not all positive for Sandfall when it comes to game awards, however. Last month, Clair Obscur: Expedition 33 was stripped of two awards from the Indie Game Awards after its alleged use of generative AI hit the headlines.

While accepting the Game of the Year award at last month’s The Game Awards, Sandfall shadow-dropped new DLC and Patch 1.5.0, which introduces new location Verso’s Drafts and some truly challenging boss fights.

IGN’s Clair Obscur: Expedition 33 review returned a 9/10. We said: “Wearing its inspirations on its sleeve, Clair Obscur: Expedition 33 paints itself into the pantheon of great RPGs with a brilliant combat system and a gripping, harrowing story.” Here’s a Handy Guide for Beginners if you’re looking to give it a try, too.

Vikki Blake is a reporter for IGN, as well as a critic, columnist, and consultant with 15+ years experience working with some of the world’s biggest gaming sites and publications. She’s also a Guardian, Spartan, Silent Hillian, Legend, and perpetually High Chaos. Find her at BlueSky.

Creator of DMCA’d Cyberpunk 2077 VR Mod Says People Are Now Pirating It to ‘Punish’ Him for Breaking CD Projekt’s Terms of Service

The creator of the Cyberpunk 2077 VR mod CD Projekt recently hit with a DMCA strike has said people are now pirating it to “punish” him for breaking the developer’s terms of service.

Luke Ross, creator of the R.E.A.L. VR mods for games such as Elden Ring, Days Gone, and Far Cry, reportedly earns $20,000 a month through Patreon, which acts as a paywall for his work.

Ross extended his VR conversion framework to support Cyberpunk 2077 in February 2022. A few months later, he contacted CD Projekt to ask if the Polish studio was interested in turning the mod into an official port. It declined, Ross told IGN.

Then, on January 9, 2026, Patreon alerted Ross to CD Projekt’s DMCA notice for the removal of the mod, which it had already taken down. “I had absolutely no say in the matter, because as is the norm in these cases (at least for Patreon), the Patreon team had already complied with the request and taken down my mod of their own initiative, making it inaccessible,” Ross said.

Ross then got in touch with CD Projekt to, as he put it, “negotiate a mutually beneficial solution.” CD Projekt then replied to say Ross needed to comply with its terms of service. “No negotiation, no comments on my proposals, no interest for instance in knowing how many of their users would be affected by the sudden removal.”

The situation hit the headlines this week when Jan Rosner, VP, Business Development at CD Projekt Red, tweeted to say the company issued the DMCA strike because Cyberpunk VR was a paid mod, which violates its fan content guidelines.

“We never allow monetization of our IP without our direct permission and/or an agreement in place,” Rosner said. “We were in touch with Luke last week and informed him that he needs to make it free for everyone (with optional donations) or remove it.

“We are big fans of mods to our games — some of the work out there has been nothing short of amazing, including Luke’s mod for Cyberpunk 2077. We’d be happy to see it return as a free release. However, making a profit from our IP, in any form, always requires permission from CD Projekt Red.”

Ross responded to Rosner’s tweet to take issue with his work being characterized as fan content. Rather, Ross insisted, it is independent software and thus does not infringe on CD Projekt’s IP rights.

“I’m sorry but I don’t believe you are within your rights in demanding that my software needs to be free,” Ross said. “It is not ‘derivative work’ or ‘fan content’: it supports a large number of games which were built upon different engines, and it contains absolutely zero code or assets from your IP. Saying that it infringes your IP rights is equivalent to maintaining for example that RivaTuner violates game publishers’ copyrights because it intercepts the images the game is drawing on screen and it processes them in order to overlay its statistics.”

IGN followed up to ask Ross if he has plans to make the Cyberpunk VR mod free, thus complying with CD Projekt’s terms of service. Responding, Ross said that while he wouldn’t rule out doing so, it would be a lot of work.

“I do not rule out releasing the mod free for everyone,” he said. “But it would take time, because my software supports 40+ games and various completely different engines, which makes creating a version that specifically supports only Cyberpunk 2077 a non-trivial task. Also, the people who have voluntarily given their money to me in order to support my development efforts for the framework might not be happy about seeing the mod being given away all of a sudden to everyone just because I’ve been bullied into it.”

At this point, Ross said that making the mod free had become a moot point because people were now pirating it — and publishing abusive comments directed at him.

“Anyway, it’s kind of become a moot point, because following to the unexpected DMCA strike, after the mod was forcibly removed from my Patreon, people afraid of losing VR support for their favorite games have started pirating and illegally exchanging the mod all over the Internet, brazenly saying that since I was not complying with CDPR’s ToS, my work is now fair game and I should be punished by having it stolen. So in a sense CDPR already got what they wanted,” he said.

The following is a snippet of the response to the DMCA strike and Ross’ comments about it.

“Ehhh, without the game the mod is useless. I’m glad some people have found ways to pirate his shitty mods, he deserves it,” one person said on social media.

“I’m currently working on transferring this guy’s mod files to my PC. I’ll look through and do some tweaking, and then I’ll release his VR mod for Cyberpunk for free,” said another.

“What really bugs me is that instead of just releasing it for free and continuing development with donations, which Take-Two already allows and which would almost definitely still bring in the same money from the VR community, he chose to kill the mod entirely once he couldn’t sell it anymore,” added another. “That’s the part I don’t respect. He already made his money, he had options, and he still chose the nuclear one. End result is players lose the only real Cyberpunk VR experience, VR modding takes another hit, and publishers get painted as villains again even though this outcome was kind of obvious.”

The following is a comment posted on Ross’ Patreon page:

“Upon reading more about this case: they gave you a way to keep it alive, and you decided to be a greedy little bish about it so I’m cancelling my Patreon subscription to you and giving all your mods to anyone I know for free from now on (also there’s places online to find all your mods immediately after release for free, I was choosing to pay you, but now you’re being a dickhead so I’ll just steal your mods from now on and tell everyone where to find them).

“You’ve made 20k a month for years, for modding these games — they’re asking you to make ONE OF THEM free — for a game which is largely done updating and would be version locked.

“Really gross by CD Project Red, and by you — shows where your priorities are you greedy little proud man.”

It seems unlikely that CD Projekt will back down here, which leaves Ross with a decision to make: ditch the Cyberpunk 2077 VR mod for good, or release it for free, as CD Projekt requests.

Ross restated to IGN that he is open to finding “creative solutions,” and that his work to make AAA games playable in VR fills a void, but he has yet to confirm plans to release the Cyberpunk 2077 VR mod for free.

“I do not modify the content of the games, or try to sell an experience which is in competition with what the IP creators are producing,” he continued. “To play in VR you always need to own the original game, and the only thing that changes is that the experience is more immersive, visceral and memorable, which can only benefit the IP owners. In the end, when gamers are playing for example Cyberpunk in VR, they are not playing my mod. They are playing Cyberpunk, and loving it. How this could ever hurt the publisher and trigger free-or-kill reactions still baffles me.”

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Arc Raiders Dev Says Players Who Spawn Late Don’t Realize They ‘Economically Profit Way More’ Than Players Who Don’t

Arc Raiders developer Embark Studios has said players who spawn late don’t realize they “economically profit way more” than players who don’t.

In an interview with GamesRadar, design lead Virgil Watkins discussed the extraction shooter’s divisive late spawn system, which can see players join games with around 20 minutes left to go. The feeling from some is that this can be a frustrating experience because it gives late joiners less time to complete objectives, and there isn’t as much loot around. But Watkins suggested the data tells a different story.

“We 100% acknowledge the whole thing of, ‘Man, I came in to do that trial and now I clearly don’t have enough time to do that, and that sucks, so I’m just going to leave,’ or whatever. That aspect is definitely not great,” Watkins admitted.

“But similar to the perception of free kits versus what they do, the perception around late joining and what it affords you has been quite interesting. Players are like, ‘The loot’s all gone,’ or whatever else. But players who late join economically profit way more than people who aren’t. The session, when they are fresh, does eventually get quieter, and very often they come across the remnants of fights or can maybe take out bigger drones or hit high-ticket areas more readily than other players. So that’s been a very interesting thing to look at.”

So what is the goal behind the late join system? According to Watkins, it helps mitigate deserted raids. Indeed, Embark distributes loot in such a way so “there should be plenty of stuff for players to do” even if they join late.

It will be interesting to see if Watkins’ explanation here turns sentiment on late spawns around. Since Arc Raiders’ explosive launch, its late spawn system has come under fire from some who feel it needs to be overhauled. There’s frustration on both sides, with those who have to face late spawns having been in a game from the start also expressing concern.

“It’s crazy that my team can clear a section of Stella Montis, place traps near the popular entrances, and start looting… only to have a full team of three, heavy shield, volcano running players spawn 50 FEET AWAY from us in a random room in the corner of the area… spawning basically on top of us, at 15 MINUTES REMAINING,” said one fan last month. “There is no counter, there is no chance of winning, they bypassed our traps as they spawned in the room next to me.

“The ONLY players who should be spawning in five minutes into the raid or later are FREE LOADOUTS. Tarkov got that system down with the player Scavs, and it works very well. The initial spawn should be player loadouts only, then free loadouts come in at 25, 20, and 15 minutes remaining. Does that sound reasonable?

“I’m not crazy right? I’ve spawned literally on top of players who were looting and have gotten extremely unfair free kills because of it. Even reworking the spawning mechanic wont fix it, as you shouldn’t have to worry about a random full geared 3-man at 15 minutes remaining after 5 minutes of silence after your team wiped out 12 players.

“Spawning in a 20 with gear sucks. Most of the PVP is gone, half the loot is already extracted. It sucks for everyone else too, they are low on meds, shields are nearly broken, and now 3-9 completely fresh, geared players have arrived at unexpected locations you just cleared.”

This week, Embark released a new patch for Arc Raiders that stamped out some infamous out-of-bounds exploits – but players said “rats” still live in the walls of Stella Montis. If this has tempted you into giving Arc Raiders a try, check out our guide to the best settings, find out what skills we recommend unlocking first, and see how to earn loot by delivering field depot crates… or you can just wait for the inevitable TV show or movie adaptation, although the team says it hasn’t been swayed just yet.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Dixie Kong Joins Donkey Kong Country Returns HD in Surprise Free Switch and Switch 2 Update

Surprise! Nintendo has released an unexpected free update for Donkey Kong Country Returns HD, adding Dixie Kong and a new Turbo Attack mode for the game on both Switch and Switch 2.

The Switch 2 version of Donkey Kong Country Returns HD gets additional improvements, meanwhile, with improved loading times, higher resolution visuals, and the ability to play in co-op with a friend who doesn’t have the game themselves via GameShare.

Swapping out Diddy Kong for Dixie allows you to benefit from her higher, further jumps. Turbo Attack, meanwhile, tasks you with clearing levels at breakneck speed and within a tough time limit. In other words, Nintendo seems to have added something here for both new players and veterans.

While today’s update has dropped out of the blue, Nintendo has been updating its many games originally released for Switch with fresh features, and improvements for those now playing on Switch 2. Some of these have included paid upgrades — such as last week’s Animal Crossing: New Horizons update — while Donkey Kong Country Returns HD’s new additions are free.

Today’s full Donkey Kong Country Returns HD patch notes lie below.

Donkey Kong Country Returns HD: Ver. 1.1.0 (released January 20, 2026) patch notes:

The following updates have been made when playing the game on Nintendo Switch 2 and Nintendo Switch:

  • You can now play as Dixie Kong. Her action when jumping is different from when Diddy Kong jumps.
    • When playing alone, as you grab a barrel, you can switch between either Diddy Kong or Dixie Kong as the character that appears.
    • When playing with two people, P2 can switch between Diddy Kong or Dixie Kong by pressing the stick (the L Stick in the case of playing with both Joy-Con 2 or Joy-Con controllers) on the world map.
  • A Turbo Attack mode where you can race through the stage at high speed has been added.
    • If you clear the course once, it will appear at the same time as the Time Attack mode.
    • If you can clear it within the time limit, you will acquire a turbo medal.
  • Now supports Brazilian Portuguese language.
    • You can switch the language in the “Language” setting in the “System” menu of “System Settings.”
  • Several other issues have been addressed and image quality enhancements have been made to improve the gameplay experience.

The following updates have been made when playing the game on Nintendo Switch 2:

  • Now supports “GameShare (Local User).”
    • You can select “GameShare (Local User)” from “2 Players” on the game start screen or the menu screen of the world map.
  • Optimized for the Nintendo Switch 2 display and high-resolution TVs for improved image quality.
  • The loading time is now shorter.

Tom Phillips is IGN’s News Editor. You can reach Tom at tom_phillips@ign.com or find him on Bluesky @tomphillipseg.bsky.social