FragPunk Review

With all the trailers, showcases, and dev diaries that can lead up to a game’s launch nowadays, it’s harder than ever for one to be a real surprise – and that’s especially true of a multiplayer first-person shooter when, like me, you are a Certified Old Gamer™ who’s been playing them since the genre began. Yet FragPunk has done just that. What I worried might end up being a Valorant clone with a card gimmick and a big list of other buzzword features has instead impressed me with how fresh it all feels. That said, a messy mishmash of in-game currencies and rewards hurts the fun that can come from leveling up and chasing cosmetics.

In many ways, FragPunk reminds me of a reverse Ship of Theseus. If every component of a game came from somewhere else, does it eventually become something original? It’s hard to say, but the result here is quite amusing regardless. Like Overwatch, it has very distinct characters with big personalities and unique tools to match them. Like Valorant or Counter-Strike, the primary game mode, called Shard Clash, revolves around teams of five competing to plant or defuse a Converter (aka bomb) or eliminate one another across multiple rounds. And like Fortnite, it has a deep bag of cosmetic items like costumes, weapon skins, stickers, and emotes to entice you to spend some money on this otherwise free-to-play shooter.

FragPunk’s playable characters are called Lancers, and they are an entertaining group to choose from. Some are relatively typical archetypes, like a sniper named Hollowpoint and her abilities that help reveal enemies. Others are way out there, like the punk rocker Axon, who shoots lightning from his guitar. Unlike Valorant, where abilities can give you an edge but are rarely what win a fight, Fragpunk places a much bigger emphasis on using them to dominate the map, which I like. When abilities like Broker’s rocket launcher can instantly erase someone, it feels good to use it yourself or devise a counter on the fly as you see it coming, like throwing down a shield wall as Nitro to provide cover and then returning fire from a remote controlled combat drone.

Naturally, Fragpunk isn’t all lightning guitars and rockets. Your standard assortment of shotguns, SMGs, assault rifles, and more forms the backbone of combat. I don’t mind that the guns really aren’t the star of the show here, but I do wish there was more variety to choose from. There are two options in each category you can select as your primary weapon, and they all shoot pretty much exactly how you’d expect. But the gunplay is at least smooth and responsive, and the fast time-to-kill does a good job of emphasizing the importance of positioning over raw gun skill.

The real star of the show is the Shard Card system.

The other aspect of shooting that stands out is how little movement affects your aim. Unlike Valorant, where stopping and popping is often essential if you want to be accurate, Fragpunk fully embraces running and gunning. I found myself repeatedly lagging behind my squad in kill count until a teammate pointed out that I’m better off treating gunfights like Call of Duty with powers – advice that put me right at the top of the next match’s leaderboard. That style of shooting isn’t necessarily better or worse than the more deliberate action of other games, but it does stick out as atypical for an objective-based tactical shooter in a way that’s a perfect fit with the general FragPunk vibe.

The real star of the show is the Shard Card system. Before every round, each team has three random cards pulled that players can then put Shard Points into, effectively voting on which ones will be active. The costs of their effects vary, and you earn more Shard Points either by getting kills or picking them up off the ground mid-round. Some Shard Cards are simple, like one that increases your movement speed, while others are extremely powerful, like another that forces the next round to play out as a melee battle – or one called Big Heads, which (as advertised) gives the entire enemy team overgrown, easy-to-hit craniums. A few are even downright weird, like Egg King, which causes everyone to lay an egg after crouching for 10 seconds, which you can then eat to regain health. It’s hilarious, utterly bizarre, and unlike anything I’ve ever seen in a shooter before.

I’m surprised by how much I enjoy the card-collecting aspect of FragPunk. You start with access to less than a third of the 169 total Shard Cards that are currently available, and you can earn more after completing matches. Getting more matters, as the cards that are randomly selected before each round are based on what each team member has unlocked. It’s pretty exciting getting a new card and reading what weirdness it’s going to introduce. I also appreciate that you can easily see your collection, read the effect, and, in some cases, watch a quick video showing you exactly what it does.

Rounds of Shard Clash go by fast – possibly too fast. In theory, one team is trying to plant the Converter on one of two objective points, which the other team would then need to defuse… but in practice, the overwhelming majority of rounds end when one team wipes out the other, often in just a few minutes. That means that matches rarely have the same sort of strategic back and forth that makes hard-fought games of something like Valorant so engaging. It also means that Lancers with abilities that have more of a nuanced, tactical focus have seemed less viable overall. I’d love to hunker down with Nito’s turrets and drone to hold a point, but so far that’s just a recipe to have all the action happen elsewhere. Hopefully some balance tweaks will arrive to make the objectives a more relevant part of the action.

The cosmetic hunt is too complex without having a lot of enticing options.

A match ends when one team wins four total rounds, but if both teams reach three wins before that happens, it activates one of my favorite twists: Duels. This has each team face off in a series of 1v1 fights in a small arena, and whoever survives sticks around to face the other team’s next champion until every member of one has been eliminated. Health and abilities don’t regenerate round to round, which makes it tough for one great player to run the table. The action is as exciting as it is tense, and spectating while you root on your teammate and wait for your own turn is thrilling, especially when you get the win that clinches the Duel and, by extension, the entire match for your team.

Ranked competition isn’t available until you reach level to 30, which can potentially take up to 10 hours. That’s a little on the long side, and I was pretty done with no-stakes matches well before I was able to start playing for rank. Shard Clash is the same in ranked, apart from the fact that you are now playing to six wins rather than four, but the random element of the Shard Cards might be a little too random in this context. It’s tough to be fighting with actual stakes and feel like bad draws are costing you wins. There’s an advanced version of Shard Clash you get access to once you reach Diamond rank that gives teams some control over selecting and banning cards to mitigate that, but I can’t help but feel like it should be the default for ranked competition across the board.

A few other modes add some variety, though none stand out. Simple Deathmatch is nice for shooting practice, and Duel Master is a similarly good gametype to train for those one-on-ones, though it not being the finale of a long match takes a lot of the drama out of it. Outbreak is the most interesting option: Like Halo’s Infection playlist, most players start with weapons while a few turn into Zombies, and everyone who is killed turns and starts hunting the survivors. Unfortunately the matches are much too long, and the mix of zombies with too much health and guns that slow them down tends to make fights frustrating for both sides.

Like so many free-to-play games, FragPunk relies on incentivising people to spend money on things like cosmetics as a source of revenue, rather than game sales. There’s nothing inherently wrong with that model, and it can even be a fun motivator if there are cool things to chase. Here, however, the cosmetic hunt suffers from a mixture of being too complex without having a lot of enticing options that make it feel worth investing in.

There are way too many different currencies. There is Gold, which you use to buy items and new Lancers, and there’s Glunite, which also buys items – those are both earned largely through playing matches and progressing along the battle pass. Then you can buy FragPunk Coins, which cost real money and are also used to unlock characters and items. If you buy into the premium version of the battle pass for 900 FragPunk Coins, which will cost you around $10USD, you’ll earn Battle Pass Tokens to spend on a different set of cosmetics. Meanwhile, playing ranked matches will get you Ranking Coins, which let you pick from an exclusive pool of weapon skins. That’s not to be confused with the Membership Pick, obviously, which you cash in for weapon skins from a different pool. And, of course, if you or create an in-game Club, you can get Club Supplies. These are all spent on basically the same types of things, but from separate catalogs, which creates unnecessary confusion with no benefit to you as a player.

It’s a mess, and that’s without including the additional currencies that will presumably rotate in and out for special events. It’s too scattered, and way too much to keep track of. It’s also hard to feel any interest in figuring it all out when most of the prizes aren’t very appealing. None of the additional skins stand out the way the best options in Marvel Rivels do, for example. Many of the things Gold (the currency you earn the most of) gets you are random pulls for small touches like gun stickers. The most valuable thing Gold can buy, the Lancers, are prohibitively expensive, resulting in a far too coercive push towards spending real money to buy new characters outright – when it took me 10 hours to unlock a single Lancer, that $10 price tag starts to look less like a suggestion.

Even the battle pass, a staple of games like this, misses the mark. There are very few rewards on the free tier of the 60-level pass, and they consist primarily of stickers, icons for your profile, and pop cans that give out random rewards. Paying for the premium tier gives you access to many more prizes, including several bland character and weapons skins… but there’s also an Ultimate level on top of that, which adds very little other than doubling a few of the random pull rewards, two weapon skins, and one Lancer skin. That seems absurd given the Ultimate Pass is more than double the cost of the premium version at a whopping 2500 FragPunk Coins, or around $25.

Gears of War: E-Day Co-Developer People Can Fly Signs New Project With Sony, Codenamed Project Delta

The developer of Bulletstorm and co-developer of Gears of War: E-Day, People Can Fly, has signed a deal with Sony Interactive Entertainment to develop a new game, codenamed Project Delta.

This comes from a report published by People Can Fly describing the agreement, which stipulates Project Delta will be made as a work-for-hire game, but does not provide further description of the project.

People Can Fly is currently developing a large number of projects with similar codenames, including Project Gemini with Square Enix (which saw 30 developers laid off last year), Project Echo with Krafton, Project Red (also seemingly with Sony), and the VR Project Bison, which People Can Fly announced just yesterday would be its final VR project.

Just last December, the studio announced it was suspending work on its in-progress Project Victoria, and scaling down another in-development game, Project Bifrost. Prior to that in April, it announced it would be cancelling Project Dagger, which was supposed to be an action-adventure title in partnership with Take-Two interactive.

That still leaves People Can Fly with eight total projects in the works that we know of, including the upcoming Gears of War: E-Day in partnership with The Coalition. We don’t have a release date on that one yet, though the Square Enix partnership game, Project Gemini, was last known to be due out in 2026.

Rebekah Valentine is a senior reporter for IGN. You can find her posting on BlueSky @duckvalentine.bsky.social. Got a story tip? Send it to rvalentine@ign.com.

God of War Ragnarok Celebrates Franchise’s 20-Year Anniversary With Dark Odyssey Cosmetic Update Next Week

Sony and game developer Santa Monica Studio have revealed the Dark Odyssey collection, a God of War Ragnarök update coming to players next week that features in-game equipment themed after one of the franchise’s most iconic outfits.

Sony detailed all of the goodies included in its God of War 20th anniversary plans in a PlayStation.Blog post. Dark Odyssey is the real headline here, as it includes a war chest of cosmetic treats for all God of War Ragnarök owners across PlayStation 5 and PC. It’ll arrive as a free update March 20.

Everything included in Dark Odyssey features a clean, black-and-gold look that will no doubt have Kratos and co looking better than ever as they tear their way through Norse mythology. Atreus and Freya both receive their own cosmetic sets as part of the patch, too, as do a variety of the player’s shields and weapons.

The show-stealer, though, is a Dark Odyssey appearance and armor set for Kratos that hearkens back to a skin originally only rewarded to players who managed to beat God of War 2 on God Mode difficulty. Players can claim the content in any Lost Items chest in the base game or immediately in God of War Ragnarök’s roguelike Valhalla mode after the update drops. The patch will also finally introduce the option to customize the appearance of Kratos’ weapons without sacrificing each weapon’s respective ability.

Dark Odyssey Armor & Appearance for Kratos

  • Dark Odyssey Kratos Appearance
  • Dark Odyssey Armor Set for Kratos (Dark Odyssey Breastplate, Dark Odyssey Bracers, Dark Odyssey Belt)

Dark Odyssey Companion Armor

  • Dark Odyssey Vestment for Atreus
  • Dark Odyssey Witch Frock for Freya

Dark Odyssey Weapon Appearances & Attachments

  • Dark Odyssey Leviathan Axe [Appearance] & Dark Odyssey Knob [Attachment]
  • Dark Odyssey Blades of Chaos [Appearance] & Dark Odyssey Handles [Attachment]
  • Dark Odyssey Draupnir Spear [Appearance] & Dark Odyssey Hind [Attachment]

Dark Odyssey Shield Appearances & Rönd

  • Dark Odyssey Guardian Shield [Appearance]
  • Dark Odyssey Dauntless Shield [Appearance]
  • Dark Odyssey Stone Wall Shield [Appearance]
  • Dark Odyssey Shatter Start Shield [Appearance]
  • Dark Odyssey Onslaught Shield [Appearance]
  • Dark Odyssey Spartan Aspis Shield [Appearance]
  • Dark Odyssey Rönd

God of War Ragnarök released in late 2022, so one simple update was never going to do the series’ 20-year history justice. Also included in Sony’s plans to celebrate God of War is a long list of other activities and offers for those who have stuck with Kratos’ story since the beginning. Highlights include a collection of some snazzy social media assets (that you can download here), an art showcase coming as part of a collaboration with Los Angeles’ Gallery Nucleus, new merch, sales, multiple vinyl releases covering the franchise’s history, and more.

“On behalf of everyone at Santa Monica Studio, we are immeasurably grateful to have had the chance to build the legacy of this series with and for you, the fans of God of War,” the studio said.

For more on how you can celebrate 20 years of God of War, you can check out an upcoming PlayStation symphony world tour that kicks off next month. You can also read up on why we think the next God of War title needs to be just as creative as the ones that came before it.

Michael Cripe is a freelance contributor with IGN. He’s best known for his work at sites like The Pitch, The Escapist, and OnlySP. Be sure to give him a follow on Bluesky (@mikecripe.bsky.social) and Twitter (@MikeCripe).

Helldivers 2 Players Are Looking For Hidden Messages Amid Black Hole Disaster

Easter eggs and secret messages are old hat for many ongoing games, and Helldivers 2 is no stranger to them either. So it’s little surprise that amid an ongoing, calamitous conflict with the Illuminate, players are poring over the messages for hidden details.

If you’re not caught up with the running narrative in Helldivers 2, here’s a quick catch-up: developer Arrowhead has the Illuminate back and pushing the lines of galactic warfare as the latest threat to Super Earth. The eerie foe is using a massive black hole to slowly consume entire planets, pushing it to Angel’s Venture and, now, Moradesh.

Ironically, the black hole was initially created on Meridian by Super Earth, in an effort to wipe out a Terminid Super Colony. Arrowhead’s got a particular penchant for “yes, and”-ing the outcomes of the galactic campaigns. The slow build to right now, with the Illuminate pretty much pushing a black hole slowly towards Super Earth, is the latest in a long line of dominoes.

So, now we’re here: Moradesh is evacuating, and Helldivers are anticipating the next step of this cataclysmic campaign. Yet some are digging into the evacuation orders, trying to suss out a hidden meaning from the messages Arrowhead is broadcasting.

Reddit user Pinglyadya shared an image of what looks like an egg, hidden in the Moradesh videos. In the comments, they go further, breaking down the potential morse code strings into dots and dashes, surmising that it all results in a few different codes: “045a5, 06efbc, e1b5f0 then 21232. We don’t know what this is the code to but have fun.”

The “06EFBC” code caught attention in another thread, as it could correspond with the hex code for a shade of teal called Last Straw. Sounds ominous! Nothing concrete has surfaced beyond that, but at least a few fans are convinced there’s something hidden in these messages.

It wouldn’t be the first time players have gone diving for secrets in Arrowhead’s updates. With the Meridian Singularity slowly approaching Super Earth, though, I do wonder whether Helldivers have time to spare for this.

Arrowhead has, since the destruction of Moradesh, issued a new Major Order for players, tasking them with defending planets so Super Earth can construct a Penrose Energy Siphon and effect a “one-time reduction” in Dark Energy Accumulation.

Hopefully, this can put a stop to the giant tear in space that’s slowly encroaching on everything the Helldivers hold dear. And, possibly, put a few more secret messages out into the ether.

This is all part of Helldivers 2’s ongoing, community driven Galactic War, which has captured the attention of the game’s community for over a year now. The Illuminate invaded in December with an initial alien force that added new enemies to fight against as well as brand new Super Earth colonies to fight on. These colonies introduced Helldivers 2’s first urban environments, with city streets packed with innocent civilians mind-controlled by the Illuminate. The Voteless, as they’re called by Super Earth, are little more than zombies who want nothing more than to team players limb from limb.

Eric is a freelance writer for IGN.

Star Wars: Knights of the Old Republic Remake Developer Insists ‘Everything We Have Talked About Is Still in Development’

Saber Interactive has insisted all its previously announced games are still in development, despite the radio silence around high-profile titles such as the Star Wars: Knights of the Old Republic remake.

Hot on the heels of the announcement of Warhammer 40,000: Space Marine 3, Saber Chief Creative Officer Tim Willits tweeted to reassure the studio’s fans that everything it’s announced is still in the works.

“Saber Interactive is one of the largest independent developers in the world,” Willits said. “We are working on numerous games across many different genres. Everything that we have talked about is still in development. We will share information on upcoming games when we have something cool to share.”

The most obvious subject of Willits’ statement is the KOTOR remake, which remains one of gaming’s most elusive projects. Announced in 2021, the long-awaited remake has changed hands multiple times, seemingly stopped development and restarted again, and after four years has failed to materialize.

In April 2024, Saber Interactive CEO Matthew Karch confirmed the company took KOTOR with it during its split from Embracer Group, and that the game was still in active development.

“It’s clear and it’s obvious that we’re working on this,” he said at the time. “It’s been in the press numerous times. What I will say is that the game is alive and well, and we’re dedicated to making sure we exceed consumer expectations.”

Willits’ statement, which comes nearly 12 months later, reaffirms Karch’s quote. But still, even now, we have seen nothing of the KOTOR remake beyond its initial announcement video.

Saber also has other games in the works, including a number due out this year. John Carpenter’s Toxic Commando and Jurassic Park Survival are still down for 2025, but neither has a release date. Saber is also working on a brand new Turok game and an untitled Avatar: The Last Airbender title.

Now, you can add Warhammer 40,000: Space Marine 3 to the list. Be sure to check out IGN’s article on which chapters and enemy factions Space Marine 3 could feature for more.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Pokémon Fans Wildly Speculate On Why Legends: Z-A Has an E10+ Rating

We recently saw a good look at Pokémon Legends: Z-A, the next entry in Game Freak’s Legends series set to take place in X and Y’s Lumiose City. It’s also apparently garnered an E10+ rating from the ESRB, and fans are both curious and wildly, sometimes jokingly, speculating about what’s going to happen in this new entry.

Attentive fans noticed that on the Nintendo Switch store page, Pokémon Legends: Z-A has earned an E10+ age rating from the Entertainment Software Ratings Board, listing ‘Fantasy Violence.’ While it might not normally draw feverish speculation for most other series, it’s an oddity for Pokémon, whose mainline games have consistently been ‘E for Everyone.’

The rating has, of course, drawn wild speculation, some serious and some less-than-serious. It is genuinely entertaining to think about what strange choices Game Freak could possibly have made to bump up the rating, whether that be dialogue about Pokémon killing people or trying to add a gunplay mechanic. As several Redditors (jokingly) suggest, maybe the hordes come back, but it involves a group of Scrafty jumping you in one of Lumiose’s alleys.

“Ohhhh boy, Game Freak is taking off the little kiddie gloves,” Reddit user RynnHamHam said. “This ain’t your kindergartener’s Pokémon game.”

Several gags have also been made about AZ, a character with quite a history set to appear in Pokémon Legends: Z-A and who plays a central role in some of the darker elements of Pokémon X and Y’s story and the history of the Kalos region.

As for more plausible speculation, there are a few theories, including a few more “craps” than usual, or the appearance of a Game Center-style minigame. Even the darker elements of Lumiose could be more front-and-center.

My personal take is that this probably lies in the ‘Fantasy Violence’ the ESRB highlighted. While the rating is an oddity for your typical Pokémon game, it does line up with the pocket monster fighting game Pokkén Tournament DX, which also received an E10+ and noted ‘Fantasy Violence.’ The real-time elements showcased for Pokémon Legends: Z-A could have elicited the slightly stronger rating, as the monsters more clearly make contact.

There’s no listing, as of this writing, for Pokémon Legends: Z-A on the ESRB site, so we can’t learn much more at this time. Still, it’s fun to speculate a bit, at least until we know more about Z-A’s ultimate plans and how it will earn that bump-up in the E range.

Pokémon Legends: Z-A is slated for a late 2025 launch on Nintendo Switch.

Eric is a freelance writer for IGN.

Commandos: Origins Refreshingly Brings Back the Stealth-Tactics Marriage

The classic Commandos series was all about cleverly commanding a squad to pull off some daring operations aimed at crippling the Nazi war machine and putting a real stick in the eye of the empire. But it’s also a series that’s been in relative dormancy for some time, leaving other games like Shadow Tactics and Desperados to pick up the torch and offer a similar blend of real-time strategy and stealth gameplay that’s all about pulling off some slick, decisive strategies.

With the upcoming Commandos: Origins from developer Claymore Game Studios, the series finally gets its long overdue successor following the 2006 FPS spin-off, marking a return to the original’s old-school perspective and brutal difficulty. I recently got to play the opening missions of Commandos: Origins and came away appreciating this revival of an open-ended tactical stealth-action game – even if it took me some time to come to grips with it.

As a return to the classic gameplay and storytelling of the early PC games in the series, Commandos: Origins appropriately focuses on the founding of the elite squad. As green beret Jack O’Hara, he’s recruited by commando Sergeant Hancock with a mission to strike back against the growing Nazi empire. Following a daring escape through a North African allied base overrun by the Axis army, the duo soon expands their crew to engage in a larger campaign to destroy key targets across Europe and even the Arctic regions.

Origins taps into the style of pulpy, ensemble action films in the vein of The Guns of Navarone or The Dirty Dozen for its campaign.

Commandos: Origins works has both a modern update to the classic formula of the series, but also as a jumping on point for those who’ve never played the originals. Much like the previous games, Origins taps into the style of pulpy, ensemble action films in the vein of The Guns of Navarone or The Dirty Dozen for its campaign. The core gameplay is a blend of real-time strategy and a carefully paced tactics game, where you command a small squad to sneak through bases, take out targets, and make it out alive. Instead of moving turns like other tactics games, your squad and all enemies on the field will move and react in real-time, which pushes you to make your moves count – or else face the onslaught of enemies on the field.

Speaking to art director Thilo Gebhardt from Claymore Game Studios, he explained how the developer was specifically founded to help revive the Commandos series and how they approached modernizing it for Origins.

“The original owner of Kalypso Media, Simon Hellwig, who passed away, had the idea to bring back Commandos – he was a big fan of the original games,” Gebhardt said. “He had the opportunity to acquire it, and once he decided to make the next game an in-house production, he founded Claymore Studios specifically to revisit the brand. […] With other competitors in the genre recently they’ve shown that this type of game can still be updated to a more modern standard because it can be a hardcore experience. But we’ve also found ways to improve the interface and the pacing, and we hope to have made that experience more modern and less frustrating for new players.”

With each mission giving you a list of objectives and a large map to explore, you’re tasked with completing them efficiently and carefully. By taking advantage of blindspots in enemy line of sight and patrol patterns and using gadgets from the key members of each squad, you’re given plenty of opportunities and a wide berth in how you clear a mission. In some ways, it felt like each stage was a puzzle box to solve – by way of a stealth-action tactics game, and I soon had to get comfortable with hiding guards after I had taken them out of commission.

The opening mission in North Africa served as a solid tutorial in showcasing just how versatile but still specialized the squad members were. For instance, Sergeant Hancock takes on the role of the combat sapper, a combat engineer who can cut through wire barricades and plant powerful explosives to blow up targets. I found a lot to appreciate with how each squad member can coordinate, particularly with pulling off O’Hara’s advanced traversal skills and quick stealth attacks to help clear the way for his allies to break the objectives.

The stealth mechanics are impressive and really show a level of depth with the enemy AI and level design – particularly with how guards will remember which allies are in the area and how snowprints are visible in places that shouldn’t be. While I mostly crawled through the stages to be on the safe side, I still appreciated the moments when I could get a solid jump on the enemy. One useful option is the command mode, which lets you plan out specific moves for multiple squad members to execute all at once. Following the opening mission, Commandos immediately put me to the test in the following mission, which chucked me into the deep end.

Simply put, the difficulty here is super challenging. If just one commando dies, it’s a loss. I ended up failing – a lot – and that meant reloading saves to try again. Much like early entries, Commandos: Origins sticks with a retro style of progression in each mission – and that means you’ll need to embrace the retro concept of manually saving often – as auto-saves are not present in missions. In one instance during the second operation, I reached an important section of the stage but was quickly gunned down by patrolling troops. Because I was so focused on maneuvering my crew, I had forgotten to save and lost close to 10 minutes of progress.

According to the developers, the classic approach to manual saving was intentional, as it sticks close to the experience of the original games and doesn’t seek to give players too many safety nets.

“We thought a lot about the fans of the original games, and for them, the aspect of how saving works was something you simply shouldn’t change, it really comes down to taking away the liberty to decide on your own how you want to save your progress and what risk you want to take,” the art director Gebhardt said. “Personally, I will save a lot, and there are some more daring and more experienced players who deliberately do not save. And they approach it like a little bit of a puzzle with a more creative way. So really for Commandos, it’s about creative freedom of selecting your own safe points for.”

These repeated mission attempts, in some cases, turned out to be a blessing…

My losses regularly felt crushing, especially considering just how lengthy missions can be. I often felt the need to take a break, but I still rallied and came through. These repeats, in some cases, turned out to be a blessing, as they allowed me to go through the trial-and-error process and pick up new strategies, sometimes allowing me to satisfyingly make the best of a clumsy situation.

In one mission, I had to destroy a guarded comms tower. I originally took out all guards in the area and then destroyed the tower, but upon a redo of the area, I simply destroyed the tower and watched it crash down on two guards, with me walking away feeling like I was Agent 47 in Hitman. In one satisfying instance, I used my sniper commando to pull off a Saving Private Ryan-style series of quick sniper shots on alerted guards, giving my team some breathing room to rally.

The raw satisfaction that comes from tactics games is seeing a plan come together after taking a risk, and Commandos: Origins certainly offered up plenty of those moments – even after my crushing defeats. So far, Claymore Game Studios’ revival of Commandos is offering a compelling case for its comeback, which can potentially put the series back on the map as an exciting and satisfying tactics game.

The Atomfall Developers Knew It Would Be Compared to Fallout as Soon as It Was Revealed, Average Playthrough Around 25 Hours

At first glance, you might mistake Atomfall for a Fallout-style game. Perhaps, even, an actual Fallout game set in a post-apocalyptic England rather than a post-apocalyptic America. Atomfall is first-person, it’s post-nuclear (it’s called Atomfall for a reason), and it has an alt-history design, as Fallout famously does.

Ryan Greene, art director at developer Rebellion, totally understands where the Fallout comparisons are coming from. Not only that, but the development team knew Atomfall would be compared to Fallout as soon as it was revealed.

“Once you play the game, you realize it’s not Fallout, but yes, we knew,” Greene told IGN.

“And one of our owners, Jason Kingsley, he’s a big Fallout fan, so inevitably there was going to be some parallels in that any kind of survival in the apocalypse, immediately Fallout’s going to come up as a thing. And those guys are great at what they do. And that’s cool.”

But Atomfall isn’t really like Fallout at all. This is something IGN pointed out August last year when we reported that Atomfall is something much more interesting than a British Fallout.

Indeed, Greene warned that the Fallout comparison is “misleading.”

“Once you play it for a bit, you’re like, oh, this is its own thing for sure,” Greene said. And, Greene pointed out, Rebellion isn’t Microsoft-owned Bethesda. The independently owned British studio behind the Sniper Elite franchise has created an ambitious game, relative to its other games, but we’re not talking about an Elder Scrolls or Fallout-sized experience here.

“The reality is, here’s this very successful franchise and we’re version 1.0,” Greene continued. “To be compared to those guys… thank you very much… Yes, we appreciate it because that’s a skillful team that’s making that stuff.”

An average Atomfall playthrough, Greene said, is “probably 25-ish hours.” However, completionists can stretch that “a long way.”

To find out how the game plays, be sure to check out IGN’s most recent Atomfall hands-on preview, in which our Simon Cardy went off the deep end and killed everyone during his playthrough.

It turns out, you can go through the entire game killing everyone and it will cope with that. “You can kill anyone or everyone if you choose,” Greene confirmed. “That’s fine. We have multiple finishes to the game, so some of those would shut down if you were supposed to work with them throughout, but you’ll find multiple other routes to finish the game and achieve a result.”

Atomfall doesn’t have a main quest or a side quest in the traditional RPG sense. Rather, “it’s a spider web of connected story,” Greene explained.

“So even if you sever one thread, you can usually find another thread that leads you back to the overall mystery.”

Conversely, you can play through Atomfall without killing anyone. At least, Greene is “fairly certain” you can. “I’ve made it about nine hours in, probably close to halfway running at a pretty fast dev play speed and killed no one,” he said. “I’m fairly certain you can do it and there’s no gating of having to kill anyone ever.”

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

$1 Million Roblox The Hunt: Mega Edition Event’s Games Revealed

Earlier this month Roblox announced that its The Hunt: Mega Edition Event would come with a $1 million grand prize for one super skilled gamer, and today the event officially started, revealing the 25 different Roblox experiences players will need to compete in to walk away a millionaire.

Roblox’s last event, The Hunt: First Edition, attracted 34 million users without promising enough money to buy 1,428 PlayStation 5 Pros and still have money left over for a decent library of games, so expect The Hunt: Mega Edition to be the focus of the Roblox community until the event hits its live-streamed final in April. For that final the top ten The Hunt: Mega Edition competitors will be invited to Roblox HQ for their shot at the jackpot.

The full list of 25 different Roblox experiences that make up The Hunt: Mega Edition Event are:

  • A Dusty Trip
  • Arsenal
  • Basketball Legends
  • Bayside High School
  • Blade League
  • Clip It
  • Car Crushers 2
  • Chained [2 Player Obby]
  • Drive World
  • Eat the World
  • Fisch
  • Hell’s Kitchen
  • Infection Gunfight
  • It Girl
  • Metro Life
  • Natural Disaster Survival
  • Pet Simulator 99
  • PRESSURE
  • Regretevator
  • RIVALS
  • SpongeBob Tower Defense
  • Tower Defense Simulator
  • Untitled Boxing Game
  • Untitled Tag Game
  • World Zero

That’s quite the variety, meaning to get to the big prize players will need to show their skills in games like life sim Bayside High School, cook up a storm as Gordon Ramsay’s next executive chef in Hell’s Kitchen and survive zombie FPS Infection Gunfight.

The only catch is to win the money you need to be 13 years-old or over, but even if you out of the running for the cash there are still special ultra-rare digital items created exclusively for The Hunt: Mega Edition to win. For all the terms and conditions head on over to the official The Hunt: Mega Edition site.

Rachel Weber is IGN’s Managing Editor.

WWE 2K25 Review

Few sports feel more primed for the whole “being a video game” thing than professional wrestling, but it’s also kind of a weird pairing when you stop to think about it: While undoubtedly a feat of athleticism, the WWE is more akin to an elaborately choreographed fight sequence in a movie than it is an actual competition, whereas the goal of the games based on it is to fight to win. But inherent contradictions aside, I can confidently say — thanks to its much-improved Showcase and MyRise modes, several smart additions like intergender matches, “they’re always good” modes like WWE Universe and MyGM, and generally great game feel — that WWE 2K25 is pretty grand. There is a new guy on the undercard called The Island, and he sucks, which kinda drags the whole thing down a little — but not enough to get me to stop watching.

Even though I’ve been playing wrestling games since the N64 days, my first stop in an annualized series like this is usually the tutorial because, unless things have gone very wrong, something is always a little different (this year, for instance, sees the long-requested return of Chain Wrestling). WWE games have had a good introduction for a while now, especially compared to other sports game franchises. (Hi, Madden! Your skills trainer is great, but it needs to be about three times its current size!). WWE 2K25 has an incredibly detailed tutorial that will walk you through everything you need to be a champ in the ring, with in-depth explanations of what moves do and how to execute them. The Performance Center is a great teaching tool whether you need a quick refresher or you’re learning to do an Irish Whip for the first time. This may seem like an odd thing to spill ink over, but every version of a game is someone’s first – or maybe their first in a while – and I’m glad developer Visual Concepts seems to remember those people.

Once I’d refreshed my memory, I spent a while just looking around. WWE 2K25’s got an absolutely stacked roster, whether you’re here for classics like Bret “Hit Man” Hart, wrestlers-turned-movie-stars like Dave Bautista and Dwayne “The Rock” Johnson, megastars like “Stone Cold” Steve Austin, or weirdos like Doink the Clown. I also appreciate that there are several versions of the same dudes from across their history in the WWE. Why yes, WWE 2K25, I do need a handful of Triple Hs, each with their own different stats, thank you! Did you know that, compared to the modern version of The Rock, the 1997 version is kind of a bum? Me neither, but that’s what the stats say! Remember what Rhea Ripley’s visual style was in 2020? Or 2017? When was the last time you thought about “Ravishing” Rick Rude? This granularity is great, and what’s better is you can edit just about every aspect of these wrestlers, from how the crowd reacts to them to tweaking individual stats and changing out moves if you don’t like Visual Concepts’ take on them. The ability to tweak individual wrestlers is not new, but as this roster gets bigger, it’s good to be reminded of how impressive all of it is.

WWE 2K25 has got an absolutely stacked roster.

That goes for the in-ring action, too. WWE 2K25 doesn’t deviate much from WWE 2K24, which is one of those “if it ain’t broke, don’t fix it” deals, but it does include the welcome return of Chain Wrestling. This is a minigame that mostly takes place early in the match, where you advance through (or fight to get out of) a series of increasingly impressive holds and maneuvers before landing a signature move or finisher to wrap things up. The system can be confusing initially as you have to move the analog stick around a circle to find a sweet spot before your opponent does, but once you learn it, it’s a neat addition that replicates some very cool, complex moments in pro wrestling. If anything, the only bummer here is that it’s generally relegated to the beginning of a match and extremely situational at any other time.

I’ve also really enjoyed the new match types. Intergender matches aren’t functionally different than any other kind of match beyond “you may have a dude and a lady in the ring at the same time,” but it’s cool that you can do that now – and I, for one, enjoyed having Rhea Ripley fight Kevin Nash. I can say similar things for the Underground matches, which are more like a traditional fighting game (there are no ropes on the ring, and you win by either KOing someone or depleting all their health), and the more chaotic Bloodline Rules bouts. These additions are fun in and of themselves, and match/mode variety can make or break a game like this, so more is good.

Speaking of good, let’s talk about this year’s Showcase mode, which follows the Bloodline and the Anoa’i, Fatu, and Maivia families. Paul “The Wiseman” Heyman hosts the thing this year, and he’s clearly having a very good time chewing the scenery and providing the backstory that explains who the players are and why these matches are significant. There’s a lot of archival footage here, as in years past, though the problem of awkwardly blurring out some folks’ faces (maybe due to rights issues?) persists.

Regardless, Showcase feels better than last year’s version, partially because we’ve got full ring entrances and the mid-match commentary is really excellent for every fight. A fun twist this time around is that you’re sometimes asked to change the outcomes of matches that members of these families lost in the real WWE storyline or create new “what if?” matches entirely. There are also no longer any cuts to match footage that interrupt your gameplay – big moments are instead recreated in-game, which means they play out more organically, even if you’re not following the checklist (though there’s something to be said for showing what happened through archival footage). That said, it’s a net positive overall, and I had a blast doing things like beating the ever-loving snot out of Hulk Hogan with Yokozuna or pitting “High Chief” Peter Maivia against George “The Animal” Steele in a steel cage match.

Showcase feels better than last year’s version.

The optional in-match objectives, especially timed ones, can be irritating. Yeah, I get that in the real match, X wrestler might’ve done Y thing so many times in Z seconds, but recreating that in-game means hoping that the computer doesn’t pull a reversal or we don’t get caught in the “you hit me and then I hit you and then you hit me until one of us screws up” mini-game. At that point, you’re better off restarting the match. It’s still worth doing these optional objectives because of the rewards like new wrestlers and arenas, but man, some matches are easier than others in ways you’ll feel.

The other problem with this year’s Showcase is how much of it boils down to “the Bloodline is great because they win all the time, but if they didn’t win, we have to correct that injustice because of how great they are.” That’s fine, but it’s thematically inconsistent in a weird way. Great wrestlers lose all the time and that doesn’t make them less great. I don’t know what the answer to this is since nobody likes playing a game where you’re forced to lose, but I think I would have rather had more real matches with real outcomes.

The other standout mode is MyRise, where your customized character (WWE 2K25 still has one of the best character creators in the world) battles an infiltration by NXT Superstars who are trying to take over the WWE and be the last brand standing. In my run, my “bold and brash” technical wrestler teamed up with his “comedic and fun” ex-girlfriend to fight back against the invasion. The voice acting is… questionable in MyRise, but the scenarios are goofy fun that alternate between “this is a business that combines soap operas and combat sports and we’re going to approach it like that” and “this is serious business” with alarming frequency. But it’s fun to make decisions that change the flow of what happens and it’s cool that you can re-import your characters to start again fresh and make different choices.

The MyGM and Universe modes also return, and they’re largely unchanged from last year, but there’s a couple of nice additions: MyGM is online now, which is great for those who wanna compete against their friends to book the best shows, and Universe finally gets the long-awaited return of promos. I prefer to run with a single wrestler (I have already made Randy Orton the WWE Undisputed Champion, because RKOing people even more fun when you have a big belt that says “look at me, I’m great”), so Universe is more my bag, but if you’re looking to book matches across the WWE, you can’t really go wrong with either option.

MyFaction is also back, and… look, man, it’s a card game, okay? You’ve seen this a million times before. You collect wrestlers and do challenges or take your faction online and compete against other players so you can get new cards and watch the shiny pack-opening animations designed to make your brain produce dopamine and…. Jesus Christ, I’m tired just describing it, please end my misery. It’s Ultimate Team but wrestling, and it’s designed to separate you from your hard-earned cash. The challenges can be fun, and I imagine if you’re really into this kind of thing you’ll enjoy WWE 2K25’s version of it, but I’m not, and the more I play modes like these, the dirtier I feel.

But wait, it gets worse! When I say that MyFaction makes me feel sparkling clean compared to when I played The Island… yeah, that should tell you something. There’s a cool idea here somewhere — WWE God-King Roman Reigns invites you to come to an island and compete for a WWE contract by earning his favor, because apparently That’s a Thing That Happens — but the actual execution made me want to walk straight into the sea. This is really, really bad, folks. Like NBA 2K25’s The City, The Island is a big, open PvPvE space, but it’s mostly quiet, empty, and boring, filled with single-player challenges that are book-ended by static JPGs and text-boxes that get old fast. Meanwhile, the multiplayer in this mode exists to do one thing: Part people from their money, particularly whales who will spend inordinate amounts to make their customized wrestlers beasts off the bat. If you don’t do that, well… you’re gonna have a bad time. I didn’t want to spend long here, as it feels like it exists solely for 2K’s shareholders. It also makes me worry WWE 2K as a series might incorporate more of this in the future at the expense of everything else that makes these games great (hi, Ultimate Team!) as publishers continue to nakedly chase the almighty dollar.

But even The Island, as terrible and money-grubbing as it is, wasn’t enough to ruin my fun with WWE 2K25 because everything else about it is great. Visual Concepts deserves their flowers for proving that an annual sports (sports entertainment?) game can feel excellent to play and look good year over year. The WWE series has always been a looker, but this iteration has managed to make things noticeably prettier than ever. Bruises, blood, and sweat are more realistic, and you can tell how long a match has been going, who is winning, and where the guys in the ring are taking the most punishment at a glance. It’s really impressive.