Category: IGN

You’ve heard what we think of Ninja Gaiden 4 — from an expert point of view. But what if you’ve never played a Ninja Gaiden game before? Will this latest entry in the notoriously difficult action series offer newcomers something they can get to grips with? Will the story make sense if you don’t know your Ryu Hayabusas from your Yakumos?

That was my angle of attack going into my gamescom 2025 session with Team Ninja’s Masakazu Hirayama and PlatinumGames’ Yuji Nakao, co-directors on this eye-catching new co-production from Xbox Game Studios. As Nakao expertly dispatched a boss on a big screen overlooking our behind closed doors presentation, I couldn’t help but marvel at the slick, fast-paced ninja action I was seeing. But I also felt intimidated. I’m no stranger to action games; I love Capcom’s Devil May Cry series, for example, but I know Ninja Gaiden operates on a whole other level.

I also know that Microsoft, which is publishing Ninja Gaiden 4, hopes that that this latest entry appeals not just to hardcore fans of the franchise, but to the wider action game fanbase. That it will, essentially, convince the likes of me to give it a shot. And so my line of questioning is probably a little different compared to what you’ve already seen from the illustrious Ninja Gaiden experts IGN has on-staff. Read on to find out how Team Ninja and PlatinumGames convinced this worrisome action game fan to give Ninja Gaiden 4 a shot.

IGN: I’m a newcomer to the series. For people who have never played a Ninja Gaiden game before but have perhaps heard about it by reputation as a very difficult action game, will they be able to get some enjoyment out of this, or is this very much aimed at people who are veterans of the series who know how to play?

Masakazu Hirayama: So with Ninja Gaiden 4, first and foremost we wanted to stay true to the tradition of intense combat. But with that said, it has been quite a while since the last mainline Ninja Gaiden came out, and we also want to make sure that a wide audience can approach our game and enjoy it.

So to that end, we’ve prepared not only difficulty options, but other features for those new players. In terms of difficulty settings, there is a mode called Hero Mode. So when you choose Hero Mode, it’ll automatically enable a number of assists. So these assists include Auto Guard, Auto Dodge, and another assist that allow you to perform more complicated actions, moves more easily. And these individual assists, once you select Hero Mode, you’re not stuck with the assist. You can actually go into the menu at any time and toggle them on and off individually.

So if you start out in Hero Mode and then you feel like, oh, I want to start dodging manually now instead of having automatic dodge, you can go to the menu and toggle it off and see how you fare. But not only that, the difficulty settings themselves in your first play through, you can freely change between hero mode, normal mode, and hard mode.

So for example, you start your game on hero mode with all the assists. After you beat the first chapter, you turn off the assists, and then after you beat the next chapter, you feel like you’ve developed as a player and it’s getting too easy. You can go to the menu, change to normal, and then after that, if you feel like you need more of a challenge, you can go back and change it to hard, and then you can adjust it on the fly. So you can really curate your combat experience based on your progression as a player.

So for newcomers who may feel like this game might be too difficult for them, I want to assure them that the tools are available for them to train themselves and allow them to progress as a player and enjoy that core intensity of the combat while also providing that tools to allow them to progress through the game.

IGN: And for newcomers who aren’t familiar with Ninja Gaiden but are perhaps familiar with the action game genre, what sets Ninja Garden apart? What are its signature mechanics that other games in the genre perhaps don’t have?

Yuji Nakao: Ninja Gaiden is a series that has been developed by Team Ninja up until now. One of the main characteristics that sets apart Ninja Gaiden from other action games is just that feeling you get when you’re gripping the controller in the sense of precision and responsiveness. Ninja Garden has an intricate feeling of control, but at the same time it’s elegant and precise, and that’s what really sets it apart.

And since this is a collaborative effort — it’s not just Team Ninja, it’s PlatinumGames that’s developing the game — PlatinumGames has injected their own flavor into Ninja Gaiden 4. And that’s best represented in the Bloodraven form, which is the main new system in Ninja Gaiden 4, where Yakumo can unleash these over the top, really expressive attacks. Ninja Gaiden 4 fuses that over the top expression with that elegant precision of a Ninja Gaiden.

IGN: On the story, this is Ninja Gaiden 4, so newcomers will be aware this will be the fourth mainline game in the series. Do you feel that newcomers will be able to understand the story without having played the previous games in the series, or would they benefit from catching up? And how does the story differ from what’s gone before? What do you hope to achieve with the story this time around?

Hirayama: New players can rest assured that they can just jump into Ninja Gaiden 4 and enjoy the story from the jump. It’s not directly connected to the prior games. The world and the setting is the same, but the story itself stands alone. So as long as you know that Ryu Hayabusa is the badass ninja, then you’re good to go with Ninja Gaiden 4.

IGN: You mentioned previously that it’s been some time since the last mainline Ninja Gaiden game. What have you been able to achieve with this game that was impossible before that makes use of all the new technology that has been created since then?

Nakao: In prior Ninja Gaidens you weren’t able to seamlessly switch your weapons on the fly. With the new technology and the new hardware that’s available, we’re actually able to realize that, which really opens up the possibilities in combat.

And then another point is how violence is depicted. So Ninja Gaiden 4, as well as other prior Ninja Gaidens, when you dismember an enemy and you cut into them and there’s blood splatters, we were really able to amp that up in Ninja Gaiden 4 and provide an even more elevated sense of satisfaction and catharsis when you are devastating your enemies.

IGN: You’re collaborating with Platinum this time for Ninja Gaiden 4. What made Platinum the perfect choice? What is it that they bring to the table that’s unique that no other developer perhaps could?

Masakazu Hirayama: PlatinumGames, they have a lot of accomplishments in the action game genre, and they’re really known for their expressive stylish action. So with Ninja Gaiden 4, because it’s a collaborative effort, we really wanted to allow PlatinumGames to bring that to the table in development. And we previously touched on Bloodraven form — we think Bloodraven form is the best representation of how we were able to incorporate it. But not just incorporate it for the sake of adding new things, really incorporating it into the foundation of Ninja Gaiden, so it doesn’t just exist on top of it, but it exists within it.

IGN: Why was now the right time to make a new Ninja Gaiden mainline entry? How will Ninja Gaiden 4 expand the audience for Ninja Gaiden as a whole so it is more popular than it has been in the past?

Hirayama: In terms of the timing of bringing a new Ninja Gaiden into the world, it wasn’t necessarily that we wanted this to happen right now. It was more the result of a series of events.

At Team Ninja we had wanted to make a new Ninja Gaiden for quite a long time. And when that opportunity started to present itself, there was a conversation that took place between the president of Koei Tecmo, Hisashi Koinuma, and the president of PlatinumGames, Atsushi Inaba. They’re actually friends, and they were talking about, wouldn’t it be great if we could work on something in the future? That’s when the idea of creating a new Ninja Gaiden together came up. And then Phil Spencer from Xbox caught wind of this idea and just threw his support behind the project. That’s what got it off the ground.

Like you said, it’s been a long time since the last Ninja Gaiden game. To the end of providing a fresh entry point for new players, we introduced a new protagonist. This protagonist was a proposal from PlatinumGames, actually. And I think we were able to allow PlatinumGames to really incorporate their own take on Ninja Gaiden through Yakumo.

But of course, Ryu Hayabusa is the icon of the series, so we’ve also made sure that Ryu Hayabusa is playable and has a strong presence in the game as well. So I think through this collaborative effort we’ve been able to provide a fresh experience, but it still feels like Ninja Gaiden, and it will be a fresh entry point for new players.

IGN: Why did you accept the proposal for a new protagonist from PlatinumGames, and what exactly is it about this new character that sets him apart from Ryu Hayabusa?

Hirayama: In terms of the reason why we accepted Platinum’s proposal to bring a new protagonist, it was really what I touched upon earlier: providing that fresh entry point for new players, but also because this is a collaborative effort, really allowing PlatinumGames to bring their own ideas to the table. And Yakumo was a vehicle to allow that to happen.

Nakao: So with Ryu Hayabusa, he really retains his distinct qualities from the prior games. In Ninja Gaiden 4, he’s really all about that power and that sense of speed. So when you’re playing as Ryu Hayabusa in Ninja Gaiden 4, you can really experience that raw, primitive Ninja Gaiden experience.

Contrasting with Ryu, Yakumo has this savviness. There’s a cleverness to the way he fights with his arsenal, and he also has those more expressive combat techniques through the Bloodraven form. And through that he has this stylish take of the Ninja Gaiden combat.

So even though they both share the Ninja Gaiden fundamentals, there’s this very distinct difference that you will feel when you are picking up the controller and pressing the buttons and seeing how they respond to those inputs.

IGN: And what is the split in terms of play time, roughly? Is there one character we will spend more time with than the other?

Hirayama: In terms of the story, Yakumo is the protagonist, so the playtime split, Yakumo will have more playtime. So more than half of the story you’ll be playing as Yakumo. With that said, there are dedicated segments in the story for Ryu. And you won’t be playing as Ryu Hayabusa just for a short time and then you’ll be done with it. There’ll be a very robust amount of content for you to enjoy playing as Ryu.

And once you complete the story once, you’ll actually unlock a chapter challenge mode. This will allow you to freely play different chapters in the game and you’ll be able to play as either character. So you could, after your first playthrough, play through all the chapters as Ryu. Conversely, you could play Ryu’s story chapters as Yakumo. So there’s a lot of content that you can enjoy after you do your first playthrough.

IGN: I’d love to know your favorite new mechanic we’ve not seen in a Ninja Gaiden game before.

Hirayama: My favorite new aspect is the Bloodraven form. So Bloodraven form, it really captures the new kind of expressiveness that PlatinumGames has brought to the table in Ninja Gaiden. But not only that, there was a lot of back and forth with regards to Bloodraven form throughout the development of this game. So Team Ninja would get the build from Platinum and then play the game and provide their feedback. But a year ago Bloodraven form was just so OP, like as long as you activated Bloodraven form, you could really just defeat any enemy. And we were looking at it as like, well if Bloodraven form dominates everything, we’re going to lose the Ninja Gaiden essence. And there was a lot of interesting back and forth that we went through to arrive where we’re at today.

You’ll see that when we were incorporating Bloodraven form into the Ninja Guide game cycle. For example, when you use Bloodraven form and you attack an enemy, it’ll increase the likelihood of doing a dismemberment. When you dismember an enemy in Ninja Gaiden, you can perform an Obliteration Technique. Obliteration Technique is basically just a finisher, like an execution style attack. And then once you execute an enemy, they’ll drop a blood orb essence. Essence was in previous Ninja Gaidens, and it basically functions the same way in Ninja Gaiden 4. And then once that essence drops, you convert it into an Ultimate Technique using Ultimate Guidance. I know I’m throwing a lot of terminology at you! But we were able to bring this Bloodraven form into Ninja Gaiden and really incorporate it into that foundational Ninja Gaiden game cycle. Finding ways of exploring that was very interesting from a development perspective.

Nakao: In addition to the Bloodraven form, there’s also the base form. Within the base form I feel like we’ve been able to evolve Ninja Gaiden in terms of the new type of techniques that are available. Ninja Gaiden 4 introduces Just Guards and Just Dodges. In Ninja Gaiden, the dodging move is called the Reverse Wind. In Ninja Gaiden 4 you can actually do a Just Dodge Reverse Wind. And this really opens up the variety and possibilities of Ninja Gaiden’s combat and serves to continue to evolve that high speed back and forth between offense and defense that really makes Ninja Gaiden distinct.

Hirayama: And building on the new possibilities that are available in Ninja Gaiden 4, sometimes you’ll see enemies glow up in red when they’re about to unleash a powerful attack. You can actually use Bloodraven form to counter that attack using an offensive ability. This especially becomes apparent in the boss battles, where you can not just be defensive, but you can actually use aggression to counter enemy attacks. And because of that, Ninja Gaiden 4’s boss battles especially feel very distinct and provide a new kind of intensity compared to our previous entries.

Ninja Gaiden 4 launches on October 21 on PC, PlayStation 5, and Xbox Series X and S.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Death Stranding 2: On the Beach, the sequel to Hideo Kojima’s 2019 hit Death Stranding, was well-received at launch. It’s “incredibly exciting and original,” and “bold work that deserves to be encouraged,” at least, according to our review. As a result, fans might be hoping for an eventual third game in the series. But for right now, Kojima isn’t planning to make Death Stranding 3…even though he already has a concept written.

Kojima said this in an interview in Riyadh, Saudia Arabia, as a part of the Death Stranding 2 World Strand Tour. When asked by the interviewer about Death Stranding 3, he replied with the following:

“I’m not planning to do that at the moment, because the ending of Death Stranding 2 was my finale of 1 and 2. But I already wrote the concept of DS3, so I have that in data. I hope that someone would create it for me.”

This isn’t the first time Kojima has suggested that someone else might pick up the mantle of his games after him. Back in May, he said that he’d been thinking more and more about his own death lately, prompting him to create a USB stick “kind of like a will” that lays out the future of his studio, Kojima Productions, if he dies.

“I gave a USB stick with all my ideas on it to my personal assistant, kind of like a will,” he said. “Perhaps they could continue to make things after I’m gone at Kojima Productions… This is a fear for me: what happens to Kojima Productions after I’m gone? I don’t want them to just manage our existing IP.”

While we won’t be getting a Death Stranding 3 anytime soon it sounds like, there’s plenty coming from Kojima’s mind in the near future. Death Stranding is getting a live-action film adaptation in partnership with A24, and Kojima is busy working on two different games: horror project OD, in collaboration with Xbox, and Metal Gear successor Physint.

Rebekah Valentine is a senior reporter for IGN. You can find her posting on BlueSky @duckvalentine.bsky.social. Got a story tip? Send it to rvalentine@ign.com.

After a high-profile failure in Concord and a high-profile success in Astro Bot last year, PlayStation is looking to adjust its strategy to incorporate fewer live service games, more big franchises, and stricter oversight of its owned studios.

In an interview with Financial Times, PlayStation CEO Hermen Hulst says the company is hoping to mitigate future big, expensive risks with future games. “I don’t want teams to always play it safe, but I would like for us, when we fail, to fail early and cheaply.”

Concord was not a cheap failure. Analysts estimate Sony spent around $250m on the game, only for it to sell so poorly that Sony shut it down two weeks after launch, and shuttered its developer, Firewalk Studios, not long after. By contrast, Astro Bot also launched last year to universal acclaim, winning multiple awards and selling 2.3 million copies as of March 2025, one of the best-selling games on PlayStation 5.

The differences between the two games are myriad, certainly, and their development stories are quite different as well. But what Hulst has taken away from this is that there needs to be more supervision of Sony’s owned studios to ensure that games veering in the direction of Concord are spotted before they become expensive failures, so they can be canceled or corrected in time.

“We have since put in place much more rigorous and more frequent testing in very many different ways,” Hulst said. “The advantage of every failure . . . is that people now understand how necessary that [oversight] is.”

Financial Times spoke to multiple Sony studio heads, who said that this oversight means more focus on group testing, more communication between internal Sony studios, and closer relationships between the studios’ top executives. “If we’re heading towards a giant landmine, like there’s another studio making exactly the same game, that’s good information,” said Jason Connell, art director at Ghost of Yōtei studio Sucker Punch.

That comment rings especially poignant in light of Concord’s failure, which analysts say occurred for a number of reasons, including an oversaturation of multiplayer, live service shooters. Hulst suggests in the interview that PlayStation isn’t as intent on churning out live service games as it used to be. That said, PlayStation does have Bungie’s Marathon coming up before March 2026, a game that has a number of Bungie fans concerned amid delays, staff layoffs, and a general lack of information as to what the game entails.

But there’s another strategy Hulst also wants to pursue: he wants more, massive Sony IP. Astro Bot’s success has come about over the course of multiple games, with the little robot icon growing in popularity each time. According to Financial Times, Hulst wants studios to be thinking about how their IP can be turned into bigger and bigger franchises over time, following in the footsteps of The Last of Us and Uncharted. “We take a very intentional approach to IP creation . . . understanding how a new concept can turn into an iconic franchise for PlayStation, that can then again become a franchise for people beyond gaming,” he said.

Currently on the docket, PlayStation has Ghost of Yōtei and Lost Soul Aside coming this year, with Marvel Tōkon: Fighting Souls and Housemarque’s Saros for 2026. Other games such as Fairgames, Marvel’s Wolverine, Naughty Dog’s Intergalactic: The Heretic Prophet, Marathon, and more remain in the works.

Rebekah Valentine is a senior reporter for IGN. You can find her posting on BlueSky @duckvalentine.bsky.social. Got a story tip? Send it to rvalentine@ign.com.

The Magic: The Gathering product release schedule continues, with anticipation building for the arrival of Spider-Man next month, but there are plenty of price changes to come before then. From classic cards seeing new life and staggering value changes, to big drops for some of Edge of Eternities’ most popular cards, there’s plenty to keep up with. Here are the big shifts this week for August 28, and why they’re happening.

This Week’s Climbers

Need for Speed debuted in 2001 (the card, not the video game series) and it lets you sack lands to give creatures haste, but folks have noticed that Toph, the First Metalbender from the upcoming Avatar set can take advantage of its effects.

Considering it was revealed to the world with a trailer that featured four zombie-blasting soldiers singing along to Bon Jovi’s “You Give Love a Bad Name”, I expected John Carpenter’s Toxic Commando to be much funnier than it is. Inspired in equal measure by the supernatural horror and buddy action movies of the 1980s, it is big and dumb and goofy… yet never as batshit bananas as you’d expect for a game that’s quite literally about fighting an entity called the Sludge God. But while it may not be that funny, it is fun. You may have already forgotten about that 2023 reveal trailer, but after playing three hours of its co-op missions, I don’t think Toxic Commando is going to fade into the background thanks to its surprisingly solid Left 4 Dead-alike antics.

While it is presented akin to a story campaign shooter with cutscenes, plot points, and a lore-dropping man-in-the-chair vaguely modelled after John Carpenter himself, Toxic Commando is clearly designed to be a regular destination for a team of four friends who can run through its missions on repeat. Each expedition takes place on a reasonably-sized open map, dotted with a handful of optional objectives and loot caches alongside the quest’s main goals. With no ticking timer or shrinking circle, you can take your time to collect everything, scour every point-of-interest, and generally mess around with your pals before pushing onwards to the mission’s finale. It’s surprisingly leisurely… at least until the horde applies the pressure.

Developed by Saber Interactive, Toxic Commando is built on the studio’s now-signature horde technology that renders hundreds of sprinting zombies simultaneously, allowing for enemies to clamber up walls like a reverse waterfall of rotting flesh. In many ways, Toxic Commando feels like a successor to the game where this tech originated, World War Z, and even features near-identical mechanics – during frequent hold-the-line defence objectives, you mow down incoming enemies with the same array of emplaced machineguns, mortars, and electrified grids. It’s just that this time it’s all rendered with a gloriously gross horror aesthetic. Who wants zombies to look like humans when they can look like lamp-eyed freaks from the death dimension?

Those freaks burst and break when they’re introduced to the hot lead dispensed by a very healthy arsenal. They’re all based on real-world guns (aside from the wildly powerful rail gun, which scatters foes like bowling pins) and divided up into your regular groups of shotguns, SMGs, sniper rifles, and other formats not beginning with “S”. Saving them from feeling utterly ordinary is how they fire with the exaggerated bravado of an ultra-violent b-movie – all sputtering muzzles, wide bullet spread, and explosive impacts. Legs are severed, ribcages torn open, and brains pinwheel out of busted skulls. It’s all as squelchy and sinewey as you’d hope from a game associated with the director of The Thing.

Your choice of loadout defines the combat experience much more than the four character classes, which feel like minor augmentations to standard FPS action rather than crucial battlefield roles. Each is defined by a single special ability – the Operator uses a drone that automatically bombards enemies for a few seconds, the Strike can unleash a barrage of energy blasts, the Medic has an area-of-effect heal, and the Defender can put up a damage-absorbing barrier. At least during my hours of play, these abilities came in handy during a pinch but did little to direct how I played. Perhaps filling out the skill tree will give each class stronger definition, but right now it seems like the regular shooting is the main event.

Mowing down a lot (a lot) of zombies is the crux of Toxic Commando’s objectives. Sometimes that’ll involve the genre-trademark special infected that largely work exactly as Left 4 Dead dictated (sticky ones that grab you, tanky ones that charge at you, gross ones that spit at you.) Elsewhere you’ll need to unload a belts-worth of ammunition into a tangled mess of tentacles, or use demolition charges to blow some kind of growth to smithereens. It’s mostly by-the-numbers co-op shooter fare, but across the few missions I’ve played there’s the odd one that shines brighter. One quest sees the map covered by a Fortnite-ish, life-sapping storm, and the only way to navigate between the shielded pockets of safety is to drive an ambulance that can trickle heal those sitting inside it. It’s a really coherent meshing of environment, situation, and equipment design.

Regardless of if the mission requires one or not, vehicles are as significant to Toxic Commando as its zombies and guns. The spaced-out objectives and open nature of the maps mean you’ll need some wheels to effectively cover ground, especially as that ground is so often practically carpeted by the undead. Cars like the armoured Maverick are good for both protection and doubling as a battering ram – you’ll just need to occasionally deal with the zombies who clamber aboard like particularly diseased monkeys at the safari.

All vehicles have a special ability, such as the ambulance’s healing aura or the Thunder pick-up’s flamethrower, but it’s the winch attached to all but the family sedans that really makes a difference. Essentially a grapple hook that can be fired into a variety of anchor points, it can be used to rip gates off their hinges, bust open treasure containers, and pull your vehicle up slippy inclines. See, the Sludge God, in his infinite sticky wisdom, has covered each map in great big stretches of gloop, and so without a MudRunner-lite approach you’ll be spinning tires and going nowhere.

There’s admittedly very little new or experimental in Toxic Commando, but what’s here is genuinely good fun. It’s a more open take on Left 4 Dead’s horde-filled adventures, fuelled by the same “arcane evil” feel that’s made Call of Duty’s zombie mode feel so aesthetically solid. There are some issues that threaten that fun, though. Every mission I played felt like it had had the wind kicked out of it by the final stretch thanks to dwindling resources. Health kits are in short supply, ammunition can get a little tricky, and spare parts – a currency that unlocks special weapons and defensive structures – can only be found in a limited number of loot caches. By the end of a mission it can feel like the odds are really against you, and while I appreciate the need to ratchet tension and create a challenge spike in the final objective, in a game where zombies arrive by the truckful, restocking ammo only to find you’ve been given a single magazine does feel a bit unbalanced. I was having a lot more fun during the earlier minutes, when bullets were plentiful and the blood spilled like wine, so I’m not sure if the flow and tone really mesh with the current resource levels.

The more concerning thing, though, is progression. All weapons have individual XP bars, and must be levelled up to particular milestones to unlock different modifications. When you unlock a mod, you then need to spend a currency to actually fit it to the weapon, and each one costs several thousand. I can’t help but look at the entire armoury and envision the hundreds and hundreds of hours I’d need to sink into Toxic Commando to achieve a decently functioning, varied loadout. It’s the sort of system that funnels you into picking a single favourite, rather than encouraging you to constantly switch between missions. This, combined with a trio of different currencies and palette-swap character skins, has me a little suspicious that the sludge of live-service has tainted something I’ve otherwise had a pretty good blast with. But these grindy woes can also be found in Saber’s Warhammer 40,000: Space Marine 2, and they didn’t stop it from being one of my favourite games of 2024.

That’s not to say I’m expecting John Carpenter’s Toxic Commando to have anywhere near the same impact Space Marine had. But, provided the full game has a solid range of missions that genuinely prove replayable, I do think the strong shooting and entertaining enemies have a decent enough chance to secure it a home among friendship groups who’d happily re-watch gloopy ‘80s horror over and over until the VHS wears out. Whether they’ll ever unlock the attachments they want for their favourite weapons… well, we’ll have to wait to find out.

Matt Purslow is IGN’s Executive Editor of Features.

If you’re sick of looking at the insane pricing of Pokémon TCG at big box retailers, I’m here to help. I’ve gone through the Amazon’s latest stock updates, and I’ve found some deals that are either in-line with their current value on the collectors market, or below if you’re quick enough. ETBs, Booster Bundles, Big box ex collections, single boosters and more, I’ve got you covered in today’s daily deals.

TL;DR: The Best Deals For Today

There’s some awesome preorders up for console and PC gamers too. Metal Gear Solid Δ: Snake Eater is available to preorder for $52.38 for the standard edition and $59.87 for the digital deluxe edition. Expedition 33 is getting an Amazon exclusive physical editions for PlayStation 5 and Xbox Series X that drops on New Years Eve, more information on both below.

I’ve even dragged up the best prices for hot Pokémon TCG singles with the latest set from Japan, Mega Brave and Mega Symphonia and the latest edition of Crashers and Climbers, of which there’s some amazing bargains for those holding off on Shrouded Fable and Stellar Crown. Let’s get into it:

Pokémon Card ETB Deals

TCGPlayer is showing up Amazon’s predatory pricing practices with Pokémon TCG, with up to 10% on some of the latest sets, including Black Bolt, White Flare, Destined Rivals and more. Still above MSRP, but its by far the best deal players and collectors are going to get on sealed ETB’s right now.

Pokémon TCG Booster Bundle Deals

Booster Bundles are even cheaper, and again from the most popular Scarlet and Violet sets. Prismatic Evolutions is 21% cheaper, Black Bolt is 22% down, White Flare is 18% and Destined Rivals is a moddest 8% down. Don’t pay more when you don’t have too.

Pokémon TCG Big Box Collection Deals

Binder boxes, special collections and more are the big box Pokémon TCG products that make great gifts that usually come with a few exclusive pormo cards and other cool swag that can only be found in these boxes. Infact, if you’re just after the bits and bats inside, you can usually find seperate listings on TCGPlayer for just that to save a few dollars.

Pokémon TCG Tins and Booster Packs

With up to 44% off booster tins, blisters and single packs, it’s an absolute no-brainer hopping over to TCGPlayer over Amazon. It’s actually amazing that some of these products are nearly double the price of the secondary market, but I’m here to save you some money after all!

Most Expensive Pokémon Cards from Japan’s Mega Brave and Mega Symphonia

Japan’s Mega Brave and Mega Symphonia Pokémon TCG sets have quickly gained popularity with collectors and competitive players alike, thanks to their focus on iconic Mega Evolutions, powerful Supporter cards, and premium artwork. High-value chase cards like Mega Gardevoir ex 092/063 and Mega Lucario ex 092/063 are priced at $664 and $444 respectively, while many others remain above the $100 mark.

These sets combine strong gameplay mechanics such as Psychic energy acceleration and hard-hitting Fighting-type attacks with visually stunning Special and Ultra Rare treatments that elevate their appeal. Booster boxes and Premium Trainer Boxes are available on TCGPlayer and include guaranteed rare pulls due to Japanese packaging rules. While the most expensive cards draw attention, more affordable options like Lillie’s Determination 086/063, Mega Kangaskhan ex SAR, and Mega Absol ex SAR offer great value with solid gameplay and collector-friendly art, making these sets a standout release for fans looking for both playability and display-worthy cards.

This Weeks Crashers and Climbers

Stellar Crown’s Illustration Rares like Squirtle, Bulbasaur, and Terapagos ex are dropping fast, with nostalgia-driven hype fading as supply grows and competitive players move on. Squirtle is down about 32% since February and Bulbasaur is down 31%, both sliding because their gameplay value is minimal. Earthen Vessel and the Special Illustration Rare Fezandipiti ex are also slipping, while Terapagos ex has been hit hardest, losing over half its value.

On the other hand, Shrouded Fable cards with practical utility are steadily climbing. Hyper Rare Basic Darkness Energy has gained around 17% as Dark-focused decks get more popular, and Dusclops is creeping up thanks to its creative ability. Even the Double Rare Fezandipiti ex is bucking the trend, nearly doubling in value as competitive players embrace it. Smaller gains from Powerglass and Okidogi ex reinforce the idea that functional, playable cards are holding their ground while flashy artwork is losing steam.

METAL GEAR SOLID Δ: SNAKE EATER

Clair Obscur: Expedition 33 – Mirror Edition – PlayStation 5

Clair Obscur: Expedition 33 – Mirror Edition – Xbox Series X

Elden Ring Nightreign Amazon Exclusive Deluxe Edition

Apple AirPods 4 Wireless Earbuds

LEGO The Legend of Zelda Great Deku Tree 2in1

Here’s some good news for RPG fans. Clair Obscur: Expedition 33, the surprise blockbuster from earlier this year, is getting a new physical edition for PS5 and Xbox Series X. It’s called the Mirror Edition, and it comes with some new physical goodies. It’s only available at Amazon (see it here), with a price tag of $59.99 and a release date that’s yet to be announced. Read on for a rundown of everything you get with Clair Obscur: Expedition 33 Mirror Edition.

Preorder Clair Obscur: Expedition 33 – Mirror Edition

Clair Obscur: Expedition 33 Mirror Edition Contents

In addition to the game on disc, the Mirror Edition also includes the following items:

• Collectible Cards – includes 3 of 10 possible cards
• Exclusive steelbook – featuring Verso and Alicia
• Tuckbox

Regarding the collectible cards, there are 10 available, but you get three random cards included with your copy. The only three cards shown on Amazon’s listing page feature Gustave, Maelle, and Lune.

Other Preorder Guides

Chris Reed is a commerce editor and deals expert for IGN. He also runs IGN’s board game and LEGO coverage. You can follow him on Bluesky.

Pokémon Go is introducing a new, higher level cap and rebalancing the XP requirements for existing levels — though no player will see their current level reduced.

The game’s current level 50 cap, introduced back in 2020, will rise to level 80, giving players a significant new milestone to aim towards.

But the game’s levelling curve should be smoother, developers told IGN in a pre-announcement briefing, meaning XP levels overall should be hit more frequently. This will be achieved by a rebalance of all XP levels to date, and the removal of additional, time-consuming levelling tasks between levels 41 to 50.

Indeed, players who have already earned the necessary XP will be boosted up to the new level system’s requirements when they go live on October 18 — though the exact XP amounts required post-rebalance are yet to be confirmed.

Don’t expect hitting the new level 80 cap to be easy, however. Alongside the necessary XP requirements, a fresh set of levelling tasks will be added for the final climb from level 71 to 80, ensuring only the toughest Trainers hit the game’s new top level (and there’s still plenty to grind for).

New rewards for levelling up will include fresh avatar items, plus increased storage capacity for Pokémon, items and gifts — upgrades you would otherwise pay for. (And if you’re already at the game’s maximum limit for one of these, developers confirmed you’ll still be boosted above that.)

There’s even a new boost for friends at level 70 and above, who will have an increaed chance of becoming Lucky Friends with other players.

2025 is turning out to be a stellar year for fans of 2D ninja platformers. The 16-bit blood sprites have barely dried on Ninja Gaiden: Ragebound’s katana, and now Sega’s iconic Shinobi series has emerged from a 14-year stay in the shadows to fling a fistful of kunai straight into your adrenal glands. Shinobi: Art of Vengeance brings back the series’ slash ‘n’ dash with plenty of modern day flash. It empowers returning hero Joe Musashi with an enjoyably expansive suite of hypercharged ninja skills and presents it all in a gorgeous hand drawn art style, making for an adventure that’s occasionally hard on the reflexes but always easy on the eye. While the Shinobi series may have been in exile for an agonising amount of time, its triumphant return has been well worth the wait.

Art of Vengeance’s setup seems to have spilled straight off the circuit board of an ‘80s arcade machine. Led by the maniacal Lord Ruse, the nefarious paramilitary organization ENE Corp has achieved world domination by force, and the responsibility of toppling them falls squarely on the crisp linen-covered shoulders of Joe Musashi. Musashi had resigned himself to the simple life, mentoring young ninja students in obscurity like some sort of Obi Wan Shinobi, but when the ENE brings violence to his village he’s forced to seek vengeance on every soldier, spectre, and samurai that stands in his path over the course of a 10-hour cross-continental killing spree. It’s simple stuff for sure, but it’s really all the motivation I needed to turn the ENE forces into a series of slash test dummies, and I was perfectly happy for Musashi to let his blade do the talking. Quite literally in fact, as he only ever grunts during conversation cutscenes, which brings some welcome bursts of comic relief in between each sprawling showdown.

Its plot may be true to the uncomplicated action movie era the series was born out of, but its looks are strikingly modern. Much like developer Lizardcube’s Streets of Rage 4 before it, Art of Vengeance’s characters and environments have that painstakingly-drawn-by-hand style to them that produces consistently phenomenal results. From hulking container ships that loom in the backdrop of the fish market stage right down to the reflections in puddles that whip past Musashi’s unceasingly determined sprint, it turns out that vengeance isn’t the only art that this latest Shinobi has set out to nail. There are clear contrasts between each setting too that make them uniquely captivating to explore, from the lush bamboo forest of the opening level through to the disgustingly gloopy explorable innards of a Kaiju that seem like something straight out of a Rick and Morty episode.

No two of Art of Vengeance’s 14 levels are structured the same, either. One stage hustles the chaos across the carriage rooftops of a speeding train, another has you stalking across the skyline of Neo City in all directions in an effort to find and rescue hostages, while another still takes you deep into a labyrinth of dark corridors in a secret ENE base where Metroid-like mutants suddenly lunge at you through the shattered glass of their stasis tanks to keep you on your toes. There’s also plenty of variety within each level, like the mountain stage that shifts from a lava-lined steelworks area to a breathless rockslide descending into a chasm. While the occasional switch puzzle or chase sequence is repeated here and there, there are enough fresh objectives to complete and unique environments to explore that the journey remains as sharp as a shuriken from start to finish. There’s even a bonus stage that reimagines the surfing level from Shinobi III, which is a welcome throwback to that brief period in the early ‘90s when there was no cooler conceivable combination to kids than a ninja on a surfboard.

Art of the Steel

Of course, all of this would be for nothing if the combat didn’t pull its weight, but fortunately Art of Vengeance’s fighting is frenetic, fluid, and consistently fantastic. Unlike Ninja Gaiden: Ragebound’s enemies which can mostly be dispatched with single hits, the bulk of the bad guys in Art of Vengeance have health bars that need to be whittled away with snappy combo attacks, making it feel more like a platform-based brawler in comparison to Ragebound’s more demanding, precision-based striking. Musashi can pull off a growing number of combos over the course of the campaign built upon light and heavy sword attacks and kunai dagger throws – but as I unlocked new attack chains from the in-game merchant, I was soon juggling enemy ninjas in the air with sword slashes, divebombing them with flaming jump kicks, and shredding their defenses with spin attacks like a Catherine Wheel of katana blades as my combo tally ticked towards triple figures. It all feels incredibly intuitive, and there’s reward for sequencing your attacks just right – time an execution move when an enemy is on their last legs and they disappear in a spectacular spray of blood, but also valuable coins and health boosts that are funneled straight into your back pocket.

Each successful attack you land also fills up your Ninpo gauge, which allows you to trigger a powerful special move from four customisable slots. I tended to favour the Yoga Flame-style dragon breath to quickly wipe out the additional green health bar found on more heavily armoured foes like the riot shield-toting tank types, as well as the bomb that can be lobbed midair to stagger an enemy before you start your combo. Combined with the two amulet slots that can be equipped with a healthy variety of active and passive buffs, like a booster that increases your damage output the longer your combo lasts or a vampire ability that steadily replenishes your health bar with each enemy you dispatch, and Art of Vengeance provides a satisfying amount of flexibility in terms of being able to slay your own way.

Deepening your combat options even further is the Ninjutsu gauge, which fills as Musashi takes damage or collects rage orbs from fallen foes. This turbocharged update on the original games’ ninja magic is pretty slow to replenish, and as a result I tended to keep it up my sleeve until I reached each end-of-level boss, since it can greatly turn the tide of battle – either offensively, like dealing health bar-halving damage with flaming dragon blasts, or defensively, such as bringing a flatlining Musashi back from the brink with a revitalising wave of water.

Perhaps as a result of my strategic deployment of these super special moves, I didn’t really face too much resistance from any of Art of Vengeance’s bosses on the hardest Shinobi difficulty setting, but that’s not to say they weren’t still plenty of fun to encounter. Although the returning Mandara from the original arcade game is a bit clunky and probably should have remained trapped inside a dusty Master System cartridge, elsewhere there are some hugely entertaining battles with big bads to be found. My favourites are the twin mutants in the ENE laboratory that combine into one towering freak like a pair of kids trying to sneak into an adult movie, and the monster-conjuring beastmaster in the desert level that surprises you with minotaurs and griffins to force you to deftly maneuver from the land into the air and back again. The majority of these boss battles bring each stage to a climactic close, and typically reward you with another ability-enhancing trinket to further tweak Musashi’s skill set with.

Running Hack and Forth

To be clear, Art of Vengeance’s 14 main levels are not interconnected, so it’s not structured like a classic Metroidvania. However, while there isn’t any compulsory backtracking required to complete the story, there are still plenty of compelling reasons to return to earlier levels as you unlock new abilities for Musashi over the course of the journey, which in turn open up sizeable new areas to explore that were otherwise blocked off the first time through. A charged up punch for shattering Yokai barriers, ninja claws to scale walls and overheads, a glider to take advantage of updrafts, and even a grappling hook aren’t just crucial for reaching the story’s conclusion, but also for sniffing out all the secrets in each stage. Even though I’ve rolled credits on the campaign, I’m still steadily working my way towards 100% completion of each level and having an absolute blast doing it.

Some of these secrets are as simple as tokens to unlock more goods at the merchant or new costume colours for Musashi – I’m pretty partial to slaughtering ENE goons draped in cherry blossom pink myself – but there are also up to three Elite encounters to find in each level which drop you into an intense arena fight against hardened hordes like some sort of sword-swinging Super Smash Bros. battle. Clearing every Elite encounter in a level will grant you a new amulet to equip, further enhancing Musashi’s attack power or his ability to heal, which become invaluable buffs against the late game bosses.

My favourite optional extra, however, are the rift challenges. These typically punishing platforming tasks demand pinpoint chaining of Musashi’s double-jump, air-dash, and wall-running abilities in order to clear formidable Super Meat Boy-style obstacle courses of spinning sawblades and swirling jets of fire suspended over bottomless pits. They’re deathtrap-lined levels that are often fiendish but yet to become too frustrating thanks to the instant restarts and level design that’s fierce but ultimately fair.

Retracing my steps through Art of Vengeance’s stages to search for secrets has also highlighted some of its minor shortcomings, however. I don’t love the way that enemies seem to respawn instantly once their patrol points have disappeared off camera, drawing me into unnecessary additional fights as I doubleback in search of a specific spot. But what’s really annoying is the way the pause menu map doesn’t seem to indicate whether falling down a gap between platforms will mean you land safely on the ground below or instantly lose a chunk of health and respawn back on the platform above. It brings an unwanted element of trial and error to the otherwise obsessive hunt for secrets.

That said, I ultimately really admire how Lizardcube has structured Art of Vengeance, in the sense that it’s made its most challenging combat and platforming sections entirely optional for the most part. If you just want to focus on the story, you’ll find a 2D ninja platforming experience that’s challenging enough but a touch more approachable on its default difficulty setting than the comparatively trickier Ninja Gaiden: Ragebound. But if you do want to put your skills to the test, there are those optional Elite battles and rift challenges to dive into, along with Boss Rush and timer-based Arcade modes to unlock for the more serious speedrunners. (Conversely, there are a number of accessibility settings to make life even easier should you still find yourself struggling.)

Fans have always felt that Dragon Age: Origins’ mage class was more complete, perhaps even more dominant, than the game’s other two classes, the rogue and the warrior. But why was that? Former BioWare executive producer Mark Darrah has said it’s mostly about second edition Dungeons & Dragons.

In a recently published video, Darrah explained why the mage in BioWare’s much-loved 2009 role-playing game ended up feeling so much better to play.

“It’s actually I would say more because the design space that Dragon Age: Origins was being built into was heavily influenced by second edition D&D,” Darrah, who worked at BioWare from 1997 to early 2021, said.

“So in that case, the reality is mages and rogues were less… they were thinner classes, they were simpler classes. And the mage was the stronger, more fully implemented, more fully considered class. Much more complicated, much more in terms of spells and such.”

Dragon Age: Origins was not designed to be played with Dungeons & Dragons 2nd Edition rules, but rather it was built on a custom system that was heavily influenced by the design principles of the 2nd edition era of D&D.

Darrah also said Origins’ more grounded tone affected the abilities of the warrior and the rogue, which in turn had more grounded abilities than in subsequent games in the fantasy franchise.

“Also, of all the Dragon Ages, Dragon Age: Origins is the most grounded. It’s the one that’s worrying the most about everything making perfect sense within the overall lore of the game. So, warriors and rogues in Origins basically don’t have talents, or they don’t have talents or skills that violate physics.

“Whereas, as we move into Dragon Age 2 and Inquisition and Veilgard, you get a lot more things that are not really possible for someone to physically do.”

There’s plenty of agreement with Darrah’s assessment from fans, particularly on his point about Origins’ more grounded setting and tone, but also on how important mages were to the game’s story. Morrigan, a mage party member, ended up one of the most popular in Origins. That was in part because she was powerful, but there were also… other considerations.

Of course, this unbalance was rectified for subsequent Dragon Age games, as Darrah points out. But following the failure of Veilguard and the layoffs that followed, fans often point to Origins as the kind of Dragon Age they would love to see BioWare return to one day.

Will that day come? It seems unlikely any time soon, given BioWare is focused squarely on Mass Effect 5. Darrah, meanwhile, via his YouTube channel, has been running through his time at the studio, explaining everything from why there has never been a Dragon Age: Origins remaster to what went wrong with Anthem.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.