Category: Rock, Paper, Shotgun

The precision-platformer is a torturous genre at the best of times, and now developers Brlka and publishers Ysbryd Games have seen fit to combine it with Silent Hill. Their forthcoming Love Eternal is the story of Maya, a girl whisked off to a “castle built of bitter memories” by a weird, lonely god, and obliged to make her way “through over 100 screens filled with spikes, lasers, switches, and traps”.

When not getting spiked or lasered, Maya appears to spend her days in a kind of metaphorical suburban household. Here, she will contend with things like people crawling on the ceiling and coming over all John Carpenter’s The Thing. Maya does have one thing going for her: the ability to reverse gravity. Here’s a brand new trailer.

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Rock Paper Shotgun has a fuzzy conception of “news”, in that we regard the “new” element of news as sorely overrated, more of a guideline than an obligation. The trick to selling this mindset gracefully is to overclock your obnoxious narcissism until it levels up into stylish solipsism. “It’s news to me,” I sternly insist, while announcing a game you might pedantically observe was actually announced in 2019. “I can obtain no reliable empirical evidence that this existed prior to my noticing it,” I declare, writing about my discovery that Call Of Duty: Black Ops 6 requires a permanent internet connection, even when you’re playing the campaign.

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Rebecca Jones (RPS in peace) really liked 10 Dead Doves when she wrote about it back in 2022, saying it reminded her of why she “loves weird low-budget spooks so much”. Discovering such an interesting project speaks to curiosity and taste on her part, but me? I am simply a pun enjoying buffon who got an email promising that “Dovecraftian horrors await”. The thrust of said electronic mail was that the game now has a release date of this December, but it looked neat, so I doved right in. I coo-dn’t resist. I too love weird low-budget horror. I have been pigeonholed.

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Look up major events in 2011 and there’s some world-changing stuff… and some not so world-changing stuff. Shadows Of The Damned’s Xbox 360/PS3 release may slip into either camp, depending on whether you liked it back in the day or not. It’s a third-person action adventure where two famous video game folks joined forces: No More Heroes’ Suda51 and Resident Evil’s Shinji Mikami. And to my knowledge, it’s considered a bit of a cult classic.

So, having played Shadows of the Damned: Hella Remastered after never experiencing the original, do I think it’s any good? If you were a fan of the OG, there’s no doubt you’ll like it. If you’re coming in as a newbie, I think it’s refreshing in the sense it’s a trim throwback with some interesting ideas and middling-to-good execution. But its whole schtick isn’t only a product of its time – it’s actually downright yucky.

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Real ones know that the only XCOM spin off worth its salt is Hasbro’s 1999 play-by-mail banger First Alien Invasion, although that didn’t stop System Shock 2 studio Irrational from getting to work on an FPS set in the strategy series’ universe after being acquired by 2K in 2006. If your sentiments are anything like I remember a lot of the internet feeling at the time, you may get nightmarish flashbacks to the trailer below, first shown at E3 2010. The project was eventually canceled and adapted into 2013’s The Bureau: XCOM Declassified, but Irrational co-founder and current Wild Bastards studio Blue Manchu founder Jon Chey has shed some light on the FPS’s development, and it sounds like it was once a far more ambitious project. Kaiju ambitious.

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I played Balatro for an hour, had a pleasant time, then uninstalled it. I know a trap when I see one. Perhaps you are made of stronger stuff than I am, however. Perhaps you like that monkey on your back. For you, there’s a new free update, which adds a second set of themed card art to the game inspired by the games Binding Of Isaac, Cyberpunk 2077, Stardew Valley and Slay The Spire.

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Windblown looks rad. It’s an action-roguelite for 1-3 players in which you dash-and-slash in rapid combat on floating islands, and I am extremely interested in feeling its game-feel for myself. Good news! I can get my game-feelers on it now because it’s out in Early Access today.

If you watch its launch trailer below out of context however, you might be fooled into thinking it’s actually the emo second half of an Isekai anime series.

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Blizzard announced earlier this year that BlizzCon wouldn’t happen in 2024, with the live event instead being replaced by a series of franchise-focused streams. Next on the schedule is Warcraft 30th Anniversary Direct, which Blizzard have now announced will stream on Wednesday, November 13th at 6pm GMT/1pm ET/10am PT.

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A huge scary bearded man has just kicked down my door. His face and shoulders are doused in tactical Dorito dust. His eyes are heavily redacted. He’s got assault rifles and comparison screenshots poking out of his ribcage, which are making an absolute mess of the hallway plaster. He says he is Call Of Duty Man, and he is here to let me know about Black Ops 6‘s day one patch. The new Activision FPS is out tomorrow 25th October, I gather. Call Of Duty Man speaks only in three-syllable bursts and rolling bombardments, but I think if I listen carefully I can make out the highlights. Here’s what that patch involves, in nickel-plated bulletpoint form.

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Zotac are one of the better graphics card makers of the post-EVGA era, so even as the early pangs of handheld gaming PC fatigue start to creep in, I’ve been keeping a hopeful eye on the Zotac Zone. This is their take on a Steam Deck rival, or more specifically, the Steam Deck OLED, as this is the first real competitor to go for a similarly star-bright, colour-erupting AMOLED display. Cor, phwoar, and indeed, wowzers.

Much like a Zotac GPU, the Zone is chunkier than you might like but ultimately well-crafted. It successfully combines that rich screen with oodles of input features and Deck-thrashing performance, though between its high price and a downright vampiric thirst for battery juice, it’s definitely more of a specialist tool than a crowd-pleasing portable.

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