Mario & Luigi: Brothership Gets Its First Ever Discount at Woot

November is an excellent time to track down deals in the lead-up to Black Friday. Numerous retailers usually offer a variety of discounts for shoppers to check out, and Woot is one spot that’s had several great game deals catch our eye recently. In particular, as part of its ongoing ‘Fall In Love With Video Games’ sale event, you can score Mario & Luigi: Brothership there for $49.99.

Mario & Luigi: Brothership Discounted at Woot

This is $10 off its list price of $59.99 and marks its first-ever price drop. As with many game deals from Woot, though, it’s important to keep in mind that it’s probably not the North American version with ESRB rating. However, since the Switch is region-free, it’ll play just fine regardless. Check it out at the link below.

Woot’s got a couple more game deals that are definitely worth checking out right now alongside Mario & Luigi: Brothership. Sonic X Shadow Generations for the Switch has a great discount there to $39.99, while the Silent Hill 2 Remake for PS5 is also enjoying a discount that brings it down to $59.99. There’s plenty more available as part of Woot’s ‘Fall In Love With Video Games’ sale event as well, but there are soon to be even more video game deals with Black Friday coming up.

We consider this sale event one of the best times of year to buy video games, and for good reason. Considering how many retailers participate in the sale event, there are several different locations to turn to for discounts. And while we don’t know what exactly will be in the sale, we’ve made some predictions of games and items we’d like to see on sale from PlayStation and Xbox this year.

Hannah Hoolihan is a freelance writer who works with the Guides and Commerce teams here at IGN.

Gamer Sent Nintendo a Letter Boasting He Had ‘A Thousand Burner Channels’ to Stream Pirated Games From and Could ‘Do This All Day’ — Now Nintendo Has Sued Him for Millions of Dollars

Nintendo has sued a gamer for streaming pirated Nintendo games such as The Legend of Zelda: Echoes of Wisdom before their official release date.

As reported by Polygon, Nintendo filed a lawsuit in a Colorado court against Jesse Keighin, aka Every Game Guru, accusing him of not only streaming 10 Nintendo games before they came out, but telling his viewers how to obtain them. The list includes The Legend of Zelda: Echoes of Wisdom, Super Mario Party Jamboree, and Mario & Luigi: Brothership.

According to the lawsuit, Keighin obtained and streamed leaked Nintendo games at least 50 times since 2022, and provided links to the Yuzu and Ryujinx emulators for viewers. Nintendo alleged these actions amounted to “trafficking” in illegal “circumvention devices,” and insisted they caused “millions of dollars” worth of damage through “lost video game sales.”

The lawsuit reads:

“Streaming leaked games prior to their publicationnormalizes and encourages prerelease piracy — Defendant is signaling to viewers that they too should acquire a pirated copy and play the gamenow, without waiting for its release and without paying for it. Prerelease piracy harms law-abiding Nintendo customers who may have been waiting for a particular game release for months or years, and then may see gameplay and spoilers online that ruin their own surprise and delight when experiencing the game. In turn, prerelease piracy causes Nintendo tremendous harm, including millions of dollars of monetary harm from lost video game sales both of Nintendo’s and its licensees’ copyrighted games, and loss of goodwill.”

Apparently multiple takedown notices from Nintendo failed to prevent Keighin from continuing to stream the company’s games on the likes of YouTube, Twitch, and Kick. His YouTube and Twitch channels are now offline as a result of copyright strikes.

What’s more, the lawsuit alleges Keighin sent a letter to Nintendo in late October “boasting” he had “a thousand burner channels” to stream from and threatened to continue to use them, saying he could “do this all day.”

In addition to the seizure and destruction of emulators and devices in Keighin’s possession, Nintendo wants $150,000 in damages for each alleged violation of Nintendo’s rights under the Copyright Act, and $2,500 per violation arising from violations of the anti-circumvention and anti-trafficking provisions of the Copyright Act. With over 50 alleged incidents in two years, the potential damages could reach $7.5 million. Or, Nintendo could take “actual damages” to be proven at trial.

Nintendo told Polygon: “We can confirm that we filed a lawsuit against an individual who has engaged and continues to engage in clear infringement of Nintendo’s IP rights, as well as violations of our Game Content guidelines.

“Nintendo is passionate about protecting the creative works of game developers and publishers who expend significant time and effort to create experiences that bring smiles to all.”

This is yet another lawsuit in Nintendo’s long-running war against emulators. Earlier this year, Yuzu developer Tropic Haze agreed to pay Nintendo $2.4 million in a settlement, and last month Ryujinx reportedly ended development after Nintendo had a word. And how can we forget the fate of Gary Bowser, who was sentenced in 2021 to 40 months in prison and a $14.5 million fine for his role in Nintendo hacking group Team Xecuter? The infamously litigious Nintendo is also in the middle of suing Palworld maker Pocketpair for alleged patent infringement.

Photo by Valeria Mongelli/Anadolu via Getty Images.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Daily Deals: Final Fantasy I-VI Collection, Silent Hill 2, Mario & Luigi: Brothership, and More

The weekend is officially here, and we’ve rounded up the best deals you can find! Discover the best deals for Sunday, November 10, below:

Final Fantasy I-VI Pixel Remaster Collection

The first six Final Fantasy titles paved the way for the series as we see it today. Many fans still regard both Final Fantasy IV and Final Fantasy VI as some of the best that Final Fantasy has to offer, with gripping narratives and engaging gameplay. This package includes all six Final Fantasy Pixel Remasters, which feature updated graphics, soundtracks, font, and more.

Mario & Luigi: Brothership

Mario & Luigi: Brothership is the first Mario & Luigi title on Nintendo Switch, acting as the first new entry in the series in over nine years. Developed by Acquire, this is the first 3D entry in the series, with plenty of new mechanics to discover. Join Mario and Luigi on this adventure to reconnect the world of Concordia and set sail to many islands on Shipshape Island!

Silent Hill 2

Bloober Team’s remake of Silent Hill 2 is on sale at Woot this weekend for $59.99. Recreating one of Konami’s most beloved titles was never going to be easy, but the Silent Hill 2 remake delivers an immersive horror experience that preserves almost everything that made the original so great. In our 8/10 review, we said the game “smoothly polishes down the rough edges of the original game’s combat while taking a piece of heavy grit sandpaper to scuff up every rust and mold-covered surface of its nightmarish environments, successfully making them appear far more abrasive and menacing to explore.”

Arcane: League of Legends – Season One 4K UHD Blu-ray

Arcane: League of Legends Season 2 is officially out today, and this is a great deal if you’ve yet to watch Season 1. The complete Season 1 4K UHD Blu-ray collection is only $34.99 at Amazon, which is $25 off its standard price. Packed inside a unique Steelbook, this is perfect for both new viewers and even the biggest of Arcane fans.

LG UltraGear 45″ OLED Curved Monitor

This weekend, you can save $700 off this UltraGear 45″ OLED curved monitor. With a resolution of 1440p and a refresh rate of 240Hz, you can expect a fantastic experience that is perfect for gaming. The OLED panel allows for high color accuracy and a wider viewing angle, so this monitor is also a great option for watching video content or movies.

Sony UBP-X700 4K UHD Blu-ray Player

If you don’t own either an Xbox Series X or PlayStation 5, it’s not likely you have a quality 4K UHD Blu-ray Player. This weekend, you can save $90 off this Sony UBP-X700 model, which supports 4K upscaling, HDR10, Dolby Vision, and more. The player even has a HDR-SDR converter, allowing you to watch content on any display with vivid colors.

Sony WH-1000XM5 Headphones

The Sony WH-1000XM5 Headphones are some of the best you can find on the market. Sony made tremendous improvements from previous models, with major upgrades to both noise cancelation and sound quality. In our 9/10 review, we said, “The Sony WH-1000XM5 is hands down the best sounding and most impressive noise-canceling headphones around.”

Sonic X Shadow Generations

Sonic X Shadow Generations just released last month, and you can already save $10 off a Nintendo Switch copy at Woot. This package includes a remastered version of Sonic Generations and a brand-new campaign focused on Shadow. Both 2D and 3D levels are included, making for the ultimate package for any Sonic fan.

Super Mario RPG

The remake of Super Mario RPG is $31.99 at Woot right now, which is a great price for this classic title. If you’ve yet to either play the original or check out the remake, this is the perfect time to do so. Composer Yoko Shimimura returned to compose the remake’s original soundtrack, and each boss and environment has been expertly recrafted for the Nintendo Switch.

Star Wars Jedi: Survivor

This weekend, you can save on the PS4 and Xbox One versions of Star Wars Jedi: Survivor. The next chapter of Cal’s journey is set years after the ending of Star Wars Jedi: Fallen Order. New lightsaber styles, planets, and more await.

Daily Deals: Mario & Luigi: Brothership, Final Fantasy Pixel Remaster Series, Arcane: League of Legends, and More

The weekend is officially here, and we’ve rounded up the best deals you can find! Discover the best deals for Saturday, November 9, below:

Mario & Luigi: Brothership

Mario & Luigi: Brothership is the first Mario & Luigi title on Nintendo Switch, acting as the first new entry in the series in over nine years. Developed by Acquire, this is the first 3D entry in the series, with plenty of new mechanics to discover. Join Mario and Luigi on this adventure to reconnect the world of Concordia and set sail to many islands on Shipshape Island!

Final Fantasy I-VI Pixel Remaster Collection

The first six Final Fantasy titles paved the way for the series as we see it today. Many fans still regard both Final Fantasy IV and Final Fantasy VI as some of the best that Final Fantasy has to offer, with gripping narratives and engaging gameplay. This package includes all six Final Fantasy Pixel Remasters, which feature updated graphics, soundtracks, font, and more.

Arcane: League of Legends – Season One 4K UHD Blu-ray

Arcane: League of Legends Season 2 is officially out today, and this is a great deal if you’ve yet to watch Season 1. The complete Season 1 4K UHD Blu-ray collection is only $34.99 at Amazon, which is $25 off its standard price. Packed inside a unique Steelbook, this is perfect for both new viewers and even the biggest of Arcane fans.

LG UltraGear 45″ OLED Curved Monitor

This weekend, you can save $700 off this UltraGear 45″ OLED curved monitor. With a resolution of 1440p and a refresh rate of 240Hz, you can expect a fantastic experience that is perfect for gaming. The OLED panel allows for high color accuracy and a wider viewing angle, so this monitor is also a great option for watching video content or movies.

Sony UBP-X700 4K UHD Blu-ray Player

If you don’t own either an Xbox Series X or PlayStation 5, it’s not likely you have a quality 4K UHD Blu-ray Player. This weekend, you can save $90 off this Sony UBP-X700 model, which supports 4K upscaling, HDR10, Dolby Vision, and more. The player even has a HDR-SDR converter, allowing you to watch content on any display with vivid colors.

Sony WH-1000XM5 Headphones

The Sony WH-1000XM5 Headphones are some of the best you can find on the market. Sony made tremendous improvements from previous models, with major upgrades to both noise cancelation and sound quality. In our 9/10 review, we said, “The Sony WH-1000XM5 is hands down the best sounding and most impressive noise-canceling headphones around.”

Game & Watch: Super Mario Bros.

Finally, the Nintendo Game & Watch: Super Mario Bros. is available on sale at Woot! This device was released as part of the Super Mario Bros. 35th anniversary celebration, and it has quite a few features any Mario fan will appreciate. For one, you can play Super Mario Bros., Super Mario Bros.: The Lost Levels, and Ball (Mario version) on the system. Additionally, you can use the built-in digital clock to display the time, with 35 different Mario-themed animations!

Halo 2 at 20: Remembering My Favorite Xbox Game Ever

If I could time-travel back to any gaming moment, it would be the release of Halo 2 back on November 9, 2004. I have never in my entire life, both personally and professionally, experienced such hype and anticipation in the run-up to a major game release – and then somehow also seen that game actually live up to all of it. But Halo 2 did! It was the long-awaited (and delayed) sequel to the very reason the Xbox established itself in the console space at all, and thus it carried the weight of the entire Xbox world on its shoulders. If you were in or around the Xbox community in 2004, you no doubt remember it. I was lucky enough to cover Halo 2 for Official Xbox Magazine before, during, and after its release, and so I thought I’d take this special anniversary moment to share a few behind-the-scenes memories from what is, to me, the single greatest Xbox game ever.

Covering Halo 2 Before Release

The first time I saw Halo 2 running – sort of – was its then-jaw-dropping and now infamous E3 2003 behind-closed-doors single-player campaign demo. I say “sort of” because the demo Bungie showed never made it into the final game. But it was representative of what we could expect from the sequel, including dual wielding weapons and boarding (read: hijacking) vehicles. They played it live in the room for us, and I went back and saw the demo a few times during that E3 week. Visually, it was stunning for the time. And the aforementioned pair of new gameplay mechanics seemed delectable. Like most who saw it, I couldn’t wait to play it…

…But wait I would for an entire year more. Halo 2 made its playable debut at E3 2004, with its November 9, 2004 release date literally written in ink. While not on the show floor, media members with appointments could play a round of single-flag CTF on the Zanzibar map behind closed doors. I remember a couple of things: first, I was floored by how it looked and felt the first time I put my hands-on it. Boarding an enemy vehicle was an absolute thrill, and the gameplay was so much more refined than what we’d spent every single day at 5pm playing at OXM with Halo: Combat Evolved.

Gameplay in Halo 2 was so much more refined than what we’d spent every single day at 5pm playing at OXM with Halo: Combat Evolved.

Just this week, Halo 2 lead multiplayer designer (and architect of the groundbreaking “virtual couch” online matchmaking system I’ll talk more about in a bit) Max Hoberman told me this little anecdote about Zanzibar: “We planned this and executed on it in record time in preparation for E3, when we learned that we were going to have to carry the show, and we didn’t have anything we felt was impressive enough.” Mission accomplished, Max.

Needless to say, I politely begged the Microsoft PR team to sneak me in for a few more sessions throughout E3, and I gladly gobbled up every second of hands-on time with Halo 2 that I could. I was hooked.

Reviewing Halo 2

By virtue of the long lead times that monthly magazines have (not to mention day-one patches not really being a normal thing back then), I found myself at Bungie in late September of 2004 to review Halo 2 for Official Xbox Magazine, alongside my editor-in-chief, Rob Smith. Rob pulled rank and actually wrote the review (I’d have done the same in his position), but I got to come along for the ride. The Bungie team gave us our own tiny office – it was more of a storage room, really – where they set up two Xboxes and two TVs.

We were there for three days, with the first two being dedicated to the campaign. Obviously that meant we got to experience the play-as-the-Arbiter surprise before anyone else did – and couldn’t talk about it for weeks! I ended up finishing the campaign before Rob did, and, I kid you not, I thought the credits rolling was a bug. Surely the last level was supposed to have started instead! It’s a funny story now, but I almost embarrassed the heck out of myself by telling Bungie I’d hit a bug. Thankfully, I didn’t, and of course we later learned that the final level was cut because the development team ran out of time. Instead, three years later Halo 3 would pick up where Halo 2’s monumental cliffhanger left off.

I thought the credits rolling at the end of hte campaign was a bug.

The multiplayer sessions were simply a blast. Getting to rip through every one of the now-classic multiplayer maps – a number of them which hadn’t been revealed at that point – was an absolute treat. In fact, one of the then-unknown maps was Coagulation, a remake of what was arguably Halo 1’s most famous/popular battleground, Blood Gulch. Rob and I lobbied Bungie president Pete Parsons to let us talk about Coagulation in the OXM review, which was going to reach subscribers before the game came out. We compromised: we could include it, but it would be in a sealed fold-out page that you had to physically cut to access. Naturally, we assumed everyone that picked up the magazine did just that.

At the end of the visit, Rob and I deliberated in his hotel room. We were both miffed by the campaign’s sudden stop, but nevertheless strongly felt that it deserved the highest score OXM had ever given: 9.7 out of 10. It beat out the previous top score of 9.6, given to both Halo: Combat Evolved and the original Splinter Cell.

Halo 2 Is Released

In the ultimate first-world problem, the weeks between spending three days with Halo 2 at Bungie and the final release of Bungie’s glorious sequel were agonizing. Gaming-wise, all I could think about was playing it again. And when November 9 finally came, the OXM crew and I played every. Single. Night. This is not an exaggeration. Whether it was matchmaking, private matches, or a mix of the two, Halo 2’s sublime Xbox Live virtual couch system was the foundation for thousands of hours of fun – back before live service games were monsters that demanded thousands of hours of your time.

When the Halo 2 Multiplayer Map Packs were released, it only extended the fun for many more months. Not only that, every map was – this is not an exaggeration – awesome. There were no duds in the bunch. Bungie was simply at the peak of its powers with Halo 2, and to this day you can name a Halo 2 multiplayer map and I can describe it in great detail. This week, I asked Halo 2 multiplayer lead Max Hoberman (now the head of veteran developer Certain Affinity) to rank all 12 of the maps that shipped with Halo 2. He graciously did so – with a twist – telling me, “Here’s a ranking of my favorites, specifically from when we were in development. This is how I remember liking them, 20 years ago.” And he left notes on each:

12) Foundation. “We remade Thunderdome, a multiplayer level from Marathon, and added it as an Easter egg, unlockable. I wish we’d remade Mars Needs Women instead – that was my favorite from Marathon.”

11) Colossus. “Gravity lifts are fun, but this map never really did much for me. I honestly can’t think of a time I had a blast playing it during development. Apparently it was also superbounce crazy after we shipped, who knew?”

10) Headlong. “We slammed this in late, after the success of Zanzibar at E3. We felt we needed more asymmetrical single flag CTF maps that supported vehicles and large teams. and had a big dynamic element (the crane). It really needed more time in paper design, and more tuning, than we were able to give it, so it was never my favorite.”

9) Battle Creek. “I felt we had to remake the iconic Beaver Creek from Halo. Then working to improve it was quite a challenge – removing ladders, and adding teleporters behind the bases. I think it worked out ok, but honestly, I was already tired of it by the time we got it playable during development.”

8) Burial Mounds. “We really wanted a map that highlighted the ATV/Mongoose, before we found out it was cut, and this was supposed to be that map. We tried to salvage it, and it had a few moments of fun on base defense games due to its extreme asymmetry, but it would have been much better if we’d designed it for that. As it was, it was nothing but untapped potential.”

7) Waterworks. “I liked the ambition on this map, but I think the simplicity of the bases and the lack of cover out in the open really hurt it. It’s an easy candidate for improvement, in my honest opinion. If only we’d had more time and resources! We were a tiny multiplayer content team (just me and [Halo 2 multiplayer designer Chris] Carney originally, then [Halo 2 multiplayer designer Steve] Cotton joined us halfway through).”

6) Ivory Tower. “This map was a mosh pit of sorts, where we tested out a lot of Assault games in particular, and that’s what I recall most. But we had fun Slayer and Oddball and other games on it too. Plus I named it after our nickname for Marty’s audio space/office, which was a constant sore point for him, so it got extra points.”

“[Halo 1’s Blood Gulch map] was simply the most iconic big open vehicle sandbox.”

5) Midship. “I designed this map for 2v2 CTF games, Carney helped improve it massively (Covey curvey!), and it took on a life of its own, especially in competitive circles. Of course it was at its best when it had more players on it than it was originally targeting.”

4) Ascension. “A map that blends tight quarters combat with distance sniping and Banshees? Why not. This was definitely a unique map, and while it had some issues, I have very fond memories of playtests on it during development. Plus [Halo 2 narrative lead Joseph] Staten and [Halo 2 animator John] Butkus went head to head on it with snipers every single day, on the kiosk, for at least a year. They were clearly having fun.”

3) Coagulation. “Yes, this is a remake of Blood Gulch, but we remade it for a reason. The original was simply the most iconic big open vehicle sandbox, mildly symmetrical and with two bases to boot, for big team CTF battles. This complemented our smaller, tighter, no vehicle maps perfectly. Plus I think we did a good job of staying true to the original, while still improving it.”

2) Zanzibar. “We planned this and executed on it in record time in preparation for E3, when we learned that we were going to have to carry the show, and we didn’t have anything we felt was impressive enough. I doubled down on single flag CTF, with this dedicated map that supports both close quarters combat and vehicles, and many of my fondest memories in Halo 2 playtests were on it.”

1) Lockout. “Our first and our best. The undisputed king. We played this continuously throughout development, and I never got tired of it. Ever.”

Ryan McCaffrey is IGN’s executive editor of previews and host of both IGN’s weekly Xbox show, Podcast Unlocked. Swords-only no-radar matches on Lockout are his favorite. Talk Halo 2 with him on Twitter at @DMC_Ryan.

Marvel Rivals: Exclusive Moon Knight Gameplay – IGN First

Our IGN First “cover story” game for November is Marvel Rivals, the upcoming 6v6 hero shooter featuring many of Marvel’s biggest superheroes. We kick off our exclusive coverage with five exclusive minutes of gameplay showing Moon Knight, the most recently confirmed hero added to Rivals’s sizable roster.

Take a look at the exclusive gameplay above, and if you missed it, you can check out the Psylocke gameplay video that we kicked off our IGN First coverage with in the video below.

If you missed our hands-on preview impressions from the closed beta from over the summer, you can read that after you finish the Psylocke video. And stay tuned all November long for more exclusive Marvel Rivals coverage on IGN! Thank you to our IGN China team for leading the editorial effort on this video and this entire IGN First project.

Ryan McCaffrey is IGN’s executive editor of previews and host of both IGN’s weekly Xbox show, Podcast Unlocked, as well as our monthly(-ish) interview show, IGN Unfiltered. He’s a North Jersey guy, so it’s “Taylor ham,” not “pork roll.” Debate it with him on Twitter at @DMC_Ryan.

Dragon Age: The Veilguard Is at War With Itself

There’s a line in our Dragon Age: The Veilguard review that has stuck with me throughout my own playthrough: “It’s hilarious that no one ever says the word ‘Veilguard’ out loud across the 100 hours I played of this dialogue-packed campaign, exposing a last-minute marketing pivot for what it was.”

While I’m nowhere near the 100-hour mark myself, that line is so far proving true – not a single character has mentioned The Veilguard. My team of D&D archetype oddballs may collectively be known as such in all the marketing, online articles, and the physical box itself, but within the world of Thedas they’re none the wiser. Imagine Tony Stark and Steve Rogers having no idea the world called them Avengers… that’s how odd it is.

A name that Rook, Varric, Harding, and the rest of the gang definitely do know, though, is Dread Wolf – the mythical moniker of former Dragon Age companion, Solas, as well as the original subtitle for this fourth entry in BioWare’s fantasy series. While ultimately it really doesn’t matter what this game is called, the more I play The Veilguard, the more it feels like it’s awkwardly in conflict with itself, torn into pieces that reflect two very different intentions – one a sequel to a decade-old RPG, the other a fresh beginning with no ties to what came before.

Many aspects of The Veilguard point to it being something of a soft reset or even spin-off from the main Dragon Age series. Set in the northern Tevinter region, it leaves behind the saga’s original southern home of Ferelden, along with all its characters and politics. Dragon Age has always started afresh with each new game as, unlike Mass Effect, there’s no persistent protagonist across the series as each instalment tells a brand new story. The shift to Tevinter is perfectly in keeping with Dragon Age’s history, then, but The Veilguard isn’t a typical Dragon Age game. It is its first direct sequel – a continuation of Dragon Age: Inquisition, which dedicated its post-credits and Trespasser DLC to setting up Solas as the villainous Dread Wolf. And this is where it all starts to feel a little messy.

So much of The Veilguard is dedicated to Solas. Its opening sees him performing a dangerous god-unleashing ritual, and the world is littered with quests that explore his history and relationship with those dark deities. There may be no mention of the word “Veilguard” anywhere, but everyone is talking about the Dread Wolf. Why isn’t that the name of the game again?

Rather than take his place as the villain Trespasser promised, Solas is usurped by a much more newcomer-friendly option

But while Solas may take up considerable space, the Dread Wolf has weirdly been relegated to the position of fantasy Hannibal Lecter, trapped in dreams where he appears only to offer advice. Rather than take his place as the villain Trespasser promised, he’s usurped by other dark elven gods who don’t demand any significant prior knowledge – a much more newcomer-friendly option. I’m left with the impression of an antagonist who was robbed of his big bad status somewhere along The Veilguard’s infamously rocky development journey. As our review says, you can “practically smell the rewrites.” But despite his shift from villain to condescending informant, the story is still dedicated to him in a manner that never feels like a true fit for a game that elsewhere is so clearly attempting to be a fresh start rather than a direct sequel.

While I’d rather we got a more clear-cut successor to Inquisition, I think the game we’ve ended up with would be better for cutting Solas loose entirely. Sure, the lack of answers to one of the greatest twists in RPG history would be frustrating, but Solas’ fate feels divorced from the story that established him. That’s because none of the world-altering choices you made across the Dragon Age series are reflected in The Veilguard. Unlike its predecessors, there’s no way to import or recreate your save games and world state aside from three basic and largely interchangeable decisions made in Inquisition’s Trespasser DLC.

Speaking to IGN earlier this year, creative director John Epler told us “among many reasons why we moved to Northern Thedas is it becomes a little bit more of a clean slate for us. There’s not as many decisions you have made up to this point that have an impact on what’s happening in Northern Thedas. And we don’t have to speak directly to things like who is the Divine? Because again, that’s happening in the South.”

But the South is where we made our home and our ties to this world, and so this move means that the Thedas that we helped influence and shape across dozens of hours is not the same Thedas that’s currently at stake. With The Veilguard’s elven gods representing not just the greatest apocalyptic threat Thedas has ever faced, but also the culmination of the Inquisition storyline, then surely it’s more important than ever that the stakes are our own, personal version of this world?

I do sympathise with BioWare – Dragon Age wasn’t developed as a trilogy in the same way as Mass Effect, and so the choices have been on very different scales that must be incredibly difficult to implement into successive games. But those choices being wiped entirely results in something that feels like an opening trying to be a finale. It’s a situation only further strained by the fact that The Veilguard’s version of Thedas is so tonally different from the one established in the previous Dragon Age games. Its grand Necropolis and floating Minrathous fortress feel divorced from the earthier lands of Inquisition and a far cry from the darker regions in which this saga began. Veilguard is a whole new world untouched by players and that clashes with its insistence on continuing Solas’ story in a roundabout way. If BioWare really needed to leave our choices behind, or if it really needed to start afresh for a new era, then going the Mass Effect: Andromeda route of an entirely new story, characters, and setting would have been the cleaner choice.

The Veilguard crew all appear to be likeable people, but it feels as if I’m being blocked from forging true bonds with them.

And so we come back to that history-avoiding title. When Dragon Age: Dreadwolf became Dragon Age: The Veilguard, BioWare’s general manager Gary McKay explained the new name was chosen to reflect the “really deep and compelling group of companions.” It’s an unsurprising shift, moving away from Solas’ decade-old story that perhaps too few players will actually care about in favour of a direction clearly inspired by the phenomenon that is Baldur’s Gate 3’s beloved party. But, frustratingly, I don’t think The Veilguard does the intention of its new title justice.

Across the first 15 or so hours, during which you put together a god-killing team Mass Effect 2-style, there’s rarely the option to have a proper back-and-forth conversation. There’s a tendency to favour cutscenes or pre-scripted chat over traditional RPG dialogue choices, resulting in the feeling that characters are talking at you rather than with you. Very few party members can be spoken to at length following their initial recruitment, and this lack of introductory getting-to-know-you feels antithetical to a design that expects you to quickly forge bonds and trust with your team. As time goes by there are more opportunities to direct the flow of conversation yourself, but they frequently lack the multi-tier dialogue trees that really allow you to delve deep. It was only after unlocking the dragon-hunting Taash that I was presented with a conversation in which I was able to cycle through multiple tiers of responses at every stage of the dialogue. It was the first satisfying conversation I’d had in 17 hours of play, and I’m baffled as to why I hadn’t had the same experience with every other character I’d met.

The Veilguard crew all appear to be likeable people, but it feels as if I’m being blocked from forging true bonds with them. That especially goes for Varric. What is arguably Dragon Age’s best-ever character has been imprisoned in his bedroom, consigned to spouting incidental dialogue that you can’t engage with. His sidelining is yet another example of The Veilguard’s uneasy relationship with its predecessor, but unfortunately the frustrating treatment of its new cast means it’s also difficult to fully embrace the story’s fresh faces.

As I enter The Veilguard’s second half I have begun to appreciate its unique approaches. The knotty, secrets-filled Crossroads region is fun to explore. The action combat is really robust, particularly when enhanced by the well-considered skill tree. But at every turn you can feel the toll of that long, rocky development timeline. There’s a solid God of War-style action game in here, but its sharp battles, linear-ish level design, and explosive cutscenes clash with the more traditional RPG that’s also fighting for air. Those level layouts throttle the quest design, action always takes precedence over conversation, stealth, or diplomacy, and the companions are more like NPCs than party members – Atreus over Astarion.

The overall result is that Dragon Age: The Veilguard isn’t the golden era BioWare game that I had hoped it would be. Torn between continuing its traditional role-playing legacy and starting afresh as a modern action RPG, the end result is an awkward sequel trapped in a cage made of reboot ideas. After years and years of faltered steps I understand why BioWare landed on this particular, very mainstream AAA formula, but I wish it had been inspired by the undying mass popularity of The Witcher 3 – a full-on nerdy RPG – rather than veer closer to Sony’s palatable RPG-ish approach for modern God of War. But that ill-defined shape is often what uneasy development cycles get you. Thankfully The Veilguard’s launch has seemingly gone well for EA and BioWare, which hopefully means Dragon Age will continue. Let’s just hope next time it’s not just the name that’s got a bit of Baldur’s Gate in it.

Matt Purslow is IGN’s Senior Features Editor.

Tony Todd, Voice of Spider-Man 2’s Venom Among Many Other Roles, Dies at 69

Tony Todd, the voice of Spider-Man 2’s Venom among many other roles, has died at 69. Deadline was the first to report the news.

Todd appeared in numerous roles across a long career dating back to the 1980s, including Platoon, Final Destination, and Star Trek: The Next Generation, where he played Worf’s lost brother, Kurn. Todd’s career in horror, which included a title role in 1992’s Candyman, earned him a Lifetime Achieveement Award at the New York City Horror Film Festival.

More recently, Todd had a starring role in Insomniac’s Spider-Man 2, and we spoke to him about embodying the essence of Venom ahead of last year’s release. Todd also hinted that Insomniac had only used 10 percent of his character’s dialogue, setting off speculation of a DLC that ultimately never materialized.

Insomniac wrote in a statement released shortly after Todd’s death, “Insomniac Games is heartbroken by the passing of our friend Tony Todd. He brought so much joy to our studio during the production of Marvel’s Spider-Man 2 and to many fans around the world with his inimitable voice and presence. We are Venom… forever.”

Other fans also paid tribute to Todd, calling him a “horror legend” as well as a terrific character actor. One fan pointed to his iconic death scene in The Rock opposite Nicolas Cage,

Developing…

Kat Bailey is IGN’s News Director as well as co-host of Nintendo Voice Chat. Have a tip? Send her a DM at @the_katbot.

Marvel Comic Hunters Board Game Review

Collecting comic books has been a thing for as long as the comic industry has been around. There’s an almost irresistable allure to having that one issue featuring the debut of your favorite hero or the one where a lovable character dies. I have dipped my toe into the comic-collecting hobby from time to time, and that was why I had to have Comic Hunters, if for nothing other than all the official comic covers the Marvel-themed board game features.

Designed by Robert Coelho with Art by Diego Sa, Comic Hunters was initially released exclusively in Brazil back in 2020 but, thanks to Spin Master and Arcane Wonders, has now been released in the United States. In Comic Hunters, anywhere from one to four players compete with one another, traveling from flea markets to auction houses, in the attempt to snag those classic Marvel comic issues to make the most valuable collection of them all.

The core idea of Comic Hunters is that players draft cards to make the most valuable collection of comics. Each game allows you to set the market value either randomly or by hand-picking which heroes or types of comics are the most sought-after. To keep things interesting, drafting is done in five different ways, including players taking a card from a drawn hand of cards and passing the remainders to the next player, bidding on a blind pool of cards, and more. Once you have your new set of comics, you build your collections, paying for the cards you keep with the other cards you drafted but are opting to discard. The more of a certain hero or type of comic (first appearance, outfit change, epic battle, etc.) the more points you will get at the end of the game.

It’s a process that, once you’ve gone through it once or twice, you and the other players will fly through. It results in a game that doesn’t take long to play at all, but that initial time figuring out how all the different methods of drafting works can be a bit tedious as the rulebook doesn’t explain it very clearly. Multiple times during my first game, I had to stop and reread the rules to figure it out. Luckily, though, the whole game flow is quick and smooth once you wrap your brain around it.

With being playable solo or with up to four players, Comic Hunters feels like a different game depending on your player count. My favorite setup is playing it as a two-player board game against one other person. With two players, cards and player collections are manageable enough (each player’s sets are openly displayed in front of them) to make it a game where you can not only strategize what cards are best for you to expand your sets but also what could hinder your opponent too.

At three and four players, the number of cards out and around the table can get overwhelming and instead often changed into more of a solitaire experience where I was only focused on my own sets and not stopping others, which admittedly may be more attractive to many players. For me, though, I appreciate the addition of that little bit of conflict. Fair warning: Comic Hunters can trigger decision paralysis, so be wary if that’s an issue for you or the people you want to play against.

There are several avenues to score points come the end the game – the sets of hero comics you have, the types of issues you have, the star tickets you have left that you didn’t use during auctions – so depending on how many comics you’ve managed to get, counting up the various symbols and figuring out how to best organize your sets for the most points can be a bit of a chore. My best recommendation to alleviate this is to simply keep track as you play with tally marks on how much of any one type you have in a set at any given time and adjust after the end of each set-building phase.

Comic Hunters’ initial “WOW!” factor and draw is thanks to all of the classic Marvel comics featured on the cards. It’s longevity and how well it keeps your interest will depend entirely on how much you like drafting and set collection games. I had a fine time with the game (especially with the added adversary aspect at lower player counts mentioned earlier). I found the inclusion of having multiple drafting types helps the experience, but I never stopped wishing that there was another layer to the game. Maybe you could trade with others, or maybe there was a way to influence what the most desirable comics were midgame to try and swing things in your favor. Instead, you get drafting with a side of drafting, with a bit more drafting. The most interesting aspect of Comic Hunters is how you pay for the cards in your set with other cards you drafted, causing me to look for things I wanted and also chaff that I could snag to pay for the cards I wanted to collect.

While the art of all the covers is nice, and it was fun to stumble across issues featured in my own collection, the same can’t be said for the quality of the components themselves, with the gameboard being the only part that felt solid. The cardboard used for the player markers and comic-type tokens is incredibly thin, and even when I was punching them out of the board, they came on, I was worried I would tear them. The cards don’t feel much better; in my copy, the cards seemed to have an odd lip around them, with paper that’s stiffer than I would like. In an ideal world, I would love to have a bit larger and sturdier cardboard tokens or better-feeling cards, but with the game coming in at $25, I can give the lower quality a bit of a pass.

Where to Buy

Call of Duty: Black Ops 6 November 8 Patch Further Nerfs Recon as 10v10 Goes Live

Another Call of Duty: Black Ops 6 patch is here, and with it comes an additional nerf to that troublesome Recon Combat Specialty Perk and a dedicated 10v10 Moshpit playlist.

Treyarch pulled back the curtain on the November 8 update with a post on its website today, revealing a smaller patch that tackles some of the issues players have continued to deal with since launch. The emergence of a playlist for 10v10 might be what has most frothing at the mouth, though, as it offers bigger lobbies across many of Black Ops 6’s Multiplayer maps. Included in the list of maps is Nuketown, a map that is already notoriously chaotic in 6v6 matches, so expect even more chaos when hopping in for 10v10. While the standard Nuketown 24/7 playlist option will remain, fans can also now enjoy a new Stakeout 24/7 playlist.

Another highlight involves an additional nerf for Recon, which has been a common complaint from players for weeks. The Perk combo bonus gives players a few advantages in combat, including the ability to briefly see enemies through walls after spawning. The effect previously lasted for a whopping two seconds, with many drawing comparisons between it and unofficial cheats like wallhacks. It didn’t take long before Treyarch brought down that timer to only 1.5 seconds, and as promised, that’s now down to only one second with today’s patch.

Multiplayer regulars will notice that they are no longer able to exit the map in Lowtown, too, with other more general changes tackling stability and XP earn rates. Zombies received a number of tweaks as well, including fixes for a few glitches and a patch for a Tactical Raft exploit that was being used to make the vehicle airborne on Terminus.

Today’s Black Ops 6 patch is smaller than some of the others we’ve seen this past week, but that’s only because Treyarch is on the verge of dropping a gargantuan Season 1 update next week. We learned more about the inaugural season of content just yesterday, with the team promising that more Multiplayer maps, Zombies additions, and a revamped Warzone will arrive next week. Even more goodies will come with a mid-season refresh in the future, too, with Ranked Play also set to drop later this month.

Call of Duty: Black Ops 6 got off to a great start when it launched for PC and consoles October 25, and we think its success is deserved. We gave this year’s Call of Duty entry an 8/10 in our Multiplayer review and an 8/10 in our Zombies review. It’s unclear when exactly the next patch will drop, but at this rate, we probably won’t have to wait too long. For more, you can read our list of essential tips and tricks for players hopping online, and you can also check out the YouTuber who accidentally killed his 147-round Zombies run while streaming.

You can see today’s full Call of Duty: Black Ops 6 November 8 patch notes below.

Call of Duty: Black Ops 6 November 8, 2024 Patch Notes

MULTIPLAYER

Maps

  • Lowtown
    • Addressed an issue where players could get outside of the intended playspace on Lowtown.

Featured Playlists

  • Stakeout 24/7
  • 10v10 Moshpit
    • Maps: Red Card, Rewind, Vault, Vorkuta, Lowtown, Derelict, Skyline, Scud, Nuketown
    • Modes: TDM, Domination, Kill Confirmed, Hardpoint

These Featured Playlists are scheduled to go live at 10 AM PT which is after the publication of these notes.

Perks

  • Recon Combat Specialty
    • Further reduced the duration that enemies are highlighted after respawning from 1.5 to 1 seconds.

We will continue to monitor data and feedback on Combat Specialties throughout post-launch.

XP Earn Rates

  • Resolved an issue where match bonus was being improperly scaled across game modes.
  • Resolved an issue where match bonus was not consistently being awarded in Search and Destroy.

Challenges

  • Removed the “Get 50 Eliminations using Weapons with no Attachments” Daily Challenge.

Stability

  • Added various stability fixes.

ZOMBIES

Weapons

  • Resolved an issue where weapons with a default scope would show an extra attachment pip when viewed in game.

Gunsmith

  • Resolved an issue where the players Multiplayer Loadout would be present when previewing their Zombies Loadout.

Field Upgrades

  • Closed an exploit that allowed certain Field Upgrade Augment effects to persist beyond their intended duration.

Vehicles

  • Closed an exploit that allowed players to launch Tactical Rafts into the air on Terminus.

Stability

  • Added various stability fixes.

Michael Cripe is a freelance writer at IGN.