Pick Up a 1TB Nintendo Switch Memory Card for Only $24.99 on Amazon

Amazon has discounted the Samsung EVO Select 512GB Micro SDXC Card down to $24.99, a 30% price drop from its original $35 MSRP. This is an excellent price for a 512GB Micro SDXC card from a well-known and respected brand. I’s fully compatible with the Nintendo Switch, Steam Deck, and ASUS ROG Ally portable handhelds. It also comes with a SD adapter for devices that only take full-sized SD cards. Check out all of the best Nintendo Switch deals for sales on other games and accessories.

512GB Samsung Micro SDXC Card for $24.99

If you’ve started compiling a collection of digital games, you probably already know just how limited the Switch’s base storage capacity. The Switch and Switch OLED consoles have 32GB and 64GB of internal storage, respectively, with some of it reserved for the OS. The Legend of Zelda: Tears of the Kingdom uses up 16GB and Breath of the Wild about 13.5GB. If bought digitally, those two games alone would take up all of your internal storage on the OG Switch console. There’s only one expansion slot in the Switch console so you want to make sure you get the biggest card you can afford.

The Samsung EVO Select Micro SDXC card is compatible with virtually any device that accepts the Micro SDXC card standard. That includes the Nintendo Switch, Steam Deck, ASUS ROG Ally, any recently released smartphone that supports expandable memory, GoPros, cameras and much more. Despite its low price, the Samsung EVO Select is faster than your average Micro SDXC card. It has a U3 A2 rating and boasts transfer speeds of up to 130MB/s.

Baldur’s Gate 3 Patch 6 Is Colossal

Larian Studios has revealed a few features coming in Baldur’s Gate 3 Patch 6 alongside its colossal file size.

The developer made a series of posts on X/Twitter to tease the update, which is due sometime this week, and revealed its 21GB download. Those on PC and Steam Deck will need around 150GB of free space to download Patch 6, though Larian said those short on space can uninstall the full game and redownload the patched version. Mac players will receive the Patch at a later date, which is yet to be announced.

Though Patch 6 will no doubt feature a lot more given its size, Larian teased a handful of changes the update will make to the beloved Dungeons & Dragons role-playing game. The first is a time-saving change, as players will be able to dismiss a recruited companion while recruiting another in camp, instead of having to do these both separately.

Two skills, Shield Bash and Rebuke the Mighty, have both been fixed too, so Patch 6 will have players’ passive abilities working properly again. Larian has also addressed an issue where party members would begin talking to non-player characters instead of the player during automatically triggered dialogue.

The developer announced other changes when it revealed Patch 6 earlier in February, including “improved smooches”, new camp animations, more Legendary Actions, and more. Patch 6 will also come packed with myriad bug fixes.

Baldur’s Gate 3 launched in 2023 and became a smash hit, earning a 10/10 in IGN’s review. “With crunchy, tactical RPG combat, a memorable story with complex characters, highly polished cinematic presentation, and a world that always rewards exploration and creativity, Baldur’s Gate 3 is the new high-water mark for CRPGs,” we said.

Ryan Dinsdale is an IGN freelance reporter. He’ll talk about The Witcher all day.

Mario Party-Style Demon Slayer Game for Nintendo Switch Gets Overview Trailer

The Mario Party-style Demon Slayer: Kimetsu no Yaiba – Sweep the Board! game coming to Nintendo Switch has received an overview trailer ahead of its April 26 release date.

The trailer, below, shows how the dramatic and action-packed Demon Slayer anime has been transferred into party game ridiculousness, showing the likes of Tanjiro and Nezuko rolling dice and taking part in myriad minigames.

Up to four players can choose from 12 characters and move around boards inspired by the likes of Tsuzumi Mansion, Mount Natagumo, and the Mugen Train. Players move around by rolling dice just like in traditional board games, with the separate squares triggering minigames, offering the ability to buy helpful items, giving upgrades, and more.

The minigames also pull scenes from the anime, like one revolving around smacking Tanjiro with a stick when he stops breathing properly, another with Inosuke smashing bits out of his sword, and more.

The Demon Slayer anime continues to prove popular and will likely continue to do so due to its fourth season imminently premiering in April 2024. Though its first two seasons were incredibly well-received, IGN wasn’t a fan of the latest.

In our 5/10 review, we said: “Demon Slayer Season 3 continues to show ufotable’s skill at crafting visually stunning action, but the season is bogged down by repetitive and overly long fight scenes and a dull story.”

Ryan Dinsdale is an IGN freelance reporter. He’ll talk about The Witcher all day.

Granblue Fantasy: Relink Hits 1 Million Copies Sold

Granblue Fantasy: Relink is a hit, selling over one million copies since going on sale early February 2024.

Cygames’ action RPG hit the million milestone worldwide across PlayStation 5, PlayStation 4 and PC via Steam just 11 days after it came out on February 1. It’s been a particularly big hit on Steam, where it remains one of the most-played games with a concurrent player peak of 114,054.

Granblue Fantasy: Relink joins a growing list of successful Japanese role-playing games that launched early 2024 and hit one million sales. RGG Studio’s Like a Dragon: Infinite Wealth and Atlus’ Persona 3: Reload have each sold one million copies, breaking records for each franchise.

IGN’s Granblue Fantasy: Relink review returned an 8/10. We said: “Granblue Fantasy: Relink has a succinct story, fantastic battle system, and fun multiplayer options that help it stand out.”

Announcing the sales, Cygames said Granblue Fantasy: Relink players can look forward to a new quest, new playable characters, and other surprises featured in planned updates starting from March.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Diablo 4’s Latest Microtransaction Backlash Is Over Portal Reskins That Cost the Same as Palword

Diablo 4’s troubled history with microtransactions has grown more grim after Blizzard began selling class-locked portal reskins.

“Portal through Sanctuary in style,” begins the description for the $29.99 Dark Pathways pack, as noted by PC Gamer. The pack includes the Hell and Back bundle containing the Tempest Gate Sorcerer Town Portal, Transit Artery Rogue Town Portal, Netherworld Threshold Necromancer Town Portal, Wildroot Way Druid Town Portal, Warpath Barbarian Town Portal, and 1000 Platinum (which is itself worth $9.99). There is currently no way to buy the portals individually.

As you’d expect, players have reacted negatively to the existence of the cosmetic pack, and not just because the price of the thing is equivalent to some other hugely popular PC games, such as Palworld, but that the price of the bundle is needlessly raised by the inclusion of premium currency, a standard tactic to make virtual bundles appear more valuable in customers’ eyes. but

It’s the fact the portals can only be used by the applicable character class that’s really sent Diablo 4’s community into a furore. Each portal is unique with a theme that matches the class, so it’s not possible to swap freely between the portals while using the same class. Don’t have a Druid on the go? Then you can’t use the Wildroot Way Druid Town Portal.

It’s worth noting that Diablo 4 is a full-price action role-playing game, and while these portal skins are purely cosmetic and do not affect gameplay, they join a long list of controversial microtransactions that have hit the game since its record-breaking launch in June.

Of course, Diablo 4 developer Blizzard is now owned by Microsoft following the company’s $69 billion acquisition of Activision Blizzard last year. It was a move that some had thought would usher in a new era for Blizzard, but it got off to a troubling start after Microsoft announced nearly 2,000 staff would be let go from its gaming division, a devastating round of layoffs that have hit Blizzard hard.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Dungeons & Dragons Announces Updated Core Rulebook Release Dates, but Not All of Them Arrive in 2024

Dungeons & Dragons has announced the release dates for its new Player’s Handbook, Dungeon Master’s Guide, and Monster Manual, though they won’t all arrive in 2024 despite that expectation set by publisher Wizards of the Coast.

After more than two years of teasing a major update to the tabletop role-playing game known as One D&D, Wizards of the Coast revealed it will officially kick off on September 17, 2024, with the updated Player’s Handbook.

The Dungeon Master’s Guide will arrive a little later on November 12, 2024, but despite Wizards of the Coast itself suggesting the One D&D refresh would kick off fully in 2024, the Monster Manual has slipped into 2025, launching on February 18.

“The new core rulebooks are expected to be released in 2024,” reads a frequently asked questions post still available on the Dungeons & Dragons website.

The publisher didn’t share much about the contents of these new core rulebooks, but as previously announced they will revamp core elements of the current fifth edition without making it redundant to address player feedback.

While some fans will be frustrated with the delay, especially as One D&D was expected to launch fully as a celebration of the game’s 50th anniversary, which is in 2024, Wizards of the Coast still announced a handful of other events to tide players over.

An adventure campaign called Vecna: Eve of Ruin will be released on May 11, letting players engage in “a high-stakes adventure in which the fate of the entire multiverse hangs in the balance.” The heroes begin in the Forgotten Realms and travel to Planescape, Spelljammer, Eberron, Ravenloft, Dragonlance, and Greyhawk as they race to save existence from obliteration by the notorious lich Vecna who is weaving a ritual to eliminate good, obliterate the gods, and subjugate all worlds.

A book called The Making of Original Dungeons & Dragons: 1970 – 1977 is being released on June 18 too. Wizards of the Coast described it as “the ultimate book showcasing D&D’s inception, including Gary Gygax’s never-before-seen first draft of D&D written in 1973.”

The Quests from the Infinite Staircase adventure anthology will be released on July 16, weaving together six classic D&D adventures while updating them for the game’s current edition (which will be compatible with One D&D). Exactly which adventures these will be hasn’t been announced, but it will be targeted at characters between levels one and 13.

Wizards of the Coast announced the biggest miniature booster set ever in January, also in celebration of the 50th anniversary. The game is growing more popular than ever before, helped by the likes of its appearance in Netflix hit Stranger Things, the Hollywood film Honor Among Thieves, and one of 2023’s most beloved games, Baldur’s Gate 3.

Ryan Dinsdale is an IGN freelance reporter. He’ll talk about The Witcher all day.

Helldivers 2 Dev to Compensate Players for Lost Rewards, PC Patch Rolled Back Amid Performance Issues

While co-op third-person shooter Helldivers 2 has gone down well with players and become Sony’s biggest ever PC game launch, it has continued to struggle with login issues and rewards not tracking, even forcing its developer to roll back a patch due to performance problems.

Helldivers 2 developer Arrowhead Game Studios released patch 01.000.005 for the game on Steam yesterday, January 12. The update was designed to tackle the main issues impacting players’ ability to log in, but it caused performance problems, which in turn caused Arrowhead to roll the patch back.

“We have rolled back the patch due to some users experiencing significant degradation in performance,” Arrowhead said in a note on the Helldivers Discord. “The mission reward fix will not be affected by this.”

In the patch notes for update 01.000.005, Arrowhead promised to compensate players for lost rewards via an increased reward event. Much of Helldivers 2’s progression is gained from mission rewards, which makes this a particularly bad problem for players trying to grow their avatars more powerful.

Meanwhile, today, February 13, Arrowhead rolled out a patch for the PS5 version that addresses server capacity, login capacity progression, and mission rewards. It’s the same as the PC patch, but Arrowhead said it does not anticipate performance problems on PS5. “We are currently investigating that issue with the PC build from yesterday,” the developer said.

Arrowhead CEO Johan Pilestedt had previously issued an apology to players and explained how the servers had struggled to cope with the onslaught of players following last week’s launch. Meanwhile, Helldivers 2 players have already established an “unspoken” co-op etiquette.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Atomic Heart: Trapped in Limbo Review

Atomic Heart’s Trapped in Limbo DLC is colourful and eye-catching, and I hated every minute of it. I certainly felt trapped; trapped in a mobile game-inspired expansion that’s repetitive, frustrating, and a chore to complete. As someone who enjoyed Atomic Heart itself a great deal last year and found several things to like about the previous DLC, I am genuinely baffled at how actively I do not want to play Trapped in Limbo ever again.

While Atomic Heart’s first dose of DLC, Annihilation Instinct, explores what happens after the shorter of the main game’s two unfulfilling endings, Trapped in Limbo picks up in the aftermath of the longer one. Respecting and expanding upon both endings is an interesting and commendable approach, even if having these add-on DLC chapters flip-flopping from one ending to the other before anything is resolved makes playing through them feel like reading a Choose Your Own Adventure book from front to back.

In this conclusion, P-3 is left in limbo – a dream world for the subconscious that P-3 was previously sent to during the main campaign while the Kollektive network controlled his body. Unfortunately, unlike the visits to limbo during the core campaign – which were creepy, quirky, and used in brief bursts – Trapped in Limbo drastically overstays its welcome and goes all in on just a couple of gameplay mechanics that are repeated ad nauseam until I was thoroughly nauseated. For clarity, it only goes for a few hours – which is entirely fair for a low-priced add-on. The levels are just not enjoyable, so they drag. Everything here really could’ve been edited into a short prologue level to illustrate P-3’s return to the real-world. The majority of what’s here is just padding.

The first – and worst – are the sliding levels, which function similarly to Counter-Strike’s “surfing” (which, if you’re not familiar with it, is a long-running mod scene for Counter-Strike that embraces a physics quirk and is based around sliding down sloped platforms). Trapped in Limbo’s sliding levels are finicky, trial-and-error affairs, and they go on and on and on. I can see no other reason for the “percentage complete” bar at the top of the screen other than to reassure us that there is, indeed, an end to this torment – if we can persevere to it.

There’s just something off about the way it feels, and I was never able to get a good gauge on how to consistently get the right amount of air off the end of each slide segment. It has nothing to do with jumping, because you can’t. It’s all about the angle – and yet getting it right is not always possible thanks to the huge spiky obstacles. It’s like playing Tony Hawk with a broken ollie button, and the half-pipe is mined. I didn’t feel a sense of satisfaction getting to the end of these sliding levels – only relief that they were done and I wouldn’t have to do them again. That’s not a sensation I associate with having a good time.

Accompanying the two sliding levels are a pair of climbing ones, which focus on first-person platforming (although they also include aggravating sliding sections of their own). These levels are a lot more in line with the moments of first-person puzzle-platforming present in the main game, and they’re certainly a little more straightforward. For instance, it’s quite forgiving when it comes to landing on tiny cubes and detecting clambering opportunities. That said, I still had times where I was cursing the sloppiness of the jumping on a timing-based trap, or reloading my last save after falling into an area it didn’t appear I was supposed to have been able to get into. Like the sliding levels, I have no desire to play these again, either.

If you’re wondering why we haven’t discussed combat yet, it’s because there really isn’t much of it beyond a few arenas. Enemies are largely edible reskins of the ones in the main game but, despite the small cache of sugar-coated candy cannons at your disposal, the combat is anything but sweet. I get P-3 is living in a dreamland here, but it just has none of the punch or metal-rending mayhem of the main campaign. It’s plain.

The fifth and final level of Trapped in Limbo is the weirdest of all, and that’s saying something in a universe where the main character’s dead wife is actually two eight-foot-tall ballerina robots. It’s… an endless runner. The level actually does have an end, but it’s long enough to feel like it doesn’t – and not in a good way. I get that this version of Limbo is a weird place where anything’s possible, but an endless runner as Atomic Heart DLC is a little like having a band you like coming out for their encore and humming a nursery rhyme.

Not quite what you’d expect – and you’d probably walk out.

Nintendo Credits Super Mario Wonder’s Sales Success to Multiplayer

Nintendo is attributing the financial success of Super Mario Bros. Wonder to its multiplayer mode, as Mario’s latest outing becomes the latest Nintendo game to offer another way for one to make memories with their friends and loved ones.

In a Q&A with investors following its recent earnings report, Nintendo president Shuntaro Furukawa explained some of the likely contributing factors to Super Mario Bros. Wonder’s success. Furukawa explained how the multiplayer feature in Wonder was vital in that it “suited the need for a game many people can enjoy with family and friends” as the game was released ahead of the holiday season and was likely a gift for many during that period.

Super Mario Bros. Wonder offers local and online multiplayer. The latter allows four players to play on one Nintendo Switch and run through the game’s levels; in contrast, the latter allows up to 12 players to gather in a private lobby before breaking off into groups of four to run through the levels. According to Furukawa, “around half” of Mario Wonder’s users played in multiplayer.

More interestingly, Furukawa noted that The Super Mario Bros. Movie, released in theatres and is available to stream on Peacock and Netflix, was also an influential factor in Super Mario Bros. Wonder’s sales.

“So even though the theatrical release is over, the number of people who have seen the movie for the first time continues to increase, and we believe this has also helped drive the good sales of Super Mario Bros. Wonder,” Furukawa explained.

Nintendo has previously been vocal about Super Mario Bros. Wonder’s success. In early November, the company revealed that it was the fastest-selling Mario game to date, selling 4,3 million units within the first two weeks of its release with the company anticipating the number would continue to grow.

In our review of Super Mario Bros. Wonder, IGN said: “Super Mario Bros. Wonder looks and plays like the true next step for 2D Mario platformers. Wonder effects change each stage in both surprising and delightful ways, the Flower Kingdom makes for a vibrant and refreshing change of pace, and Elephant Mario steals the show.”

Taylor is a Reporter at IGN. You can follow her on Twitter @TayNixster.

Skull and Bones Review in Progress – Open Beta Impressions

Like spotting the first sign of shore after years adrift, Skull and Bones has finally, actually found its way to launch. Six separate delays and several different concepts that were forced to walk the plank might’ve made you understandably apprehensive about Ubisoft’s long-brewing pirate game, but I’ve already found a yo-ho-whole lot to be excited about after spending nearly 30 hours with its surprisingly unconstrained open beta this past weekend. The 17th-century Indian Ocean works well as avast open world to be explored and plundered, the RPG mechanics are (briny) deep with opportunities for buildcrafting alongside your fellow scurvy dogs, and the naval combat you’ll spend bucca-nearly all your time on the high seas engaging with is tactical and consistently entertaining. Aside from the expected instability one usually encounters with a beta for an online game, the only red flags so far are the lackluster story and a list of endgame activities that feel like they could become repetitive in short oar-der. I won’t be able to complete my voyage until the full version sets sail later this week, but I’m already excited to sea more.

Skull and Bones is fairly unique in the grand scheme of open-world RPGs in that it gives you direct control of a ship and lets you sail the ocean as you pillage ports and send enemy ships to Davy Jones’ locker in search of loot and infamy during the Golden Age of Piracy. Alone or alongside the ships of up to two friends as a fleet, you’ll gather resources and complete action-packed heists to feed your greed and climb Jacob’s progression ladder as you power up your vessel, which is usually a blast. Though it might be tempting to compare this live-service, pirate-filled RPG to Sea of Thieves, they really couldn’t be more different – Skull and Bones focuses entirely on wonderfully intricate maritime gameplay and commodities/economy simulation, not running around on foot as you get into sword fights and eat unpeeled bananas stem-first.

The focus on navals fights works a lot better than I thought it would.

While it’s a bit odd at first that you only ever get to explore the world by controlling your ship (aside from brief intermissions at the social hub), it took just a few hours for me to not feel like I was missing out on much. That’s primarily thanks to how good the ship-to-ship combat quickly becomes. After a fairly underwhelming opening meant to help you get your sea legs with the glorified hunk of driftwood as a starting ship, things really open up. Once you start to upgrade and customize your vessel to fit your playstyle, then tackle some of the more challenging areas and activities that require you to seriously up your game, Ubisoft’s strict focus on navals fights works a lot better than I thought it would.

Skull and Bones appears to have only the faintest whiff of a story, which has so far amounted to a handful of conversations with pirate legend John Scurlock (who keeps insisting I should kill the French). That’s not to say there aren’t a few likable rogues and skallywags to meet along the way – like Yanita, who introduces you to the world of black market trading with all the enthusiasm and pomp of a circus ringmaster – but NPCs are little more than vendors and quest dispensers with no substantial story connecting them. It’s especially weird that meatier pieces of the story seem to have been lopped off since I saw them in the closed beta last year, like an early part where you meet a dying pirate named Abel Rassler, who you now just find dead instead. My guess is these changes were made to keep you out on the ocean waves as long as possible rather than lingering in the social spaces, and I certainly found myself spending a lot more time doing just that – which isn’t such a bad thing. Still, I expect my pirate games to have a bit of drama, infighting, and betrayal, and it doesn’t look like Skull and Bones will deliver on that front based on this initial taste I’ve gotten. There’s still a chance more of that could get turned on when the final version is out, but I wouldn’t bet on it.

Skull and Bones appears to have only the faintest whiff of a story so far.

Instead, your attention is directed toward the compelling treadmill of blasting through increasingly lethal enemy ships and then using your loot to craft better instruments of piracy. Ship-to-ship PvE combat is the star of the show, and it requires strategy, cooperation with other player-controlled vessels, and good aim to pull off at higher levels. For example, when taking on powerful fleets found in later areas, you might want to reconfigure your ship to a tank build optimized for withstanding cannonfire and dealing close-range damage, while your friends focus on DPS or even support options capable of healing allies by peppering them with nonsensically medicinal cannonballs. (How would that even work?) It’s also awesome how great naval combat and sailing the open ocean look, as a lot of effort clearly went into giving elements like waves and cannonfire an extra layer of visual polish – although, on the flip side, NPCs often look animatronic, with dead eyes and robotic mouths.

Crafting new ships and trying out different builds is extremely compelling. Just when I thought I’d built my ideal vessel, I’d see a special cannon or a unique piece of ship armor I just couldn’t live without, then gleefully jump through surprisingly rewarding hoops by attacking certain factions and seeking out rare resources to buy a schematic and craft it. Taking those new toys out to lay the beatdown on any blaggards foolish enough to oppose me is especially thrilling. For example, I spent hours and tons of resources to craft my first mortar, which unlocked the ability to rain fire from the sky on my enemies like I was calling in an airstrike. Sure, doing so forced me to spend every last scrap of my ill-gotten riches, but can you really put a price on turning your foes into pulled pork?

Crafting new ships and trying out builds is extremely compelling.

Once you’ve established yourself on the high seas a bit, you’ll also begin to understand both trade routes and the supply and demand they influence in different parts of the world. You’ll even gain access to the black market via The Helm, a mechanic that allows you to build and manage underworld businesses by creating and delivering embargoed goods, like opium. This opens up a whole new way to line your pockets on your quest, as you can ferry legitimate and illegitimate goods to and fro, buying low in one place and selling high in another. Later on you can even conquer areas and turn them into automated revenue generators to help you obtain the most powerful equipment, and I’m excited to push the limits of this economy system in the final version.

Though I went pretty hard during this latest beta and even got a sneak peek of the endgame activities last month, I still have plenty of questions about what else Skull and Bones has in store beyond what I played this past weekend. I still don’t know if there are any dedicated PvP options or other activities beyond the single Legendary Heist public event in the beta, which sends you to take down an NPC ship, then fight over the loot with anyone else in the area. And I still have no idea how the planned microtransactions and season model fit into things, since they’ve not been present in any version of Skull and Bones I’ve seen so far. But I have really enjoyed what I’ve played, and since progress in the beta carries over to launch, I’m looking forward to setting sail right where I left off and becoming a proper pirate legend later this week.