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I wish that I could fly, that I could fly, and I could fly, just like a dragonfly, Mr Bond. I want to get away, just like a dragonfly, Mr Bond. YEAH YEAH YEAH, Mr Bond. I want a Milky Way, Mr Bond. I’d just like a Milky Way, YEAH YEAH YEAH (Milky Way), Mr Bond. Oh, and the official James Bond account appears to have leaked a trailer showing Lenny Kravitz as a007: First Light, villain, Mr Bond.
While I’m not going to argue that Obsidian’s fantasy RPG matches the depth of the genre’s topline measuring sticks, your Baldur’s Gates, your Witchers, your New Vegases, it did provide me a good time in 2025. I found the world of Eora – with its mushrooms, sprawling coastlines, dense forests, arid deserts, and more mushrooms – colourful and varied enough to whet my appetite for exploration. Combat was satisfying enough that I looked forward to each opportunity to whip out my trusty blunderbuss and characters were engaging enough that hanging out with them in camp was a pleasant way to while away evenings.
Publishers and studios who want to show off their games during the main show at a Keighleyfest usually have to pay a not small chunk of change for the privilege. According to a fresh report from Kotaku which aims to deliver the latest figures for a couple of different trailer lengths at this year’s Game Awards, those handing over the cash are now looking at paying seven figures for a three-minute showing of their game.
When Sins of a Solar Empire 2 launched from early access in September 2024, its premium edition and content pass promised something no other game in the series had delivered: a singleplayer campaign.
The Times of War DLC would for the first time give you an authored story and set of missions for each faction. Originally announced for release in “Fall 2025”, there are players of the series who have waited nearly 20 years for this, and they’re still waiting because there’s no sign of the DLC yet. Nor Harbinger, the expansion bringing a fourth playable race to Sins of a Solar Empire 2.
“They’re definitely still on the road map,” development lead Brian Clair tells me, “but we’ve shifted them around a bit.”
I think there is a very compelling case for Twitter not being the place that information about, well, honestly anything, should be casually shared in a matter of fact manner. It is a site for, if we must use it, posting things like “just downloaded some MP3s to my iPod Touch,” not sharing that Arrowhead are currently testing a roguelite mode in Helldivers 2, which is exactly what the game’s creative director Johan Pilestedt did today.
With trends and trendy games passing by these days, I’d understand if you’d already forgotten about Suika Game. I am not here to remind you of its existence to talk about it, more so use it as genre context for Dogpile, a new game that is essentially the question “what if Suika Game actually had a bunch of dogs and was also a roguelike deckbuilder?” I know, I know, there are too many of those already, but this one’s just so charming!
I am most certainly the kind of sucker that has few complaints about Final Fantasy 7 Remake being split into multiple parts. Those are my guys! I love my grumpy idiot all too realistic looking Cloud, I think Midgar being so well realised helps to justify the splitting of the game, and as maximalist as Rebirth is, there’s a quality to it I can’t help but admire, even with its many flaws. Keeping things fresh is still something necessary in dividing the game up though, and in a recent interview, director Naoki Hamaguchi spoke of how he’s trying to do that with the as-of-yet untitled third part.
I am not someone that thinks you can be therapied out of any kind of mental anguish. Life just doesn’t work that way! Sure, it can be a helpful tool, but sometimes you need to pick up a sledgehammer, go back to your hometown that is filled with robots, and smash it all down. Or, at least that’s the argument that Virtue and a Sledgehammer makes, the latest game from The Red Strings Club and The Cosmic Wheel Sisterhood developer Deconstructeam.
All these massive, multi-billion dollar acquisitions are getting a bit scary, aren’t they? The one on everyone’s minds at the moment is of course Netflix’s proposed takeover of movie studio giant Warner Bros, offering up a cool $82.7 billion in exchange. This, of course, has an indescribably massive potential to ruin mainstream cinema, but we won’t get into that right this second, because there’s another concern: how much the streamer does not seem to care about the games side of Warner Bros.
Rockstar Games’ firing of more than 30 workers just over a month ago has once again been brought up by UK politicians, with prime minister Keir Starmer calling it a “deeply concerning case” which will be looked into by government ministers. Rockstar have been accused of union busting by the Independent Workers’ Union of Great Britain over the firings, with the union having filed legal claims against the company.
The dismissals reportedly followed a discussion on a union-focused Discord server in which staff cited emails from Rockstar about changes to the company’s internal Slack policies.
