Category: Rock, Paper, Shotgun

Austrian developers Microbird released a new trailer for their upcoming Alpine dungeon-crawler Dungeons Of Hinterberg over the weekend, giving us a closer look at some of the eponymous dungeon environments we’ll be biffing monsters in come its release later this summer. In addition to the previously revealed mountainsides and glacial snow peaks, it looks like Hinterberg will have a big green swamp to travel to as well. Question is: will it be a poison FromSoft variety of swamp? Or something more innocuous? Hard to tell with that searingly green water on display, but one thing is certain: with Elden Ring: Shadow Of The Erdtree and its confirmed poison swamp launching on June 21st, this summer won’t be short on big bog energy.

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When I did my undergrad degree in the nowadays-blissful-seeming early noughties, I swore off videogames entirely. I sternly and sorrowfully turned my back on such hit releases as Shadow of the Colossus, Far Cry and yes, even, that PC gaming essential Half-Life 2, so as to spend 11-hour days boning up on Aeschylus and Samuel Johnson. Then, two weeks before my final exams, I somehow went out and bought Ensemble’s Age Of Mythology.

I’m not sure why – blame the devil on my shoulder, I guess. It wasn’t even a new release at that point. I managed to get good marks in the exams despite several nights of binge-playing, but what direction, in general, would my life have taken if I hadn’t bought Age Of Mythology at such a fateful hour? Better or worse? Could I have been some kind of billionaire don with a Pulitzer by now, if it weren’t for Age Of Mythology? These things keep me awake at night. Anyway, here’s a little more info about the forthcoming reboot Age of Mythology: Retold, which broadly aims to turn this wrinkled titan of the strategy genre into a proper modern esport.

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New week, yet more videogames! Gosh, those developers are incorrigible. I would characterise this week’s new game releases as a gentle blend of cosy simulation and nostalgia, served on a bed of fantasy roguelikes. If I had to pick a most-anticipated, it’d be a toss-up between the remaster of a shooter I adored in my teens and the breezy amateur photography game that teaches you the kanji for “flower”.

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Turbo Kid is a 2015 movie set in a post-apocalypse in which a comic book fan battles a local tyrant, with gory, comedic, ’80s-pastiching results. It was not a film I expected to get a metroidvania sequel, but here it is with a new demo and an April release date.

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I’ve entered a stage in my life during which I have enormous nostalgia for the PlayStation era, and most of that nostalgia is focused on racing games and drum and bass. Enter Night-Runners, a racing game set between 1990 and 2009, scored by drum and bass, smeared with VHS filters, and just for good measure, set on and around the expressways of Tokyo.

There’s a Kickstarter for the project now, but also a substantial prologue demo on Steam that’s worth your time.

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Prince Of Persia: The Lost Crown, Ubisoft’s highly polished prototypical Metroidvania, was released last month and instantly earned its place on our list of the best of the genre. Now Ubisoft Montpellier say they’re planning free updates to add extra content and modes, with the first to arrive soon.

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Unsure that touchscreen controls on a tiny phone screen is the best way to play a real-time strategy game? You’ll have an excuse to say “I told you so” or be proven wrong this summer, when veteran PC RTS series Age of Empires comes to mobile.

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Over 25 years into Age of Empires’ history, it seems the storied strategy series is riding a high. Developers World’s Edge have announced their plans to follow up last year’s The Sultans Ascend DLC for Age of Empires 4 – said to be the best-selling expansion in the entire series’ history – with some new additions to the latest RTS instalment this spring.

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Age of Mythology Retold, the latest remaster of the god-battling Age of Empires spin-off, will finally see a release in 2024, having been revealed back in October 2022.

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Ubisoft boss Yves Guillemot recently said Skull And Bones is a “quadruple-A game”, which I think is very accurate, actually. “AAAA” is the sound that escapes my lips as I embark on yet another hour-long sail to retrieve some logs, or when I’m doing my little deliveries and a brigantine starts on me. After 11 years in development, Ubisoft’s pirate game isn’t necessarily a disaster, I just think its live service model has transformed piracy from a roguish lark on the waves into a tremendously dull series of shipping tasks.

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