When Steven Spielberg and George Lucas first brought Indiana Jones to the screen with Raiders of The Lost Ark in 1981, they would scarcely have believed the cultural impact their character and franchise would have over the next 40-plus years. Since Harrison Ford initially hung up his fedora following 1989’s The Last Crusade, we’ve had a string of imitators that have met varying degrees of success. Fascinatingly, Jones’ influence can most keenly be felt not in movies but in video games, with the most obvious examples being the Tomb Raider and Uncharted games. Of course, both of these franchises have also been translated into Hollywood blockbusters, and both experienced middling success – perhaps a sign that Indy’s signature style of adventure has a more promising future in the realm of video games than it does on the silver screen.
But it isn’t just Lara Croft and Nathan Drake who have struggled at the cinema. The Last Crusade was not the ride off into the sunset for Dr. Jones that its story promised, and close to 20 years later Harrison Ford made a much-anticipated return with The Kingdom of The Crystal Skull. A 1950s-set Cold War adventure that switched the Nazis out for the Soviet Union, it attempted to explore the interesting ground of an older Indy who was still graverobbing and globetrotting in his 60s. But it wasn’t enough: questionable CGI and an overreliance on old man jokes aside, the choice to eschew the mystical and mythological storylines of the first three films for a sci-fi approach felt out of place for both the character and franchise. As a result, The Crystal Skull was so poorly received by fans that it seemingly buried the Indiana Jones franchise.
15 years and a Disney buyout of Lucasfilm later, Indy was exhumed for another crack at the whip. Despite featuring a typically committed performance from Harrison Ford, The Dial of Destiny stretched audience disbelief with an Indy pushing 80 forced to fight his way through scrapes and a lacklustre storyline involving Archimedes’ dial. Just as Disney had done with Star Wars, it attempted to recapture nostalgia for the original films with the return of the Nazis, but this entry felt more tired than Dr. Jones did, not to mention wasting the likes of Antonio Banderas, Mads Mikkelsen and Phoebe Waller-Bridge’s talents. But it wasn’t just long-time fans who were let down – this lackluster effort failed to capture the imagination of a new generation. Box office performance showed audiences didn’t connect with the film, and it ultimately made just half of Kingdom of The Crystal Skull’s total. The franchise, it seemed, was beyond repair.
One year later, with the bad taste of Dial of Destiny barely washed out, MachineGames’ Indiana Jones and the Great Circle has proven that there is still life in Henry Jones Jr. yet. IGN’s own glowing 9/10 review is just one of many claiming that the former Wolfenstein developer has not only made a fantastic game that rethinks the rules and structure of the action-adventure genre, but that The Great Circle is also the most enjoyable the franchise has been since Spielberg and Lucas’ heyday. It has breathed new life into what was fast threatening to become a franchise as cobwebbed as the tombs Indy encounters.
The Great Circle is able to return the series to its 1930s roots, free from the constraints of an aging lead actor.While The Great Circle’s achievements in video game design are a significant part of its success, its real triumph is in the way it works in conversation with both Indiana Jones as an idea and a franchise. It uses the natural strength of video games to extract the very best from the series. For instance, The Great Circle is able to return the series to its 1930s roots thanks to being free from the constraints of an aging lead actor. We play as Indy in his prime, with the story not having to justify why a senior citizen is still leading a double life as a professor of archaeology and ass-kicking archaeologist. This feels like a true representation of the character fans fell in love with, aided in part by Troy Baker’s pitch-perfect take on the character and Gordy Haab’s score, which effortlessly captures the escapism of John Williams’ classic themes.
Set within the small timeline gap between Raiders of The Lost Ark and The Last Crusade, the game sees Indy crossing paths with an excellent foil, Nazi archaeologist Emmerich Voss, as well as Japanese and Italian forces in 1937. The setting feels like a natural continuation for both the character and story, fleshing out his story and veering away from the sci-fi trappings the latter two films fell into. This all creates a feeling of nostalgia for fans, especially when it comes to Indy interacting with Marcus Brody, originally played by the late Denholm Elliott but brought to life here just as you remember him. It’s through this authentic return to Indy’s past, rather than the legacy approach of the recent films enforced by the realities of aging stars, where The Great Circle succeeds.
But, more important than that, this return to Indy’s prime taps into so much of what made the early films feel so fresh. While the fanbase of the original films felt obliged to see the past two films, the younger generations haven’t had an opportunity to experience the franchise at its best. Now, for the first time in decades, Indiana Jones feels relevant: he’s a classic hero for a modern-day video game.
The deeper you explore Indiana Jones and the Great Circle, the more obvious it becomes that the video game medium is perfect for continuing the franchise. I’m actually surprised it hasn’t been tapped into with greater success previously, despite a myriad of attempts including beloved Lucasarts adventure games and the delightful Lego adaptation. But MachineGames’ vision is unlike that used for any prior Indy game, and it feels perfectly suited to offering a whole new interactive future for Dr. Jones.
The Great Circle’s emphasis on stealth and actual archeology leans into the more curious spirit of the original trilogy.The level design evokes the exploration and adventure of the original films, offering an immersive and engaging experience that shows why this character and world were so appealing in the first place. It is the perfect modern vehicle for Indy’s archaeology and tomb-solving adventures, taking us from Marshall College to the Himalayas via Egypt, The Vatican and Shanghai. Unique environments and challenges in each location not only keep players constantly engaged, but also replicate the shifting opportunities offered to Indy in each act of the original films.
Also evoking the movies is the game’s approach to violence. While notably light on action compared to the combat-heavy approaches of Uncharted and Tomb Raider, The Great Circle’s emphasis on stealth and actual archeology leans into the more curious spirit of the original trilogy. That’s emphasised by the first-person perspective, which offers a distinctive lens on Indy’s amazing discoveries. Through this approach, Machine Games ensures The Great Circle feels an authentic continuation of the films that came before it, as well as making the franchise stand apart from its video game peers.
Indiana Jones and the Great Circle feels like the continuation for the franchise fans have been asking for since 1989. It tells an organic story that deftly slots in between the original films, making the most of its pre-war setting and adding extra elements that feel natural and work within this timeframe. The globe-trotting locations suit the franchise’s history and the aesthetic and design of each adds something different for fans to explore. The fact that it’s a video game may have previously seemed an odd method to provide an authentic next chapter, but in 2024 it feels like the right – and perhaps only – way forward.
And so The Great Circle raises a broader question: are video games the way forward for franchises that have struggled to survive in cinemas? Last year’s RoboCop: Rogue City breathed new life into the dormant series, and felt right at home thanks to the ultra-violent nature of a first-person shooter. With that in mind, it’s easy to imagine a number of resting franchises that could find exciting new life in video games. Die Hard, Terminator, Escape From New York – there are so many former movie titans that have potential.
But for now, we have Indiana Jones back where he should be. While the past two films have their fans and moments to savour, they fall considerably short of the standards set by Spielberg and Lucas. The Great Circle shows that there is still a future for the franchise that can be fun and remind fans of the franchise’s heyday while also offering something fresh. It’s not just about revisiting Indiana Jones in its prime, it’s about living his experience. That’s the element that helps keep it forward-facing. MachineGames has certainly chosen wisely, and it’d be hard to bet against further gaming outings for Dr Jones if they’re anything like this one.
Chris Connor is a coffee and whisky driven culture wordsmith, with work published at NME, Radio Times, Yahoo, and others.
