There are a lot of different jigsaw puzzle brands out there, but one of my overall favorites is The Magic Puzzle Company. What really makes them stand out is how unique their approach to puzzling is. Each piece is odd and interesting, and the puzzles themselves feature a secret ending you can only uncover once you’ve fully completed it. True to its name, these puzzles feel like a mix of magic and puzzling as you’re making your way through them. Although they usually cost $25 each, Amazon is currently running a buy 1, get 1 50% off sale that includes quite a few of them. If you’ve been looking for a good gift to buy the puzzle fanatic in your life, I’d definitely recommend checking these out while the sale lasts.

Magic Puzzle Company Sale at Amazon (Buy 1, Get 1 50% Off)

Each of the Magic Puzzle Company puzzles is 1,000 pieces and features artwork from different artists around the world. There are hidden Easter eggs in every puzzle and the secret endings are all unique and interesting. There have been 13 Magic Puzzle Company puzzles released across five different series so far, but only eight of them are part of Amazon’s early Black Friday promotion. Series One and Series Two are underrepresented here, but many of the newer releases are eligible for the discount.

Most notably, the only Series Five puzzle that’s been released so far is included in this sale. The Drippy Trip came out back in early August and features some interesting ties to the animated series Adventure Time. I haven’t had the chance to put this one together myself, but as a fan of that show I can’t help but admire the resemblance to Adventure Time artwork I’ve grown to love.

Should you wait for Amazon’s Black Friday sale?

In case you aren’t keeping up with Black Friday sale dates as closely as I am, it’s worth noting that the Amazon Black Friday sale actually starts on Thursday this week. While I do recommend taking advantage of this discount right now, there’s no guarantee that there won’t be a better deal once that sale actually kicks off. I’d expect at least some of the Magic Puzzle Company puzzles to get discounted during Black Friday, but we won’t know which ones until Thursday (or next week even).

With that in mind, this sale is definitely worth checking out if you’re looking to buy more than one puzzle at once. You may be able to find a lower price on some of these next week, but the extra 50% off now isn’t likely to last forever. Amazon launched a similar sale on books last week that has already ended, so it’s probable this week’s promotion will expire before we even get to Black Friday as well. You may want to check out some of the board games included in these early Black Friday deals while you’re at it.

Spoiler note: This review avoids any of the specific twists and turns of the story, but it does mention some unlockables and characters in case you want to go in totally fresh.

I spent the last week embodying Wade Wilson in Marvel’s Deadpool VR, slicing and shooting my way through Mojo’s twisted interdimensional reality show, and I can confidently say the fast-paced parkour combat on offer here is nothing short of a blast. This is the first Deadpool VR game, built exclusively for Meta Quest 3 and 3S, and it’s way more comprehensive than I expected from what could have easily been a shallow licensed tie-in. It didn’t get old to see Deadpool’s head roll off his shoulders (my shoulders) mid-battle or watch my severed arms flop around on the ground to the backdrop of a comedic one-liner delivered by Lady Deathstrike. This is a relentlessly witty, often fourth-wall-breaking, and highly replayable single-player campaign that stands out as the best superhero VR game on Meta’s marketplace since 2024’s Batman: Arkham Shadow.

Whether you’re a Deadpool fan looking to step into the Merc with a Mouth’s shoes or just here for a good old-fashioned VR shooter with tons of secrets and a good sense of humor, Deadpool VR is surprisingly complete. The campaign took me roughly 10 hours to finish, but there are secret levels to find and alternate Deadpool variants like Lady Deadpool and the Deadpool Kid to unlock, each with unique dialogue and Easter eggs that could easily push playtime much further.

Portaled out of existence by Mojo with the promise of making money – like, a lot of money – Deadpool sets out to capture villains from the Marvel Universe for the tyrant’s interdimensional streaming service. This story’s premise is delightfully silly and simple, played entirely off the cuff, and each villain’s domain is ripe for themed cherry-picking. The ninja school level, for instance, is packed with weeb gamer humor and anime references, while Omega Red’s stronghold is full of “in Soviet Russia, game beats you” type jokes. Each area feels as much like an arena for combat with uniquely themed enemies as it does a playground for Deadpool to poke fun at the player, the game industry, virtual reality, and whatever tropes the respective zone represents. None of these areas overstay their welcome, as you’ll typically clear a zone in about an hour, and the campaign’s roughly 10-hour runtime strikes a good balance between feeling substantial and staying fresh.

The reality show framing isn’t just window dressing, either. Each battle ends with a ranked score and Mojo bucks reward based on your performance, while your “viewer count” (basically experience points) ticks upward as comments roll in on the right side of the display that match how well you did. These segments are often hilarious because of how wild the comments are, genuinely making me feel like I was livestreaming to a chaotic Gen Z audience watching Deadpool massacre his way through the Marvel Universe.

The combat itself is immediately arcadey rather than going for deep VR immersion territory like Half-Life: Alyx – which, at one point, Deadpool VR gleefully mocks itself for not doing, in a very Deadpool-like manner – but for what it sets out to do, it feels way more thought through than most VR action games. The very first mission hands you dual pistols and katanas, and shows you a nice big group of enemies to experiment on. That’s what Deadpool VR is all about: kinetic movement through dynamic environments, creative kills, and irreverent goofs. This implementation really does capture what makes the character work. You can wall run, double jump, grapple across arenas, strafe around opponents, or divekick into clusters of enemies, and it all feels great without ever getting too easy or unbalanced.

Plus, Deadpool can lose arms mid-combat, or even his head or legs during key story moments, creating surprisingly interesting segments where you’re fighting with one arm while waiting for the other to regenerate, or remotely controlling your body from your severed head’s perspective. I’ve never experienced anything quite like it in VR, and it creates a layer of dynamism that Deadpool VR regularly riffs on in low-brow fashion, including a memorable segment where – after losing the lower half of my body – I had to race a recurring antagonist up an obstacle course with nothing but a grappling gun.

Deadpool VR’s combat system has a satisfying rhythm where you have to time things right if you want to score the slickest kills. It’s enabled by wall-running, powersliding, and dive-kicking, which all feel really good in VR because the arenas are built with plenty of open space to get creative with your maneuvers. You can use your katana to disable an enemy up close, dive-kick into them to push them away, pull out your pistols to finish the next guy off, grab an assault rifle from a nearby locker to blast the big baddy coming down the lane, throw that rifle at him to instantly reload it and refill the ammo meter, then wall-run, dash, and powerslide around to get the next target. It’s super kinetic and satisfying, made even better by the grappling gun and plenty of grapple points scattered around most arenas.

There are always a few other tactical considerations at play too, adding layers of variety to the carnage. For example, blocking too many attacks can make your swords break, and your wrist grenades take a few seconds to refill between uses. At least your dual pistols are quick to reload and never run out of ammo, though they’re kind of weak on their own. The real fun comes from grabbing superior weapons off enemies, like assault rifles, shotguns, SMGs, grenade launchers, missile launchers, or even melee weapons like flaming swords, shock batons, and in one memorable instance, a chainsaw-bladed axe. All of them feel excellent to use and are so much fun to mix into your arsenal as you rip and tear across each arena.

Additionally, it’s awesome that you can buy new dual pistols and katanas with your Mojo bucks between levels in the hub area, including useful variations like basic shotguns or “Penetrator” pistols equipped with laser sights. Upgraded katanas include really fun ones that extend when you slash or spin back to you like a boomerang when you throw them. In total, there are about eight pistols, eight wrist-mounted grenade types, and eight katanas to mix and match between. No upgrade is too expensive or too difficult to earn, and the differences between each are significant enough to make playstyle customization feel robust.

When you fill up your Big Money Time meter, you can press the X button on the left controller to activate it, which puts an incredibly powerful weapon in your hands for a short period of time, increasing your Mojo dollar yield after a battle if you activate it. For most of the campaign, I stuck to the default option – the exploding cards wielded by Gambit – but there are other purchasable Big Money Time abilities like Thor’s Hammer and Star-Lord’s Element Guns that add variety if you want to switch things up.

There’s a decent collection of enemy types to maneuver around, too, including the typical grunts that you’ll rip through like tissue paper, shield-carriers that need to be disarmed with a little more tact, and more powerful zone-unique enemies that you’ll typically want to pick off earlier in a battle before they can make things difficult. The gore is cartoonish but consistent and appropriate with Deadpool VR’s humor and graphical style – think very detailed cartoon dismemberment and giblets rather than realistic splatter. Each zone also introduces unique weapons that fit its theme, keeping combat fresh throughout the campaign rather than letting it devolve into mindless repetition.

My only real problem with combat is that the boss battles feel way too choreographed. Time slows down, and you need to make specific moves in a row or else a cutscene will pull you out of VR entirely. That part is kind of jarring. Worse still, if you’re executing one of those timed combat moves against a boss and you’re not standing in the right spot, it can jar you entirely out and push you back to the Quest lobby until you reposition yourself. It’s not clear why that happens, and it feels like a bug that needs patching.

Deadpool VR at least stays fun beyond the initial playthrough thanks to its alternate Deadpool variants and secret levels. When you replay zones as variants like Deadpool Kid or Lady Deadpool, the gameplay itself doesn’t change, but the way each variant reacts is appropriately silly and adds new flavor to familiar encounters. Deadpool Kid brings a cowboy twang to all his lines and in-jokes, while Lady Deadpool constantly points out that NPCs still refer to her as “sir” because the developers didn’t re-record those lines, even calling out their laziness as part of the joke in true meta fashion. Each level also contains hidden doors aligned to specific Deadpool variants, meaning when you return as the correct character, you’ll unlock secret levels with unique challenges or puzzles that reward extra Mojo bucks and collectibles like comic books, music tracks, concept art, and weapon skins. It’s a smart replayability hook that actually incentivizes multiple playthroughs rather than just padding out runtime.

Things like the multiple variants repeatedly contrast how seriously its characters (and Marvel Universe mythology as a whole) take themselves against the lewdness and unseriousness of Deadpool himself, shredding any pretense of urgency and making things go boom for s***s and giggles. The villain roster – pulling liberally from across the Marvel Universe with lesser-known fan favorites like Ultimo and Lady Deathstrike – helps enable a decent variety of levels, and the jokes are typically more three-dimensional than just playing off tropes. For instance, there’s a hilarious sequence where Deadpool bemoans having to fight Ultimo because VR game developers couldn’t afford to include Ultron. These are all well-performed and serve Deadpool as a character rather than forcing him to awkwardly traipse around trying to make sense of why the hell he’s involving himself with all these random Marvel characters. It knows it’s wacky and stupid, and that’s just part of the joke.

My sole issue with how the story is presented is that it does make you sit through long cutscenes and dialogue sequences with no way to skip them, meaning you’ll have to experience an entire level again – exposition and all – if you just want to go back and unlock a secret level with a new character. This can drag down Deadpool VR’s pacing a bit, even when you’re going through and experiencing new(ish) dialogue with a new variant.

At least Neil Patrick Harris absolutely nails Deadpool’s humor, so much so that I almost thought he was Ryan Reynolds for a bit. He brings the perfect mix of snark, self-awareness, and chaotic energy that made playing as this version of Wade Wilson a genuine delight throughout the entire campaign. The supporting cast also has a mix of standouts and phone-ins. John Leguizamo’s Mojo is fantastic, chewing scenery with the perfect amount of grotesque sleaze, while Julia Jones’s Spiral falls flat with delivery that feels uninspired.

Visually, Deadpool VR looks much better on Quest 3 than on Quest 3S, and after the first few levels I just stopped trying to play on my 3S at all. Performance was smooth overall across both platforms, but the cel-shaded graphical style just goes so much harder on the standard Quest 3. It’s enjoyable to look at and listen to through and through regardless, even with all the chaos from combat making the Quest 3 work harder to render everything at 90 FPS – with vibrant colors, intricately detailed levels and characters, punchy weapons, and high-fidelity cartoon gore that pops. The sound design and music are also pretty good, though there were definitely points where the audio got blown out or the Quest started making a buzzing noise because it was too stressed – typically during particularly hectic sequences with vehicles or tons of enemies on screen.

Deadpool VR has a variety of comfort options that’s always nice to see. I’m a longtime VR user, so I went straight for the no-holds-barred “VR Hero” experience, but I’m glad there are three comfort modes available, the easiest of the bunch setting a baseline for beginners: snap turning with comfort blinds and no screen shake. Even though I took the most intense one, I appreciate that the most visually intense sequences, usually passenger shootouts in vehicles, are still entirely skippable if needed. There’s also a Kidpool mode that removes as much vulgarity from Deadpool VR as it can, which is cool to include I guess, but kind of defeats the point.

Magic: The Gathering saw a nice, very welcome shake-up this week with the reveal of fresh bans – and the age of Vivi Ornitier is over as a result.

That’s meant the troublesome mage has dropped in value, but there are PlayStation synergies abound for Secret Lair and more. Here’s this week’s Crashers and Climbers.

Climbing

Dockside Extortionist is getting another mention this time around. It’s getting a reprint in the Avatar Bonus Sheet, and while it’s not unbanned as yet, that could always change. The non-Universes Beyond version is climbing to about $24 right now, having been $20 or so just a week or two ago.

Battlefield 6 is roaring ahead, with update 1.1.2.0 patch notes revealing that open beta aim assist settings are back, as are more weapon dispersion and bloom tweaks, as EA and Battlefield Studios roll out the next new Season 1 map: Eastwood.

The latest Battlefield 6 and REDSEC patch notes, which cover every change in tomorrow’s update, were listed in a new post on the project’s website. It comes with a breakdown for all of the new weapons and features included with the long-promised mid-season update, as well as a shortlist of other major changes, including additional clarity for challenges, a “major polish pass” for gadgets, improved latency and stick response for controllers, a healthy dose of bug fixes, and much, much more.

Aim assist is no doubt the headline for this week’s update and arrives as further proof that BF Studios plans to continue delivering on its post-launch promises. Those who tuned in for the Battlefield 6 beta tests in August will notice base aim assist settings will fall more in line with that build of the game.

It’s a U-turn from the launch version of the option, with the team explaining its original goal was to “make aim assist feel more effective beyond mid-range fights which was one of our focuses within Battlefield Labs and Open Beta.” Now, BF Studios admits those changes resulted in high-zoom aiming that was more difficult to control. Players can expect Battlefield 6 aim assist following update 1.1.2.0 to feel more consistent, steadier, and smoother.

“After reviewing player feedback and gameplay data, we’re reverting aim assist back to the values some of you experienced during Open Beta and Battlefield Labs,” BF Studios says. “This will now serve as the default, whilst still providing you with the ability to alter the aim assist to your preference and playstyle via settings.”

Battlefield 6 fans should be happy to see more weapon dispersion and bloom tweaked further after update 1.1.1.5 changes resulted in positive feedback. While the previous patch tackled dispersion related to gunfire when aiming down sights after sprinting, tomorrow’s Season 1 update delivers a slight reduction to dispersion across the board. While each change suggests BF Studios is getting closer to reaching the smooth FPS experience they desire, Portal players can also look forward to more Portal tools in update 1.1.2.0, including the golf cart and a sandbox map option.

With the one-month-post-launch-mark in the rearview mirror, EA and BF Studios are moving steadily ahead with a level of communication that has kept its player base coming back for more Battlefield 6. Tomorrow’s update will make good on the promises made in a community outline published by the developers last week, but it’s clear there’s more work to do, too.

More weapon bloom tweaks, for example, are likely to arrive in the future as the team monitors feedback, with lighting adjustments, another promise from last week’s outline, absent from the 1.1.2.0 patch notes. These are upcoming changes in active development for Battlefield 6, but other hot topics, including map size, UI, player stats, hit registration/netcode, and more, are said to be under review for potential tweaks in the future.

The three-phase Battlefield 6 Season 1 launched with its first chapter, Rogue Ops, as well as the Blackwell Fields map, October 28, 2025. November 18 ushers in California Resistance, which comes with the 1.1.2.0 update, Eastwood, Sabotage limited-time mode, Rodeo mission for Gauntlet, DB-12 shotgun, M357 sidearm, Battle Pickups feature, and more. The final, major Season 1 update, Winter Offensive, will follow December 9, adding in more gameplay changes, a limited-time Ice Lock version of Empire State, and the ice climbing axe melee weapon.

Battlefield 6 update 1.1.2.0 launches November 18 at 1 a.m. PT / 4 a.m. ET. While we wait for more, you can read our interviews with BF Studios to learn more about a solo queue option for battle royale and other upcoming REDSEC map updates. You can also read our 8/10 Battlefield 6 multiplayer review and our 7/10 REDSEC review.

Finally, the full Battlefield 6 update 1.1.2.0 patch notes can be seen below.

Battlefield 6 1.1.2.0 Update Patch Notes

This update delivers a broad set of improvements to soldier responsiveness, aim consistency, animation fidelity, and overall stability across Battlefield 6. We’ve also introduced a new limited-time mode, refined Aim Assist behaviour, and resolved a large number of weapon, gadget, and vehicle issues based on community feedback. The update will be available tomorrow, November 18th, at 09:00 UTC.

New Content: California Resistance

• New Map: Eastwood. A map with the Southern California theme.
  • Variations of this map will be available for all official modes.
  • Conquest mode on this map will include tanks, helicopters, and the Golf Cart.
• New Time-Limited Mode: Sabotage. A themed event mode focused on demolition and counterplay.
• New Weapons: DB-12 Shotgun and M357 Trait Sidearm.
• Gauntlet mode to include a new mission type: Rodeo. This mission provides multiple vehicles for players to fight over and battle with each other with. Players earn bonus points for defeating enemies while in a vehicle.
• New feature: Battle Pickups. These powerful weapons will be available in specific experiences and Portal with limited ammunition but pack enough firepower to help turn the tide of battle in your favor.
• Portal updates:
  • Sandbox map. This option will let Portal experience builders start with a more level playing field to bring their imagination to life.
  • The Golf Cart vehicle is available for use in building experiences.
• Battle Pass: The California Resistance bonus path becomes available for a limited time.
• New underbarrel attachment: Slim Handstop, unlocked via Challenge.
• New feature coming later in the update: Battle Pickups. These powerful weapons will be available in specific experiences and Portal with limited ammunition but pack enough firepower to help turn the tide of battle in your favor.

Major Updates for 1.1.2.0

• Aim Assist has been reset to its Open Beta tuning, restoring consistent infantry targeting behaviour across all input types.
• Improved input latency and stick response for controllers, providing smoother aiming and more responsive soldier movement.
• Weapon accuracy and dispersion tuning: fixed unintended weapon dispersion increase rates and improved non-Recon sniper rifle accuracy while globally reducing dispersion across all weapon types.
• Challenge and progression clarity improvements make requirements easier to understand and track.
• Major polish pass to deployable gadgets, including the LWCMS Portable Mortar, LTLM II Portable Laser Designator, and Supply Crate systems.
• Fort Lyndon added to Portal, expanding available segments for community-created experiences.

AREAS OF IMPROVEMENT

Aim Assist

As we got closer to launch, we revisited aim assist tuning based on internal testing and the full range of maps and combat distances coming with release. Our goal was to make aim assist feel more effective beyond mid-range fights which was one of our focuses within Battlefield Labs and Open Beta.

At launch, we increased slowdown at longer ranges, but once the game went live, we saw that this made high-zoom aiming feel less smooth and harder to control.

After reviewing player feedback and gameplay data, we’re reverting aim assist back to the values some of you experienced during Open Beta and Battlefield Labs. This will now serve as the default, whilst still providing you with the ability to alter the aim assist to your preference and playstyle via settings.

This change keeps aim slowdown consistent across all ranges, helping with muscle memory and providing a steadier, more reliable feel as we move into future seasons.

CHANGELOG

PLAYER:

• Aim Assist: fully reset to Open Beta tuning, with related options reset to default to ensure consistency.
• Fixed an issue where Vehicle Stick Acceleration Presets would affect Infantry Aiming Left/Right Acceleration option availability.
• Fixed an issue where setting Stick Acceleration Presets to “Standard” would set the Aiming Left/Right Acceleration options incorrectly to 50% instead of 70%.
• Fixed missing Infantry and Vehicle prefixes in captions for Stick Acceleration Presets and Aiming Left/Right Acceleration options.
• Fixed an issue where stick deadzones would ignore the first 10% of movement if using a PS5 Controller on PC.
• Fixed an issue where player movement (Left Stick) would not register until beyond 30% of travel past the deadzone.
• Fixed joystick aiming input behaviour.
• Added a short sprint “restart” animation when landing from small heights.
• Added new death animations for sliding and combat-dive states.
• Fixed a diving loop when entering shallow water.
• Fixed an issue preventing players from vaulting out of water in certain areas.
• Fixed an issue preventing takedown initiation against an enemy soldier if the enemy soldier already initiated a takedown against a friendly player.
• Fixed an issue where a dragged player could face the wrong direction if turning quickly.
• Fixed an issue where holding a grenade while jumping, sliding, or diving froze the first-person pose.
• Fixed an issue where switching weapons while drag-reviving would break the reviver’s first-person view.
• Fixed an issue where the Assault Class extra grenade ability would not grant two grenades on spawn.
• Fixed an issue where weapons could become invisible when crouching before vaulting.
• Fixed bouncing behaviour when landing on object edges.
• Fixed broken ragdolls when killed on ladders, while jumping, near ledges, or in vehicle seats.
• Fixed camera clipping when dropping from height while prone.
• Fixed clipping when initiating a drag & revive.
• Fixed first-person camera clipping through objects when dying nearby.
• Fixed the issue where the Rush signature trait ‘Mission Focused’ applied its icon and speed boost to all teammates.
• Fixed incorrect prone aiming angles on slopes.
• Fixed misaligned victim position during takedowns when using high FOV settings.
• Fixed mismatched rotation between first-person and third-person soldier aim directions.
• Fixed misplaced weapon shadows while vaulting or swimming.
• Fixed missing pickup prompts while prone.
• Fixed missing water splash effects while swimming.
• Fixed stuck third-person soldier animations when entering player view.
• Fixed teleporting or invisibility when entering vehicles during a vault.
• Fixed third-person facing inconsistencies when soldiers were mounted.
• Improved combat-dive animations in first and third person.
• Improved LTLM II sprint animation in first person.
• Improved vault detection in cluttered environments.
• Increased double-tap window for Danger Ping from 0.2 s to 0.333 s.
• Updated first-person animation cadence for moving up and down stairs.
• Fixed an issue where hit registration would fail when engaging into gunfights after exiting vehicles.

VEHICLES:

• Fixed camera reset when entering an GDF-009 AA Stationary Gun after another user.
• Fixed clipping gunner weapons in IFV seats.
• Fixed faint metallic impact sound from M1A2 SEPv3 Main Battle Tank turret wreckage.
• Fixed several cases where IFV’s MR Missile could do more damage than intended to MBT, IFV and AA vehicles
• Fixed inconsistent projectile video effects on the Abrams main gun.
• Fixed instant 180-degree turn after exiting a vehicle.
• Fixed missing scoring for Vehicle Supply when teammates received ammo.
• Fixed oversized hitbox on UH-79 Helicopter.
• Fixed passenger and gunner placement issues in the UH-79 Helicopter.
• Fixed re-entry issues when mounting flipped Quad Bikes.
• Fixed unintended aim-assist from Attack Helicopters gunner missiles.
• Fixed unresponsive joystick free-camera controls in transport vehicles.

WEAPONS:

• Dispersion tuning pass: dispersion has been globally reduced slightly to reduce its impact on the experience
• Fixed multiple instances of Canted Reflex and Canted Iron Sight optics clipping with higher-magnification scopes
• Fixed several issues with underbarrel attachment alignment
• Fixed minor misplacements or clipping on sights and barrels
• Fixed missing or incorrect magazine icons, naming, and mesh assignments.
• Fixed the issue where the SV-98 displayed lower damage stats when equipping the 5 MW Red attachment.
• Fixed the issue where slug ammunition despawned too quickly after being fired from shotguns.
• Fixed the issue where the SU-230 LPVO 4x variable scope lacked a smooth transition and audible zoom toggle when aiming down sights.
• Fixed the issue where two Green Lasers for the DRS-IAR shared identical Hipfire stat boosts.
• Fixed the issue where impact sparks failed to meet photosensitivity compliance standards.
• Fixed an issue in third-person where the Mini Scout could clip with the player’s head while aiming.
• Fixed animation and posture issues affecting the PSR and other rifles when moving or looking at extreme angles.
• Increased weight of long-range performance in balance for automatic weapons; benefiting PW7A2 and KV9, with minor adjustments elsewhere.
• Reduced recoil and variation for LMR27, M39, and SVDM for improved long-range reliability.

GADGETS:

• Allowed friendly soldiers to damage and detonate certain friendly gadgets.
• Fixed an issue where Class Ability would sometimes not activate although the UI shows it as available.
• Fixed auto-deployment of Motion Sensor after recon kit swap.
• Fixed broken M320A1 Grenade Launcher ground model.
• Fixed C-4 pickup edge-of-screen interaction.
• Fixed clipping of the UAV remote when activating it while using certain weapons like rifles.
• Fixed clipping when holding the CSS Bundle.
• Fixed CSS Bundle line-of-sight requirements causing unwanted blocking.
• Fixed Deployable Cover persistence after vehicle destruction.
• Fixed disappearing “pip” indicator during CSS Bundle supply.
• Fixed duplicate deploy-audio playback on M4A1 SLAM and C-4.
• Fixed failed projectile attachment for X95 BRE Breaching Projectile Launcher.
• Fixed inconsistent hit registration for the Defibrillator after range adjustment.
• Fixed interaction logic for the Supply Pouch and Assault Ladder.
• Fixed LTLM II Tripod soldier collision.
• Fixed M15 AV Mine premature detonation on aircraft wrecks.
• Fixed M15 AV Mine proximity placement exploit.
• Fixed missing pickup prompt for thrown C-4 satchels.
• Fixed MP-APS smoke-propagation failure between friendlies.
• Fixed multiple haptic and feedback issues on gadgets, including the LWCMS Portable Mortar and the CSB IV Bot Pressure Mine.
• Fixed placement preview interference from the GPDIS.
• Fixed XFGM-6D Recon Drone physics allowing vehicle pushing.

MAPS & MODES:

• Added Sabotage as a new time-limited event mode.
• Added the new map “Eastwood”.
• Fixed black-screen spawn issue with Deploy Beacon in TDM, SDM, Domination, and KOTH.
• Fixed incomplete or incorrect round-outcome data when joining mid-match.
• Fixed matchmaking logic to prevent late-stage match joins.
• Fixed multiple destruction-reset issues after side swap in Strikepoint and Sabotage.
• Fixed post-insertion movement lock at round start.
• Fixed unintended AFK kicks while spectating in Strikepoint.
• Reduced opacity of excessive environmental smoke across multiple maps.

UI & HUD:

• Added a message when attempting to change stance without sufficient space.
• Downed players now appear in the kill log in modes using the crawling downed state (e.g. Strikepoint, REDSEC).
• Extended top UI on Strikepoint to show detailed alive/downed/dead player counts.
• Fixed incorrect Assault Training Path icons.
• Fixed incorrect colour usage on squad-mate health bars.
• Fixed missing tooltips and UI prompts across tutorials and mission briefings in Single Player.
• Fixed missing XP Tracker icon at level 3 when using Field Upgrades.
• Kill-confirmation indicator now displays if a victim bleeds out after being damaged by the player in modes using the crawling downed state (e.g. Strikepoint, REDSEC).
• Minor UI polish and alignment updates to various game modes.
• Non-squad friendlies now display a “Thank you!” subtitle after being revived.

SETTINGS:

• Added a new option allowing players to sprint automatically when pushing the stick fully forward.
• Added new keybinding that allows the player to instantly swap to the knife instead of having to hold the button. This keybinding will not allow to perform takedowns contextually but will still allow takedowns to be performed once the melee weapon is equipped.

SINGLE PLAYER:

• Addressed multiple occurrences of excessive bright flashes and unintended visual effects.
• Fixed an issue where AI squadmates would not respond to revive orders and other commands, improving squad functionality and responsiveness.
• Fixed loss of grenade functionality and shadow-rendering errors in underground areas during the “Moving Mountains” mission.
• Fixed multiple instances where sound effects or Voice Over would fail to play correctly during gameplay and cinematic moments.
• Fixed subtitle and audio-video synchronisation issues during gameplay and cinematic sequences.
• Fixed various instances of corrupted shadows and LOD behaviour when using lower graphics settings.
• Resolved object clipping and teleporting issues during car-chase sequences in the “Moving Mountains” mission.
• Resolved several cases of stuttering and desync when using certain graphics presets on NVIDIA and AMD hardware.
• Resolved several issues that could result in infinite loading screens during mission transitions and save or load operations.
• Resolved shader stutters in the prologue mission “Always Faithfull”.
• Fixed issues with party invites not working during campaign loading screens.

AUDIO:

• Added new sound effects for Double Ping; refined single and danger ping sound hierarchy.
• Added new soldier movement and gunfire sound effects, and fixed multiple foley issues.
• Added turret movement audio for Marauder RWS weapons.
• Corrected door sound assignments.
• Corrected swimming, obstruction, and platform footstep audio.
• Fixed character voice over not updating when changing soldier mid-match.
• Fixed looped ambient sounds (e.g. food truck) and incorrect debris impacts.
• Fixed missing first person voice over gasp when revived.
• Fixed missing third person voice over for explosive deployments.
• Fixed missing LP voice over zoom audio.
• Fixed missing ping audio while spectating.
• Fixed missing reload sound effects when a weapon had 1 bullet remaining.
• Fixed missing voice over for supply actions and revive requests.
• Fixed multiple Commander voice over issues.
• Fixed Music-in-Menus setting not muting music.
• Fixed seat-change and turret-reload audio on Marauder RWS guns.
• Fixed underwater breathing voice over and inconsistent swimming audio.
• Polished Front-End and Loading music transitions between matches.
• Synced Battle Pass sounds effects to animations.
• Tweaked light-fixture audio setup.
• Updated hostile-voice over logic and adjusted reload voice over mix.
• Updated music urgency system for Portal.

PORTAL:

• Added new scripting functions for music control: mod.LoadMusic(), mod.UnloadMusic(), mod.PlayMusic(), mod.SetMusicParam().
• Fixed RayCast() in ModBuilder to properly detect terrain and environment objects.

HARDWARE:

Fixed an issue where framerate would be be capped to 300FPS with Nvidia cards

REDSEC

VEHICLES:

• Fixed the issue where the Golf Cart could set off the PTKM-1R gadget in Gauntlet.
• Fixed persistent gunner MG model after Rhib Boat destruction.

UI & HUD:

• Added level display information to the Training Path section within the Class Details screen.
• Fixed an issue where soldiers and UI elements could be missing in pre-game lobbies after matchmaking.
• Fixed an issue where the M417 A2 would not appear in kill cards or the kill feed.

AUDIO:

• Fixed an issue where the squadmate death sound effect could trigger for non-teammates.

This announcement may change as we listen to community feedback and continue developing and evolving our Live Service & Content. We will always strive to keep our community as informed as possible.

Michael Cripe is a freelance writer with IGN. He’s best known for his work at sites like The Pitch, The Escapist, and OnlySP. Be sure to give him a follow on Bluesky (@mikecripe.bsky.social) and Twitter (@MikeCripe).