Half-Life Writer Marc Laidlaw Never Expected His 40-Year-Old Cyberpunk Story Would Be Turned Into a Love, Death and Robots Episode for Netflix

Marc Laidlaw wrote 400 Boys in 1981 aged 21, long before he ended up Valve’s lead writer and one of the chief creators of the Half-Life games. The short story was published in Omni magazine in 1983, before it was picked up for Mirrorshades: The Cyberpunk Anthology and enjoyed a wider audience. On Marc’s website, at the bottom of the short story itself, he points out 400 Boys has probably been read by more people than anything else he’s written, except perhaps Dota 2 seasonal ad copy. Yes, the video game world knows Marc Laidlaw as the lead writer of the Half-Life series. But he’s done a lot more than video games. It’s funny how things work out.

In a post-apocalyptic city where warring gangs follow a bushido-like code of honor, a new gang, the 400 Boys, forces them to unite. A blend of beauty and brutality from Canadian director Robert Valley, whose LDR episode “Ice” won the Emmy for Outstanding Short Form Animation.

“The inspiration for it just came out of walking around,” Marc remembers. “I lived in Eugene, Oregon and there was always the phone poles with the names of bands that were playing in town, and it was just name after name of super cool bands, and I just wanted a way to do that. I just wanted to make up lots of band names. So I came up with the idea of, if I have all these gangs in the story, I can come up with names for all these different gangs and that would be fun. And it was funny. That was kind of the thing that drove a big part of the story, just wanting to make band names.”

Now, over 40 years after 400 Boys was first published, it’s an episode of the fourth season of Netflix’s hugely popular animated anthology series Love, Death and Robots. The episode was directed by Robert Valley, the director of Zima Blue in Season 1 and Ice in Season 2. Tim Miller wrote it. The voice cast includes John Boyega, who famously played Finn in Star Wars. All of a sudden, 400 Boys is having its big moment. Marc Laidlaw never expected this.

“The story kind of faded out, but cyberpunk kept going and I didn’t really think about it that much,” Laidlaw tells me over a video call just days before Season 4 of Love, Death and Robots kicks off on Netflix.

40 years. That’s a long time for anything to be turned into something, isn’t it? But it might have happened earlier, around 15 years ago, when Tim Miller from Blur (the company that does all those fancy video game cutscenes and, these days, so much more), got in touch about maybe turning 400 Boys into something. It didn’t happen. Like so many projects, it fell apart following studio changes.

Then Love, Death and Robots exploded onto the scene in March 2019. This edgy, adult-oriented animated anthology was unlike anything we’d seen on the streamer. Some episodes were challenging, some were weird, some were weirdly challenging. Whatever they were, you couldn’t help but watch. And, Marc noticed, Tim Miller from Blur was involved. “I always say, I can’t imagine anybody else who would’ve turned The Drowned Giant, this J. G. Ballard story, into an episode of an animated feature,” Marc says. “So I had a lot of respect for Tim just from that.”

Marc moved to Los Angeles in 2020 and, as the pandemic eased, met Tim a few times at various events around town. He didn’t want to push 400 Boys, but maybe, just maybe, if this Love, Death and Robots thing kept on going, maybe it would come back around. Then, a year ago, Marc got the ‘would you be interested in us optioning 400 Boys?’ email. It was finally happening.

Marc spoke with Tim, who took over the script, about the story itself. He says the episode is faithful to the source, but there’s some new stuff that helps sell the story visually. He had a couple conversations with Robert Valley, the director. He pointed him to the 400 Boys audiobook, which Marc narrated (“I did a reading of this back in the pandemic when everybody was trying to entertain people by posting audio books of their fiction and stuff on YouTube”).

But really, Marc wasn’t that involved. “It just was fun to sit back and not have to be involved in the trenches on something for once,” he says. “And I just kind of wanted to enjoy it when it was done and see what they made of it.”

And Marc has seen the episode, as you’d expect. “John Boyega and the characters and the accents and the setting is just so cool to me. I mean, they made the story just so much more fun visually, I think.”

400 Boys is, as Marc describes it, from “a different me from lifetimes ago.” Of course it is, he wrote it over 40 years ago when he was a young man. “I’m still pretty happy with it considering how young I was when I wrote it.”

“And then there was a long time of not much happening,” he says. And then, as we all know, Marc got into the games industry in 1997, into Valve as it was making Half-Life. “And that whole thing happened…”

Laidlaw “retired” from Valve in 2016, but it came across as a hard retirement from everything. In truth, he’s in a comfortable enough position to be able to do what he wants, pick his own projects and share them when they’re done. “I think I retired too hard,” he admits. He never wanted to stop being creative. He wanted to get back to writing, but the publishing industry sort of disappeared while he was working on video games. Forget new video games, too. “I can’t do games without a bunch of people. I can’t make a game myself.”

So Marc makes music now. He got a boost in audience after Valve’s Half-Life 2 anniversary documentary came out last year and he released a lost development video from the early days on his YouTube channel. “I’m like, I’m in the wrong business!” Marc jokes. “I should just be leaking information about my old employer.”

Did it feel weird looking back at Half-Life all these years later for the Valve documentary, I wonder?

“Yeah, it was good for me to just kind of process and put a bow on that stuff, see a bunch of old friends, think about that, the whole thing,” Marc says.

“I hadn’t talked to or seen a lot of those people for a long time. I still stay in touch with a few folks, but they’re also not really there anymore. I don’t know what’s going on there right now, but it was fun to hang out with people and talk it over and it was therapeutic.”

With Half-Life and Half-Life 2 anniversary documentaries done and dusted, the only Valve game Marc might be asked to reminisce over now is Dota 2, which, ominously, is 12 years old. Perhaps in eight years Valve will come calling. “I could speak to Dota. That’s the only thing left.” Unless, of course, Valve fancies doing something on Alien Swarm (“I did a little bit on Alien Swarm”).

It is impossible, I find, to talk to Marc Laidlaw without talking about Half-Life. With those Valve documentaries out in the wild, there isn’t much left to say about the past. But maybe (hopefully?!) Half-Life has a future, and it’s that thread I want to pull on.

There is no point asking Marc if he knows whether Half-Life 3 is in the works. As he says, he doesn’t really know the people still left at Valve, but even if he did, he’s not about to announce the game here in our interview. Can you imagine the email Gaben would send if he did?

It is a better use of our time, I think, to ask Marc if he’d ever write for a video game again. Marc says he is, generally, still open to writing for a video game, and suggests Hideo Kojima should perhaps have given him a call. “When Death Stranding came out, I just was grinding my teeth. Like, does he know I’m available? I’d be happy to help do the last polish of dialogue on your script and not wreck anything, but just make it lines that actors would sound better coming out of their mouth.”

Marc, as he alluded to earlier, “retired really hard,” and he thinks that because of that, the industry doesn’t think to ask him to do anything. “When I see the Miyazaki stuff, the From studio stuff, of course you go to George R. R. Martin first if you could. Nobody needs my name on their project to sell copies. But I mean, that kind of thing to me is exciting.”

The lack of interesting offers post-Valve came as something of a surprise, Marc says. “I did kind of expect more interesting offers of stuff to do afterward and was kind of like, ‘this is weird: somebody wants me to write their synopsis for their mobile phone laser tag game.’ It’s like, they don’t know what I do.”

Wait, really? Someone actually asked Marc Laidlaw to write a mobile phone laser tag game after he left Valve? “Those are the kind of things I would get,” Marc admits. “I’m like, ‘I don’t know that I have much to offer you guys, but I mean, I don’t really like to say no to stuff.”

Marc continues: “I haven’t really heard any interesting game offers that seemed right for me. People think of me as, you can come in and write a bunch of stuff for a game. I’m like, ‘do you notice how little writing there was in Half-Life?’ Sort of the point of it was I hated reading in games.”

And then the inevitable interview-closer: if Valve gave Marc Laidlaw a call and said, ‘we want to get the band back together for Half-Life 3,’ would he answer that call?

“I would not do that,” he replies, matter of factly. “I can definitely say I would not do that. Even when I was there, I started to feel like, ‘Oh, now I’m the old guy shooting stuff down.’ I think at some point you need to let the people who are the fans and the creators who’ve come in because of what they learned from you maybe, and let them have that. We need new stuff. We didn’t need me going, ‘Well, the G-Man wouldn’t do that in my day.’ And I found I had to restrain myself. People would get enthusiastic about stuff, and I felt like it was becoming a negative force on some of the creative process.

“I haven’t played the VR Half-Life: Alyx, so I don’t really feel like I can. I don’t know what’s going on with anything. And it is not really my place. God knows what it’s doing in terms of creative process of how to get a great experience that will surprise people. And you have to be right at the edge of what you can do in a moment. And I’m not on that edge anymore. That’s not what’s interesting to me at this point. So I don’t think I’d be good.

“Plus, I’m one of the older guys, maybe not the oldest, but it’s so much work. I mean, I don’t think I could do that anymore. I get into my own things, but it’s not on anyone else’s schedule. And yeah, I’m pretty much done. I mean, maybe not done with games altogether, but definitely the Half-Life part of my life is way behind me.”

So, that’s that. Half-Life is done with Marc Laidlaw, and Marc Laidlaw is done with Half-Life. But there’s a lot more he’s done in the past that’s relevant now. Just look at Netflix making 400 Boys, 40 years later. Maybe, at some point in the future, Netflix will knock on Valve’s door and ask to turn Half-Life into something. Then Marc Laidlaw can go through all this all over again.

“The fact that I got into the cyberpunk thing before it was called cyberpunk, and then I came across this sort of beginning game company that ended up making Half-Life… I’ve been lucky to be a part of these things that just kind of become phenomena.”

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Warhammer Skulls returns amidst Dawn Of War 4 rumours

Now we’re cooking with asbestos: Warhammer Skulls, the yearly power armoured excite-o-thon hosted by Boltgun actor Rahul Kohli, returns this Thursday. It’s traditionally a time of reveals and revelry, with the Mechanicus sequel a likely contender for the spotlight this year. You can watch it live on TwitchHam at 17:00 BST/12:00 EST/9:00 PST. Here’s a teasytrailyhypeyshouty in the meantime.

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The Last of Us Developer Naughty Dog Working on a Second, Unannounced Game Other Than Intergalactic: The Heretic Prophet, Neil Druckmann Confirms

Naughty Dog chief Neil Druckmann has revealed the studio has a secret, unannounced second game in the works other than Intergalactic: The Heretic Prophet.

In an interview with the Press X to Continue podcast, Druckmann discussed his ongoing roles at Sony-owned Naughty Dog. On Intergalactic: The Heretic Prophet, Druckmann works with two game directors: Matthew Gallant and Kurt Margenau, and is co-writing the game with narrative director Claire Carré. Druckmann did not say which director is working on the second game, however.

“There’s another game that’s being worked on at Naughty Dog where I am more of a producer role and I get to mentor and watch this other team and give feedback and be like the executive in the room,” he said.

“I enjoy all those roles, and the fact I jump between one to the next, it makes my job very exciting and always feeling fresh. I’m never bored.”

It is unclear at which stage each game is in production. Intergalactic: The Heretic Prophet is announced, so you’d imagine it’s further along. But what is the second game?

There are some obvious candidates. Could it be The Last of Us 3? Druckmann has expressed his uncertainty in the past about being able to make the game, but has said he has an ending in mind for what the game would be. Based on Druckmann’s comments about having more of a producer role on this mystery second game, it doesn’t sound like it’s The Last of Us 3, as you’d imagine he’d want to be heavily involved and take on a director role for that game.

Alternatively, it could be another Uncharted game. There hasn’t been a brand new Uncharted game since 2017’s The Lost Legacy. Could it finally be time for a return? And there’s always a chance this second game could be a brand new intellectual property, as Intergalactic: The Heretic Prophet is.

It’s worth noting that there’s always a chance this second game never comes out, or is never properly revealed by Sony. Naughty Dog has endured a tumultuous time in recent years, with the cancelation of its The Last of Us multiplayer game to focus on single-player games coming amid an apparent pull-back of live service titles at Sony.

Naughty Dog stopped development on The Last of Us Online in December 2023, saying it would have needed to put all its resources into post-launch content for years to come — an approach that would have severely impacted its ability to develop future single-player games.

Historically, Naughty Dog has struggled to work on two big games at the same time, with one tending to end up top of the tree internally. The studio hasn’t released a brand new game since 2020’s The Last of Us 2, with remakes and collections in the interim.

As for Intergalactic: The Heretic Prophet, it features a star-studded cast that includes Tati Gabrielle from the Uncharted movie as protagonist Jordan A. Mun, and Kumail Nanjiani of Marvel’s Eternals as a man called Colin Graves. It is not expected to release until 2027 at the earliest. It’s a pretty long wait, but speaking to IGN on the red carpet ahead of The Last of Us Season 2 premiere, Druckmann said that Intergalactic: The Heretic Prophet is not only playable right now, but “really good.”

“I will say we are playing it at the office and it’s incredible,” Druckmann teased. “It’s really good. I’m so excited to finally put gameplay out into the world and show people about it, because we just showed you the very, very, very tip on the iceberg. The game goes pretty deep beyond that.”

Photo by Rich Polk/Deadline via Getty Images.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Nintendo Partners With Samsung To Produce Main Chips For Switch 2

Samsung is also pushing for an OLED refresh, it’s claimed.

A new report from Bloomberg reveals Nintendo has called on Samsung to “produce the main chips” for the Switch 2 and potentially “ramp up production” if needed. According to the source, this move could allow Nintendo’s next-generation system to sell a “higher-than-projected 20 million units by March 2026”.

The report goes on to mention how “people familiar with the matter” say the Korean tech giant is now working on a “customized chip or processor designed by Nvidia Corp for the Switch 2 using its 8-nanometer node” and “production pace should be fast enough for Nintendo to ship more than 20 million units of the console by March next year”.

Read the full article on nintendolife.com

Nintendo Music’s Latest Update Celebrates Another NES Classic, Here’s Every Song Included

Kid Icarus returns.

The Nintendo Music app has been pumping out all sorts of soundtracks so far this year and following a Pokémon update last week, we’re now jumping back to the glory days of the NES with the original Kid Icarus game.

This album, as you might expect, is a lot smaller than the previous update – with just 12 tracks and a total runtime of 13 minutes. Here’s the full list of songs including bangers like “Stage 1” and “Reaper’s Theme”:

Read the full article on nintendolife.com

Top 10 Mission: Impossible Villains Ranked

This list contains spoilers for the Mission: Impossible franchise.

A new Mission: Impossible film is hitting theaters this month – the final one in the franchise, if we’re to believe Tom Cruise and the suits at Paramount – and if you’re like us, you’re probably knee deep in a series rewatch right now.

The focus of the films, spectacular action set pieces aside, has been Cruise’s lead spy, Ethan Hunt. Fellow team agents have often come and gone, and supposedly impossible missions have varied time after time, but Ethan has remained. The only other constant has been a steady supply of villains – men and women with big plans fueled by greed and/or malice, who think they’ll be the one to outwit, outsmart, and outrun Hunt. Fools.

It might seem counterintuitive ranking the Mission: Impossible villains under the banner of “best,” but every great hero needs an equally great villain. Numerous elements come into play when determining the best villain, but we’re zeroing in on the scale of their threat, the weight of the violence (both physical and emotional) they commit against Hunt and his team, and the palpable degree of villainous charisma they exhibit.

So cue up that classic Lalo Schifrin theme, here are the 10 Best Mission: Impossible Villains, Ranked!

10. A.I. The Entity (Mission: Impossible – Dead Reckoning Part One)

“A self-aware, self-learning, truth-eating digital parasite infesting all of cyberspace” sounds like a pretty cool threat in any other high-octane thriller, but in the Mission: Impossible franchise it’s only good enough to land at number ten. It underwhelms compared to its human counterparts, because let’s be real – zeroes and ones ain’t got shit and madness and guns – but its power and immense reach are undeniable. The Entity began “life” as a digital weapon designed by the U.S. government before going rogue and hopping through cyberspace with the giddiness of a puppy experiencing its first snowfall.

Most villainous act of villainy: While toying with and killing a submarine filled with Russian sailors is an act of murderous cruelty, it’s the Entity’s bigger, broader acts of deception that mark it as a true villain. Its early days of online manipulation saw it shifting public opinion and behavior through social media, and it’s a brutal reminder of events in the real world. We live in a present where people with nefarious agendas are influencing easily shaped minds, and with the increased use of A.I. in our online dealings, it’s not hard to imagine something like the Entity stepping in and really turning our daily lives into a nightmare.

9. John Musgrave (Mission: Impossible III)

Not every villain has direct blood on his hands, but that doesn’t mean they’re any less dangerous. Musgrave is Hunt’s Operations Manager at the IMF, and it’s suggested they may even be minor friends – understandable as he’s played by Billy Crudup, and who wouldn’t want to be friends with Billy Crudup. He brings Hunt in on a mission to rescue one of his proteges, Lindsey Farris, and when that goes wrong and Hunt is blamed for the fallout, it’s Musgrave who helps the agent escape to pursue justice. See? A friend.

Surprise! It’s all a ruse, and Musgrave is actually a traitor working with a man named Owen Davian on some elaborate plan to retrieve a piece of tech nicknamed “the rabbit’s foot.” Musgrave’s a hero in his own mind, though, as he’s hoping to use this as motivation for first strikes against enemy forces. He wants the U.S. and the IMF to play a more aggressive role in the fight against terrorism, and if that means supporting terrorists along the way, well, he’s all for it.

Most villainous act of villainy: Musgrave might think his heart is in the right place here, but in addition to enabling a murderous terrorist in Davian, he crosses an equally big line by pulling Ethan’s wife, Julia, into danger. Worse, he lets Davian shoot Julia in the head right in front of Hunt. Sure, she’s revealed to have been a minor henchwoman in a mask, but the emotional damage is real.

8. Kurt Hendricks (Mission: Impossible – Ghost Protocol)

While some villains act out of greed and others cause misery simply for the fun of it, Kurt Hendricks is a man who only wants the best for humanity. What is the best, you ask? Well, in Hendricks’ mind, our species would benefit from something of a cleanse. From the great biblical flood to the atomic bombing of Japanese cities during World War II, immense disasters lead to rebuilding, recovery, and real improvement… apparently.

Sounds logical, so Hendricks sets out to trigger just such a global debacle starting with a massive attack on the Kremlin in Moscow and leading to the acquisition of nuclear codes. He proves himself to be one of the greatest threats Ethan Hunt has faced to that point.

Except, and this is where casting comes into serious play, the film wants us to see him as a physical threat to Hunt – but that’s nearly impossible. Michael Nyqvist was a fantastic actor, and he makes for a compelling villain through dialogue and intent. But a serious contender in a fight with Cruise? It’s difficult to buy, but that doesn’t stop director Brad Bird from letting him go toe to toe with the film’s star for a weirdly long fight. (To be fair, Chad Stahelski started it by letting Nyqvist seemingly hold his own for a bit with Keanu Reeves in John Wick.) So, while Hendricks is a grand threat on the world stage, he tumbles some in the ranking here as an unserious brawler against the highly trained and in far better shape Hunt.

Most villainous act of villainy: Like Musgrave above, Hendricks seriously thinks he’s doing the world a favor by causing harm. His final act results in a nuclear missile being fired towards San Francisco, something that would have killed tens of thousands of people immediately before triggering the death of millions more. That’s no small thing, and he would have gotten away with it, too, if it hadn’t been for those meddling IMF agents.

7. August Walker (Mission: Impossible – Fallout)

Hunt and his IMF team have been betrayed by double agents and traitors on numerous occasions, but most of them are greedy middle-aged men in suits who don’t pose an immediate physical threat to our intrepid hero. August Walker is something different entirely. He towers over Hunt and is jacked from his mustache on down. Henry Cavill’s portrayal ensures that he’s already menacing even while pretending to be on Hunt’s side, but once the truth comes out, the gloves come off.

Walker is revealed to be working in cahoots with the brilliant Solomon Lane, and together they frame Hunt and once again pull the love of his life, Julia, into harm’s way. His motivation for it all is a bit over the top and dramatic – he wants the old world to implode and give rise to something better – but what else would you expect from a man who seems to cock his arms like guns during fist fights.

Most villainous act of villainy: Walker and Lane are planning to detonate nuclear bombs, and while the latter stays behind to die in his greatest act of terror, Walker is on a chopper heading to safety. Hunt, of course, catches up to him in pursuit of the detonator that’s needed to stop the countdown. While Walker could have easily escaped by giving up the detonator, his desire to cause suffering – especially Hunt’s suffering if Julia were to die – leads him to a one-on-one fight to the death with the agent. It’s a decision built on rage and self-righteous justification, and it rightfully ends in his painful demise.

6. Paris (Mission: Impossible – Dead Reckoning Part One)

When it comes to villains in the Mission: Impossible universe, few can touch Pom Klementieff’s Paris on style and charisma points. A henchwoman to Gabriel, she lets her gleefully murderous skillset do most of her talking, and it’s a refreshing change of pace from baddies who seem compelled to share their life stories before pulling a trigger.

Her costume and face makeup see her stand apart from the crowd, but don’t let her doll-like appearance fool you. Paris is a merciless fighter who refuses to quit despite the odds, as evidenced by a shootout and car chase in Rome that sees her literally plowing through obstacles both human and otherwise in her pursuit of Hunt.

Most villainous act of villainy: While Paris makes mincemeat out of numerous threats, she ultimately succumbs to Hunt during an alleyway brawl. He spares her life, though, and after being punished by Gabriel – he basically tries to kill her – she chooses to betray both him and her villainous tendencies by saving Hunt’s life. Maybe I’m stretching the definition here, but it takes a real badass to turn your back on villainy with the discovery of unexpected morals and a change of heart.

5. Gabriel (Mission: Impossible – The Final Reckoning)

The mysterious Gabriel arrives in the penultimate entry of the franchise, and he’s a man with deadly skills and an alliance with the Entity. He also comes with a backstory suggesting an integral role in Ethan Hunt’s life. It seems Gabriel killed a woman named Marie thirty years ago, someone Hunt was apparently fond of, and it’s that murder that landed Hunt at the IMF – where he went on to save thousands of lives. Hundreds of thousands, even. So maybe Gabriel is a hero? I kid, I kid.

He’s obviously a villain, and he may even be something of a seer (?), but while his late-to-the-party franchise arrival unavoidably undercuts his dramatic weight, the character’s casting lifts Gabriel right back up again. Esai Morales brings real charm and a calm menace to the character, and it’s immediately made clear that he’s not someone to be trifled with. You believe both his physical abilities and deadly intentions, and Morales’ added dramatic weight makes him a real threat to Hunt. He also earns a bump in the rankings by gifting viewers with the best, most unforgettable villain death in the entire franchise.

Most villainous act of villainy: Gabriel’s killed a lot of people, and he even destroyed a rolling Agatha Christie landmark, so it’s clear he’s a bad guy. His most vicious act, though, comes as a bookend to having “fridged” Marie three decades earlier. Gabriel threatens to do it again by killing either Ilsa or Grace – Hunt’s current love interest or the woman who just landed in his lap mere hours ago – and while the film wants to trick viewers into thinking it’s going to be the latter, it’s Ilsa who dies by Gabriel’s blade instead. McQuarrie and Cruise are obviously the real villains here for introducing this tired trope of a woman’s death being responsible for a man’s life, but it’s ultimately Gabriel who thrusts the knife into Ilsa’s gut. It could have been Grace who died. Hell, it should have been Benji. Instead, Gabriel extinguishes the franchise’s brightest flame this side of Hunt himself. J’accuse!

4. Jim Phelps (Mission: Impossible)

Jim Phelps wasn’t the only friend/fellow agent to betray Hunt over the years, but he was the first – and arguably the most shocking. The character, as played by Peter Graves, was the IMF’s lead agent for the bulk of the television series’ seven-season run from 1966 to 1973. He was unquestionably a good guy, so there was no reason to suspect that his presence in the first Mission: Impossible film would be anything different – well, Jon Voight in the role was probably a clue.

Audiences expected Phelps to essentially hand the reins over to Tom Cruise’s Ethan Hunt, but while he did just that, he did so with a major act of betrayal. As he tells Hunt once his ruse is discovered, the end of the Cold War threatens to end the need for the IMF – this is as naive a statement as ever uttered in the entirety of the franchise – and he was worried about becoming a relic barely scraping by on sixty-two thousand dollars a year.

Most villainous act of villainy: The betrayal itself is already brutal as Phelps turns his back on friends and agents who’ve risked their lives together over the years, but it’s the specifics of his traitorous act that hits hardest. In his effort to frame someone else for his crime, Phelps kills off three members of his team during an operation and then fakes his own death. What could have been a simple theft, instead becomes an act of cruelty making his betrayal sting even more.

3. Sean Ambrose (Mission: Impossible II)

“That was always the hardest part of having to portray you,” says ex-IMF agent Sean Ambrose to a beaten and angered Ethan Hunt, “grinning like an idiot every fifteen minutes.” That line alone makes Ambrose a top villain as it’s a terrific zing at both Hunt and Cruise himself. He’s equally dismissive of women as evidenced by his comment that they’re like monkeys when it comes to the men in their lives, that they “won’t let go of one branch until they get a grip on the next.” Say what you will about his greedy desires, but Ambrose (Dougray Scott) understands the assignment when it comes to being a charismatic villain.

That greed has led him to steal a deadly plague with plans to unleash it on whole populations if his demands aren’t met. While cash money is his primary motivator, though, Ambrose also seems fueled by a splash of jealousy towards Hunt. That makes their faceoffs all the more entertaining whether they’re jousting on motorcycles or sharing beatdowns in the sand as only the great John Woo can capture it.

Most villainous act of villainy: The film opens with Ambrose masquerading as Hunt in order to acquire the Chimera plague, but rather than just kill one man, Ambrose and his team crash an entire passenger jet filled with innocent civilians. Acts of terror would claim higher body counts in later films, but this puts faces to the dead in a far more direct way making it more personal and affecting.

2. Solomon Lane (Mission: Impossible – Rogue Nation)

Whether due to low pay or poor benefits, the world is seemingly overflowing with ex-government employees ready and willing to betray their nations and jump on the train to villain town. Solomon Lane is one such agent, but he goes a step or three further by helping create an organization called The Syndicate that’s built entirely on those bitter, trigger happy ex-agents. They want to sow chaos and reap financial rewards, and they’ve been doing it for years.

Lane is introduced killing a young, unarmed female agent right in front of Hunt, and it’s soon revealed that he’s responsible for thousands of deaths over the years through events made to look like accidents or the work of wholly unrelated perpetrators. Lane’s history of manipulating trust and the world’s various systems makes him one of the most dangerous villains in the franchise. He’s ahead of Hunt at every step, and his mantra – “The greater the suffering, the greater the peace.” – marks him as a man willing to do anything to accomplish his goals.

While many actors go big playing villains, Sean Harris takes the opposite approach and makes Lane a weasel of a man who you just want to see get beaten senseless. It’s an unusually bold choice that leaves him without a darkly appealing persona or personality – he’s just a very bad man who couldn’t care less about you or your loved ones.

Most villainous act of villainy: As the rare villain to be an active threat across more than one film, Lane inflicts plenty of pain, suffering, and stress on Hunt and his team. The bulk of his evil acts were committed before Mission: Impossible – Rogue Nation even begins, but his cruelest and most personal action unfolds during the followup, Fallout. Along with August Walker, Lane manages to activate two nuclear bombs threatening not only the water supply for billions of people, but also the life of Hunt’s greatest love, Julia. Seeing her in harm’s way is the kind of gut punch that Hunt felt only once before, and it’s clear just how sorry he is that his choices have once again brought her so close to dying.

1. Owen Davian (Mission: Impossible III)

There’s a lot of competition when it comes to selecting the best villain in the Mission: Impossible franchise, but there was never any doubt who’d land at the top of the heap. Davian doesn’t care about much beyond his own wants and needs, and the film reflects that by never revealing exactly what his end goal is – we know he wants the so-called rabbit’s foot, but what it is and what it does are never made clear. We just know that Davian will cut through anyone and anything to get it, and that makes him an exceptionally dangerous man.

J.J. Abrams’ Mission: Impossible III is unfairly maligned, but even those underwhelmed by the film itself can’t help but applaud Philip Seymour Hall’s frighteningly effective and highly entertaining portrayal of Davian. His blistering stares, his lightning quick shifts from dead silence to raging outbursts, and his deceptively calm way of threatening everything that Hunt holds dear all work to make him a villain who commands the screen and even steals every scene from Cruise himself.

There may not be a big, global threat at play here, but Davian is the man who arguably gets closer than any other villain to actually killing Hunt. He injects the agent’s head with an explosive device that gets within seconds of churning Hunt’s brain tissue into ground beef, and he even gets some serious licks in while brawling. You wouldn’t think a Cruise versus Hoffman fight would convince, but the latter’s pure ferocity paired with Hunt’s incapacitation due to the pain in his head makes for a viciously compelling bout.

Most villainous act of villainy: Davian is a mean bastard who, while still in restraints, coldly threatens to murder Hunt’s fiance Julia. “I’m gonna make her bleed and cry and call out your name”, he says, and it’s one of the few times where Hunt’s legendary control tips into real fear and emotion. Davian later comes close to doing just that after abducting Julia, tying her up, and appearing to shoot her in the head. Hunt’s pain is palpable, and it’s enough to damage his heart to the point that he’d go on to never let someone that close again. Davian has literally halted Hunt’s ability to connect with someone on a deeply personal level, and it’s the kind of attack that bullets and bombs just can’t compete with.

Save 43% Off Warhammer 40,000: Space Marine 2 for PlayStation 5 and Xbox Series X

Amazon dropped one of the best games of 2024 to the lowest price I’ve seen. As part of the Amazon Memorial Day Sale, you can pick up a physical copy of Warhammer 40,000: Space Marine 2 for PlayStation 5 or Xbox Series X for just $39.99. That’s 43% off the $70 list price and beats the previous price low (during last year’s Black Friday) by $10.

Warhammer 40,000: Space Marine 2 (PS5, Xbox) for $39.99

Warhammer 40,000: Space Marine 2 follows Demetrian Titus, a newly minted Primaris Space Marine super soldier, reinstated into service after a century of inprisonment following the events of the original Space Marine game. Chris Reed reviewed it and gave it a “Great” 8/10 score, mentioning that although “[Space Marine 2] may not break the third-person shooter mold, it looks amazing, makes good use of its Warhammer lore, and has brutal combat that just feels great.”

Eric Song is the IGN commerce manager in charge of finding the best gaming and tech deals every day. When Eric isn’t hunting for deals for other people at work, he’s hunting for deals for himself during his free time.

More Than 2,000 Manga Volumes Are 30% Off at the Crunchyroll Store

The Crunchyroll Store is currently offering a 30% discount on all Viz Media books. Anyone familiar with manga knows Viz is a primary publisher of official English translations, so the sale includes a wide range of individual tankōbon volumes, as well as deluxe editions, art books, and even coloring books. With more than 2,000 volumes of manga on sale, every type of manga reader should be able to find something. While there are plenty of options for reading manga online, there’s always something special about flipping through the pages of your favorite series and getting to see it on your shelf.

Although Crunchyroll usually struggles to match Amazon prices, many of the manga deals I’ve listed here have actually gone lower. Otherwise, you can shop the full sale here. It ends tonight, so if you’re trying to stock up, now’s your chance.

30% Off Viz Manga at Crunchyroll Store

The sale is a great opportunity to try out a new manga or pick up new volumes of something you’ve already been reading (online or otherwise). Highlights include every single volume of Dan Da Dan, which is about to start airing its second anime season. In general, the sale is a great opportunity to check out the manga that inspired recent anime hits like Sakamoto Days and Frieren.

Of course, if we’re talking about iconic anime, you’ll also find discounts on classics like Dragon Ball, One Piece, and JoJo’s Bizarre Adventure. One series I personally recommend that hasn’t gotten an anime adaptation (at least not yet) is Kagurabachi. Otherwise, your best bet is scrolling through the full sale, which you can sort by individual series.

Art Books Also Included

Viz Media also publishes a substantial amount of art books and other physical merchandise. Aside from the standard slate of popular manga, these publications highlight authors like Junji Ito and animation giants like Studio Ghibli.

Do You Need a Crunchyroll Account to Shop the Sale?

Nope! However, Crunchyroll Premium members do save an extra 5-15% on orders from the Crunchyroll Store. You can theoretically sign up for a seven-day free trial and get the bonus discount on top of the current sale.

Otherwise, a Premium membership is really only worth it long-term if you’re also in the market for an anime-focused streaming service. Starting at $7.99, a subscription’s major perk is access to ad-free streaming of Crunchyroll’s entire library. Speaking of, Crunchyroll is currently celebrating “Ani-May” by making a selection of their library free to stream.

Fortnite Devs Hit With Unfair Labour Practice Filing Following AI Darth Vader Fiasco

SAG-AFTRA hits back.

Voice acting union SAG-AFTRA has filed an unfair labour practice charge against Epic Games, the creator of Fortnite, and Llama Productions, the game’s signatory company, for using an AI-generated voice of James Earl Jones to portray Darth Vader in-game.

In a statement posted on its website (via gamesindustry.biz), SAG-AFTRA says it “celebrate the right of our members and their estates to control the use of their digital replicas and welcome the use of new technologies”, however, its issue lies with Epic Games and Llama Productions’ choice to “replace the work of human performers with A.I. technology.”

Read the full article on nintendolife.com

CD Projekt Kicks Off The Witcher 3 10th Anniversary With Celebratory Streams Ahead of Concert Tour

The Witcher 3: Wild Hunt is celebrating its 10th anniversary in 2025, and developer CD Projekt is already giving fans a taste of the concerts, merch, and more it has in store.

The third Witcher video game undeniably left an impression on gamers when it launched May 19, 2015, so the studio behind it is pulling out all the stops to make sure today’s milestone feels special. Included in its list of festivities are videos that fondly look back at The Witcher 3 as well as special events and unique merch.

It all starts with the trailer, below, celebrating the series’ monster-hunting protagonist, Geralt, highlighting some of his most memorable moments as fans are treated to actor Doug Cockle’s gravelly delivery. It’s not quite a Witcher 4 update, but it does do a good job of reminding viewers of what made The Witcher 3 so special in the first place.

Meanwhile, Cockle joined the latest installment in CD Projekt Red’s REDstreams to reminisce about the 20 years he’s spent providing his voice for the English version of Geralt while sharing how he helped shape the White Wolf.

If you’re looking to join in on The Witcher 3’s 10th anniversary celebration, CD Projekt has further outlined its plans to bring The Witcher concerts to fans this summer. The first is in Boston at the Emerson Colonial Theater, come May 31, with the second following in Poland at Poznan’s Sala Ziemi. Tickets for both events, as well as the European leg of an upcoming tour, are available now, and more tour dates will be revealed in the future.

CD Projekt said more surprises, including art from 10 different Witcher artists, are on the way in the form of a Displate collaboration, T-shirts, and mugs. The vibrant The Little Witcher comic series and Embody’s Immerse Gamepack, which were both recently released, are also included in CD Projekt’s recommended list of goodies for fans looking to celebrate the 10th anniversary of The Witcher 3. More details about what to expect will be revealed in the near future.

Each item, stream, and event will help die-hard fans celebrate the critically acclaimed 2015 RPG, but it should also help with the wait for The Witcher 4. Since pulling back the curtain on the Ciri-focused follow-up at The Game Awards 2024, CD Projekt has (mostly) kept its head down when it comes to its progress. It’s not scheduled to arrive for quite a while, so don’t expect any serious updates anytime soon.

For more on The Witcher 3, you can read our original 9.3/10 review. You can also click here for our thoughts on how the team at CD Projekt Red became masters of choice and consequence.

Michael Cripe is a freelance contributor with IGN. He’s best known for his work at sites like The Pitch, The Escapist, and OnlySP. Be sure to give him a follow on Bluesky (@mikecripe.bsky.social) and Twitter (@MikeCripe).