Horizon Zero Dawn Remastered: A deep dive into its enhancements

Hey everyone, you may be familiar with Nixxes as the developer behind PC ports of PlayStation games, but behind the scenes we have also been hard at work on a project of a very different nature. Working closely with our friends at Guerrilla, we set out to create Horizon Zero Dawn Remastered for both PS5 and PC.

In our announcement last month, we shared details of improved features and technology, such as the completely revamped sound mix by Guerrilla’s audio team, support for DualSense controllers, and new motion capture for conversations. Today, I’d like to introduce you to some of the team members at Nixxes to give you more insight into some of the enhancements that have been made in the remaster.

Overhauling nature

Foliage plays a big role in portraying the lush, overgrown ruins of a long-lost civilization in the world of Horizon. Our team of Environment Artists considered the foliage in Horizon Zero Dawn to be an industry standard, and Horizon Forbidden West added to that with significant improvements in visual quality. For the remaster, the team wanted to give the foliage the same care and attention.

Patrick Blankenzee, Senior Environment Artist: “To bring the foliage in the remaster up to the same level of quality as in Horizon Forbidden West, we enhanced the shaders, textures, geometry and foliage interaction. We assessed all the foliage assets in Horizon Zero Dawn and upgraded them with all these new features. We did this for hundreds of plants, bushes, flowers and trees.”

“We looked at the biomes in the original game and compared them to the concept art. We found places that we could enhance and bring closer to the original intent, with the rainforest biome being a good example of this. With powerful procedural technology, we injected new foliage and raised the quality and density to new heights. The riverbanks have also been upgraded with more biodiversity to bring them closer to the original intention as seen in the concept art.”

Julian Hofman, Environment Artist: “Working with the original team over at Guerrilla, we were able to ask questions, and directly compare their latest work on Horizon Forbidden West to the work we were doing for the remaster. This gave us some very specific goals to work towards, like the fresh generation of moss that you can now see Horizon Zero Dawn Remastered.”

“For me, the foliage changes make the game feel more alive and make it live up to the incredibly high standards of the Horizon games. The result is a coherent world to replay or experience for the first time.”

Enhancing the living world

The Design team at Nixxes made several key improvements to Horizon Zero Dawn Remastered. One of the most significant changes is the enhancement of the living world.

Brian van Nunen, Senior Technical Game Designer: “To achieve this, we reviewed all villages, outposts and cities, identifying areas that felt empty or where we could improve realism and immersion.”

“Building the game for PS5 allowed us to leverage the increased amount of memory available, enabling us to significantly boost the number of non-player characters. We added many more places for NPCs to stand, sit, work and fulfil their needs. We gave them more varied schedules to increase movement and liveliness in different areas. We also tried to make creative use of existing animations. For example, there is now a woman feeding geese at the well in Meridian, reusing an existing sowing animation. Additionally, on the bridge to Meridian, we’ve made significant strides in improving the atmosphere and sense of activity.”

Improving terrain and building blocks

Our Tech Art team used the library of next-gen materials that were created for Horizon Forbidden West to enhance the quality of assets used for terrain, objects and buildings significantly in the remaster.

Sander Bronkhorst, Senior Technical Artist: “We began by replacing all the Horizon Zero Dawn terrain materials with their new Horizon Forbidden West counterparts. This was only the first step, as the sequel’s terrain materials didn’t always align with the original aesthetics. To address this, we carefully tweaked and polished each individual terrain material to closely match the look and feel of the original game, while maintaining the visual fidelity of the terrain materials in Horizon Forbidden West.”

“In addition to updating all the terrain textures and materials, we incorporated features like deformable snow and sand. Snow deformation was first introduced in the Frozen Wilds expansion, but in the remaster, you will find this feature outside that area as well.”

“In settlements like Meridian and Daytower, the ground required a more unique aesthetic. Previously, Guerrilla used custom meshes and materials for the floors in these settlements, exclusive to these locations. For the remaster, we initially followed this approach, exploring the possibility of increasing texture resolution and adding parallax mapping to areas such as brick floors. However, after initial tests we concluded that in these specific cases this wasn’t going to give us the visual quality that we were aiming to achieve. Therefore, we decided to completely remake the floors in Meridian and Daytower from scratch. This involved creating new high-resolution textures, setting up new materials, painting blend maps, and creating new high-resolution geometry supporting the shapes from the textures used in the material.”

 “Another aspect of the upgrades to the game environment in the remaster are Building Blocks. To give a bit of context here: Building Blocks are the individual assets that are used for set dressing the world of Horizon Zero Dawn. Think of objects like rocks, plants, utensils and even buildings.”

“Building Blocks can be divided into two categories: natural and man-made. For both types, we increased the resolution of the textures and adjusted the level of detail (LOD) ranges to ensure higher mesh fidelity.”

“We performed a separate pass on all the man-made Building Blocks, creating new high-resolution geometry for assets that would benefit from this. We found that buildings greatly benefited from having more detailed geometry, as most were using brick-like textures on the walls without the shape of the bricks being reflected in the geometry.”

“To address this, we developed custom tools for generating more detailed geometry for these buildings. The artists used these tools to create new geometry, then manually tweaked and adjusted each individual building for the best visual result.”

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Lively conversations

A big change in Horizon Zero Dawn Remastered is the addition of over 10 hours of additional motion-capture data for characters, directed and captured by Guerrilla at their motion Capture Stage in Amsterdam, making the game’s conversations much livelier and in line with those in Horizon Forbidden West. Implementing this additional data was handled by our technical artists and animators.

Mark Bazelmans, Senior Technical Artist: “Horizon Zero Dawn has almost 300 conversations and well over 3100 dialog options, so we needed to find a way to easily integrate this huge number of updated animations into the conversations. We created a tool with Python to process the almost 2500 mocap files that Guerrilla provided to replace the original animation in the conversations, removing deprecated events and replacing those with the mocap and setup.”“We then focused on creating a pipeline in Maya for our animators to easily load, edit and re-export the individual mocap files for any other edits that were needed, such as finger animation, art direction feedback and fixes. Animators could select the conversation and subsequent dialog option from a list which created the scene from scratch, or simply opened it if it already existed. Our tool referenced the characters and imported the dialogue audio, so the animators could time the movement better and create the camera cuts and layout. Later, we extended this pipeline to also include existing animations for both conversations and cinematics, as some of these also required edits. Our animators could then go into Guerrilla’s DECIMA engine and edit or change the updated conversation.”

Alexander Georgiev, Animator: Since all mocap footage comes from actors with different height or gender, there was a lot of data that needed to be covered and checked. For example, characters looking up or down too much, shoulders not matching the rest of the pose, arms clipping though clothing and fingers that are too static.”

“To solve this efficiently, we created tools to help us. With these tools we visualized helpers that brought a closer connection between working in Maya and the DECIMA engine. One example was that we could not see the eyes moving the same way as in the DECIMA engine, as that was a complex, automated system. With the toolset we created a head and eye aim helper that made it clearer where the characters were looking, and with that we knew how much we should adjust the head of a certain character.”

“We made small, automated scripts to fix shoulders and arms clipping. All these tools gave the animators a way to focus more on enhancing the acting of the characters to support what they want to say. By developing these tools, we created a strong workflow and were able to significantly speed up our iteration time per conversation.”

Mark Bazelmans, Senior Technical Artist: “Alongside the updated body animation, new facial animations were captured for the conversations. Initially this was deemed a straightforward ‘overwrite and replace’, but after seeing some of the results we decided to build a pipeline to be able to edit the updated facial animations.”

“We created tools in Maya that could process a facial animation file in proprietary format into a Maya scene with literally a talking head including audio. We also wrote our own exporter that could then export a Maya scene back to the same proprietary format.”

“Next to updating the animations in conversations, we did a pass on the camera and lighting setup for both conversations and cinematics. For the cameras, we batch updated the camera setup and values. In most conversations, the automated pass didn’t quite give the desired result because the contrast between the original movement and the new mocap was too big. The new body animations allow broader movements, often leading to characters stepping out of frame or being completely offscreen. Therefore, a manual pass was done by our Camera Layout Artists, aided by our custom DECIMA tools to easily edit cameras and settings.”

“We updated the lighting toolset to be closer to that in Horizon Forbidden West, which allows for editing settings of character and environment lighting across similar shots using a visual representation of shots. Lighting was controlled by a single setup for each character in a conversation that would apply to all dialog options in a conversation. Then our lighting artists could do their magic on a particular shot type and all similar shots of that character would be lit the same, with of course room to edit individual shots if needed. This way lighting had maximum control with as little tweaks as possible.”

Shining new light on Horizon Zero Dawn

The work for world lighting and cinematic lighting was divided between Guerrilla and Nixxes Lighting artists, with Guerrilla providing direction and technical support. The Atmospherics team at Guerrilla recreated the sweeping cloudscapes from Horizon Zero Dawn in the new Nubis cloud system from Horizon Forbidden West. The cherry on the cake was the creation of the set piece volcano cloud in the Frozen Wilds expansion, using a combination of the latest innovations in voxel cloud rendering, first pioneered in the Burning Shores expansion for Horizon Forbidden West, and traditional particle VFX.

It was important to retain the strong mood lighting in Horizon Zero Dawn Remastered, ensuring a seamless transition when playing both games back-to-back. Nixxes’ Senior Lighting Artists Myvanwy Broers, Niels Iburg, and Lighting Artist Thomas Schrama talk about their approach and workflow:

“A lot of the world lighting had to be rebalanced or re-lit from scratch to reach the same mood and to bring it in line with the slightly updated art direction. Horizon Forbidden West has some workflow improvements that we used for the remaster, making the process quite enjoyable!”

“To use the improved features to their fullest potential, we revised all the atmospherics settings that control the biomes within the game world. This included changing the light intensities to Physically Based Rendering values. This is true for the sun and the moon itself, but also detailed lighting in areas such as caves and ruins that players can explore. Think of fog, the color of the sun, glow intensities and so forth.”

“This meant that after rebalancing the light intensities into PBR, it was necessary to relight entire areas to create the best visual fidelity possible. It was a joy to revisit these iconic environments to do so!”

“To speed up our workflow, we used Guerrilla’s prefab system – an object which contains geometry, particles, sound, and lights that we can place anywhere. All these assets exist as referenced content within a prefab, which means that if the value of a torch light needs adjustment, this will simultaneously happen for every torch in the world. This enables large scale changes, and high iteration speed.”

“Light bakes are an important aspect of the lighting – a system that is versatile enough for each time of day, yet providing the detailed light bounce that Horizon Zero Dawn Remastered needs. The quality of such bakes is adjustable per volume that we set as lighters, which is great when we require the light bounce to be more detailed in an area without affecting the rest. Horizon Zero Dawn Remastered uses the improved baking system from Horizon Forbidden West, resulting in at least twice as much detail in the light bounce compared to the original.”

“With lighting in cinematics and conversations, we wanted to match the art direction and visual quality of Horizon Forbidden West. This, combined with all updated animations, motion-capture and camera shots, meant we built all the cinematic lighting in the remaster from scratch. We used a lot of new technology and workflow that was created for the cinematic lighting in Horizon Forbidden West.”

“Horizon Zero Dawn used a lighting rig around each character with roughly two lights. For the remaster we used the upgraded lighting rig from the sequel, which uses five lights in total: one key-light, two profile-lights and two rim-lights. These lights are then tweaked on a per shot basis changing position, orientation, color and intensity.”

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Detailed characters

Horizon Zero Dawn Remastered features significant upgrades to character models and how they react to lighting. Many enhancements in areas such as detail, skin tones, hair quality, and outfits have been carried over from Horizon Forbidden West.

Patrick Blankenzee, Senior Environment Artist: “Working on the varied cast of characters in the remaster was a big undertaking. We enhanced various shaders to improve the visual quality and made changes to ensure the models react better to the new lighting in the remaster. We gave Aloy’s model – both adult and child – the full cinematic treatment, including peach fuzz, upgrades to hair, eyes and materials.”

“We looked at the original concept art of Aloy as a child and aimed to make changes to her outfit, hair and skin, to match the look envisioned in the concept art, as well as bring the model up to par with the quality of the improved model for adult Aloy.”

“In Horizon Zero Dawn, only the character model for Aloy reacts to environmental elements like weather. For the remaster we wanted to give all companion characters the same level of interaction to bring that cinematic feel to the whole world. For example, you will now see both Aloy and her companions react to warm and cold weather.”

On behalf of the teams at Nixxes and Guerrilla, we cannot wait for you to experience Aloy’s journey (again) with all the visual enhancements, upgraded features and tech improvements.

Horizon Zero Dawn Remastered is available for pre-order now and launches on October 31 on PS5 and PC (Steam, Epic Games Store). Account for PlayStation Network required on PC.

Existing owners of Horizon Zero Dawn and Horizon Zero Dawn Complete Edition can upgrade to the digital version of Horizon Zero Dawn Remastered for $9.99. Check out the previous announcement PS Blog post for all the upgrade details.


Horizon Zero Dawn Remastered: A deep dive into its enhancements

Project Ethos: First Hands-On Impressions of 2K’s New Roguelike Hero Shooter

Project Ethos is a new free-to-play third-person hero extraction shooter that mixes in roguelike elements. The main game of Project Ethos is an extraction mode. And while I was excited to finally see 31st Union’s first project since its formation in 2019, I couldn’t help but feel that a lot of the mechanics felt like they belonged in games from that year.

Here’s the thing: Project Ethos is fine as a game. It hits all the right notes as an extraction hero third-person shooter, but my first impression after a few hours of hands-on time is that it seems to fall short of delivering anything that’s truly genre-defying in either the roguelike or extraction shooter departments. In the preview, I was able to play six different heroes, each, as you’d expect, with their own abilities and weapons.

This forces players to really get comfortable with that character’s abilities as a secondary, since abilities in a hero shooter are meant to enhance your playstyle. Your gunplay comes first. And Project Ethos has some fun sets of weapons that I thoroughly enjoyed playing with. The learning curve with characters and abilities was fairly low, so new players won’t feel too out of the water entering Project Ethos.

Project Ethos has some fun sets of weapons that I thoroughly enjoyed playing with.

Trials mode is PvPvE, meaning you’ll be playing against real players as well as NPC enemies that exist in the map. The matches you queue into are persistent, meaning each time you enter a game, other players have been playing in that match for quite some time. You can see how much time is left in the match every time you queue in.

With persistent matches, this means that when you drop into a game, you may end up landing closer to some enemies who are running throughout the map. This also means you’ll encounter players who are higher level than you. Each Trials match has its own leveling system. You earn XP from collecting XP shards from different loot bins you come across, from killing enemies, and from completing events that randomly trigger throughout the map.

The events that could spawn into the map were a bit confusing at first blush. It was hard to see where some of the events were happening just by looking at the overall map. You’d have to really be looking at your immediate vicinity to find the local event, and then go activate it. After a few rounds of play, I got used to this method, but it was frustrating not to see the minor events on the map.

When you level up in a match, you’ll be able to pick one of three different power-ups for your character. There’s a pool of 27 different power-ups to build your playstyle. And this is where the roguelike element comes into play. You can earn up to nine different power-ups in one extraction run if you choose to stay in the game that long and level.

You can earn up to nine different power-ups in one extraction run if you choose to stay in the game that long and level.

The random events that spawn across the map involve different activities that will unlock a big loot chest with bigger XP boosts, weapon enhancements, and cores. Cores are the big-ticket items you’ll be wanting to collect in each run, since extracting with cores will let you buy augments in the main hub. These boost the ability to get power-ups faster, give you health drops from the NPC bots that you fight in game, and other bonuses.

None of these augments boost your damage towards other players, though, so it’s fairly balanced in that regard. Trials overall felt fairly balanced in gameplay, since you could decide to disengage from fights if things felt too dicey. It felt like a proper survival experience with your typical extraction shooters. While you could feel the imbalance of characters’ weapons, with one having a higher dps than the other, you still had the method of escaping to offset that issue.

In the second game mode I was able to play, called Gauntlet, there was no escaping. You’re put into a 3v3v3v3 matchup where you’re playing against another team in a small arena. The first team to score 3 victories, wins. You’re in a server full of other teams since who you face will change each time in a dutch round robin format.

This format pits the bottom half of the teams against the top half of the teams: Team 1 faces Team 5, Team 2 faces Team 6. By the definition of dutch round robin, you shouldn’t be facing a team more than twice. Regardless, this format was the one thing that worked for this game mode.

Project Ethos ultimately plays well, is enjoyable, and utilizes the extraction and roguelike aspects to its advantage, but at first impression, it fails at being a new experience that players will crave to experience over and over again.

Gauntlet really showed the imbalance of the character abilities and weapons, since you’re forced to face your opponents head-on with very little play space. The sniper character, Prism, is incredibly strong, and her primary beam weapon melts opponents quickly in close range, and her sniper rifle allows her to deal devastating damage from a distance. Pairing that with her E ability, where she throws up a prism field that increases the damage output, makes her an incredibly tough character to beat in Gauntlet.

In Gauntlet, you still have the roguelike element of having to choose from selections of your power-ups. This further displayed the imbalance of character damage and powers. However, I did like the competitive aspect of Gauntlet over Trials. It showed a lot of promise of what competitive play could feel like in Project Ethos.

The gameplay loop of Trials and Gauntlet are very cookie-cutter and unexciting. They aren’t experiences that you can’t get somewhere else that you’ve already invested your time in. Fortnite came to mind as I played Project Ethos, and I found myself comparing some of the mechanics that exist in Fortnite that Project Ethos could vastly benefit from.

Overall, I truly did enjoy my time with Project Ethos, but in the end I was left feeling disappointed with the game so far as a whole. Project Ethos ultimately plays well, is enjoyable, and utilizes the extraction and roguelike aspects to its advantage, but at first impression, it fails at being a new experience that players will crave to experience over and over again.

Arma 4 will release in 2027

Bohemia Interactive have announced that Arma 4, the next big instalment in their shooter simulation series, will release in 2027. The announcement came at the tail-end of Bohemia’s 25th Anniversary Concert, alongside some disturbingly gun-less footage of a coastal promontory with rippling ocean waters against a cloudy sky – it reminds me more of The Elder Scrolls 6’s announcement teaser than any tactical mili-banger. Perhaps they’re secretly making an open world walking simulator? I kid, I kid. Please put the chair down.

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It Takes Two Crosses 20 Million Copies Sold as Creator Teases Next Project

Hazelight Studios has announced that its excellent co-operative adventure game and IGN 2021 game of the year nominee, It Takes Two, has sold over 20 million copies.

This milestone comes three and a half years after the couch co-op game’s launch on PC, Xbox, and PlayStation, with a Switch release following in November 2022. It Takes Two sold over one million units in the month following its launch, and its numbers have climbed steadily since. At last count in March of this year, it had reached 16 million units, a testimony to positive word-of-mouth and effusive critical praise helping the game continue to do well even years after release. And it helps that the game’s been on sale numerous times since launch – it’s just $9.99 (down from $39.99) on the PlayStation Store at the time of publication.

It Takes Two was showered with accolades on launch, earning a 9/10 review score from us where we called it “a spectacular co-op adventure that lays down a path of great gameplay ideas and uses it to play a giddy game of hopscotch.” It’s since settled at an 88 metascore on Metacritic and an 8.9 user score, and it won Game of the Year, Best Family Game, and Best Multiplayer Game at The Game Awards 2021. It also took home a Golden Joystick for Best Multiplayer Game, a GDC Award for Best Design, Game of the Year and Outstanding Achievement in Game Design at the DICE Awards, and a BAFTA for Multiplayer Game and Original Property. A film adaptation is currently in the works at Amazon Studios, with Dawyne “The Rock” Johnson producing.

Meanwhile, developer Hazelight Studios, headed up by Josef Fares, has been relatively quiet since It Takes Two’s release. The studio’s first game, A Way Out, came out roughly three years before It Takes Two, leading to hopes that we may be due for another announcement from the devoted cooperative game studio any day now.

Update 8:22am PT: Literally 20 minutes after I wrote the above paragraph, Fares took to Twitter to tease his next game.

“Getting a lot of questions about the next game,” Fares wrote. “Here is a tease. It is a BRAND NEW IP called S*** ******N. Can’t wait to show it soon🔥”

The official Hazelight account then followed this up with an image of some documents labeled “NEW IP” with a release year scribbled out. The documents specify that the game, like A Way Out and It Takes Two, will be published under EA’s EA Originals label. Sounds like an announcement is, indeed, imminent.

Update 8:29pm PT: Two minutes after I posted the above update I checked my email and there was a note from PR specifying that Fares’ next game is, more specifically, “all-new co-op adventure”. Maybe if I publish this update and check my social feeds again, they’ll have just revealed the whole thing.

Rebekah Valentine is a senior reporter for IGN. Got a story tip? Send it to rvalentine@ign.com.

It Takes Two Crosses 20 Million Copies Sold

Hazelight Studios has announced that its excellent co-operative adventure game and IGN 2021 game of the year nominee, It Takes Two, has sold over 20 million copies.

This milestone comes three and a half years after the couch co-op game’s launch on PC, Xbox, and PlayStation, with a Switch release following in November 2022. It Takes Two sold over one million units in the month following its launch, and its numbers have climbed steadily since. At last count in March of this year, it had reached 16 million units, a testimony to positive word-of-mouth and effusive critical praise helping the game continue to do well even years after release. And it helps that the game’s been on sale numerous times since launch – it’s just $9.99 (down from $39.99) on the PlayStation Store at the time of publication.

It Takes Two was showered with accolades on launch, earning a 9/10 review score from us where we called it “a spectacular co-op adventure that lays down a path of great gameplay ideas and uses it to play a giddy game of hopscotch.” It’s since settled at an 88 metascore on Metacritic and an 8.9 user score, and it won Game of the Year, Best Family Game, and Best Multiplayer Game at The Game Awards 2021. It also took home a Golden Joystick for Best Multiplayer Game, a GDC Award for Best Design, Game of the Year and Outstanding Achievement in Game Design at the DICE Awards, and a BAFTA for Multiplayer Game and Original Property. A film adaptation is currently in the works at Amazon Studios, with Dawyne “The Rock” Johnson producing.

Meanwhile, developer Hazelight Studios, headed up by Josef Fares, has been relatively quiet since It Takes Two’s release. The studio’s first game, A Way Out, came out roughly three years before It Takes Two, leading to hopes that we may be due for another announcement from the devoted cooperative game studio any day now.

Rebekah Valentine is a senior reporter for IGN. Got a story tip? Send it to rvalentine@ign.com.

Archons doubles the chaos of Vampire Survivors by giving you two characters to control at once

Ever been in a position where two people are really going at each other, hurling pointed jabs and insults back and forth, and you’re stuck in the middle? Well then, perhaps you’ll empathise with the enemies in Archons, a twin-stick Vampire Survivors-like where you control two characters at once, and attacks bounce between them automatically as they move about the arena. I gave the Steam Next Fest demo a quick whirl today, and after a couple of swift attempts (I died horribly fast), I realised this could become a bit of a danger to my free time, so I’ve put it away for now.

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Nintendo Download: 17th October (North America)

Super Mario Party Jamboree! Neva! Just Dance 2025!

The latest Nintendo Download update for North America has arrived, and it’s bringing new games galore to the eShop in your region. As always, be sure to drop a vote in our poll and comment down below with your potential picks for the week. Enjoy!

Switch eShop – Highlights

Super Mario Party Jamboree (Nintendo, 17th Oct) – The Mario Party series is back and more jam-packed than ever! With over 110 minigames, seven boards, new online* and offline modes and plenty of customization choices, there’s something for every kind of partygoer. Take the fun online and race across the party board in Koopathlon, a series-first 20-player competition to see who can rack up the highest scores in minigames, or work together to defeat an Impostor Bowser in the eight-player Bowser Kaboom Squad mode. The Super Mario Party Jamboree game is available now. Purchase by March 31, 2025 and get a three-month Nintendo Switch Online Individual Membership** on us! – Read our Super Mario Party Jamboree review

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Silent Hill 2 Remake Sells 1 Million Copies in Less Than a Week

It looks like Konami and developer Bloober Team have successfully revived the Silent Hill franchise after the Silent Hill 2 remake hit an impressive sales milestone.

In a tweet, Konami said the Silent Hill 2 remake sold one million copies as of October 11, just four days after the game’s global release date.

This is thought to make the Silent Hill 2 remake the fastest-selling Silent Hill game ever, but Konami has yet to rubber stamp that potential record.

Silent Hill 2 remake launched across PC and PlayStation 5 (there’s no word on an Xbox Series X and S version yet), and met with critical acclaim. IGN’s Silent Hill 2 remake review returned an 8/10. We said: “Silent Hill 2 is a great way to visit – or revisit – one of the most dread-inducing destinations in the history of survival horror.”

The sales success of the Silent Hill 2 remake will perhaps embolden Konami’s plans for the franchise, which have ramped up significantly in recent years. Silent Hill f and Silent Hill: Townfall are both still in the works, but perhaps Konami will also continue to remake past Silent Hill games. There’s a film adaptation of Silent Hill 2 coming, too.

It’s early days, but already modders are doing eye-catching things with the Silent Hill 2 remake on PC, including removing hair sheen, the game’s famous fog, and even turning it into Sunny Hills.

The Silent Hill 2 remake features several new puzzles and redesigned maps, so if you need help navigating through it all, head to our Silent Hill 2 Walkthrough Hub. We’ve also got a comprehensive guide to the Silent Hill 2 Remake endings, all Key Locations in the game, and what changes in New Game+.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

After Battleborn, 2K Is Having Another Stab at the Hero Shooter Genre With Project Ethos

2K has teased the full reveal of Project Ethos, a third-person roguelike hero shooter in development at 31st Union.

31st Union and boss Michael Condrey flagged a reveal at 9am PT / 5pm UK today, October 17, on Twitch. The Twitch channel in question mentions a game called Project Ethos, which is described as a “third-person roguelike hero shooter.”

That’s all we have for now. 31st Union is the San Francisco-based, 2K-owned studio established as 2K Silicon Valley back in 2019 before a name change a year later. It was set up by ex-Sledgehammer Games co-founder Michael Condrey, who before working on Call of Duty was one of the chief developers of EA’s Dead Space series at Visceral Games.

Project Ethos launches into the ultra competitive hero shooter market at a time when it has already claimed a number of high-profile casualties. Rocksteady’s troubled Suicide Squad: Kill the Justice League flopped to the tune of $200 million, and Sony’s Concord has gone down as one of the most disastrous launches in PlayStation history. 2K and parent company Take-Two will of course be hoping to avoid a similar fate when Project Ethos comes out.

This isn’t 2K’s first stab at a hero shooter, of course. It published Gearbox’s ill-fated Battleborn in May 2016, but it ultimately crumbled under the overwhelming dominance of Blizzard’s Overwatch. Battleborn eventually went dark in January 2021.

For Take-Two, Project Ethos is but one of a number of games it has in the works, including Firaxis’ Civilization 7, Ken Levine’s new game, Judas, Gearbox’s Borderlands 4, Hangar 13’s Mafia: The Old Country, Cloud Chamber’s BioShock sequel, and the big one, Rockstar’s GTA 6.

Wesley is the UK News Editor for IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Anbernic’s New Controller Promises “Minimal Drift” With Hall Effect Joysticks And Triggers

Plus gyro and mappable buttons.

Anbernic might be better known for its swanky handheld consoles, but the company has recently revealed that it’s taking its first steps into the controller realm with a wireless pad that promises “minimal drift”.

In a blog post shared earlier this week, Anerbic described the catchily-named RG P01 as a controller that “balances quality and affordability,” apparently catering to all kinds of gaming sessions — yep, it is compatible with Switch. While we still don’t have an official price for it just yet (or a release date, for that matter), the reveal packed in a rundown of some sweet features to expand on the “quality” promise.

Read the full article on nintendolife.com