The Witcher 4 Unreal Engine 5 Tech Demo on PS5 revealed

We at CD Projekt Red are collaborating with Epic Games to push open-world game design further than ever before, and we wanted to share our progress with the gaming community through The Witcher 4 Unreal Engine 5 Tech Demo — a showcase of how we’re bringing more life, depth, and reactivity to the Continent than ever before.

This isn’t gameplay of The Witcher 4, but we still wanted to incorporate CD Projekt Red’s signature storytelling into the tech demo, showing our new protagonist Ciri in the midst of a dangerous monster contract. We also reveal the never-before-seen region of Kovir, a rugged land where cities are built on trade and keep a careful distance from the military conflicts that plague the rest of the north.

But the focus of this tech demo is just that — tech — and we were proud to show it live on stage, running at 60 frames per second on a PlayStation 5. The tools highlighted won’t just power The Witcher 4, but will also be shared with the wider video game development community through Unreal Engine 5. The tech we’re creating with Epic will benefit the entire industry, ultimately bringing a better experience to players.


The Witcher 4 Unreal Engine 5 Tech Demo on PS5 revealed

ML Deformer

Early in the tech demo we introduce Ciri’s horse Kelpie to the world — and how she’s far more complex than our old friend Roach. Alongside tech that makes controlling Kelpie feel much more grounded and lifelike, we’ve worked hard to develop high-quality, real-time character deformations.

ML Deformer allows elements like Kelpie’s muscles to move and flex accurately, thanks to high-fidelity data providing it with the ability to approximate complex deformations efficiently during gameplay. This allows these incredibly realistic movements to take place without the game taking a performance hit.

Fast Geometry Streaming

We’re paying attention to the large scale too. Fast Geometry Streaming allows everything in the tech demo — from the snowy mountaintops to the deep valleys and vast forests — to seamlessly load without compromising performance. It’s present throughout the tech demo, and the fact it can’t be noticed proves it’s doing its job.

Consider when we catch up with Ciri before she reaches the bustling trading hub of Valdrest, for example. We move quickly through the world, in and around different elements of the environment, but there’s no stuttering or object pop-ins. Fast Geometry Streaming is optimized to quickly load static geometry, using a lightweight method to register and unregister assets. The result is what we show throughout the tech demo: smooth and seamless world loading that allows the beauty of Kovir to shine.

Nanite Foliage

Speaking of Kovir, we take a detour through one of its dense forests while Ciri is riding to Valdrest. Nanite Foliage technology we’re developing with Epic, and how it allows our developers’ artistic vision to be fully realised in Unreal Engine 5. This tech renders incredibly detailed and realistic trees and vegetation in terms of both density and fidelity, without compromising performance.

Nanite Foliage is a new technology that efficiently renders vast amounts of foliage at runtime, making it possible to effortlessly populate landscapes with complex assets — such as lush trees with individual branches that sway in the wind.

Unreal Animation Framework

We always want to make our open worlds feel alive and lived in, and the Unreal Animation Framework shown off in the tech demo lets us add more life than ever to the villages, towns, and cities of the Continent. This tech powers advanced blending, state machines, and procedural animation workflows, letting us have many complex characters interacting with the world at once.

When we place a band on the stage in Valdrest, for example, we utilize Unreal Animation Framework to drastically increase the number of NPCs on screen. And these aren’t just simple onlookers standing still or operating on a loop; each one reacts to what’s going on around them. We want the gap between Ciri and the NPCs of The Witcher 4 to be as small as possible.

Mass Framework

Another tool that adds to the believability and lived-in feeling of the world, Mass Framework simulates large crowds and AI behaviour like the ones seen in the busy market of Valdrest. The data-driven design of Mass manages thousands of agents with minimal performance cost, making it ideal for creating realistic, dynamic populations in games.

It also allows smart objects and complex interactions to function. As Ciri approaches the market we see her bump into a man carrying a crate of apples, for example. Notice how he doesn’t just react to her collision; he loses his footing and drops several apples, which roll down the hill and trigger further, unscripted chain reactions like children running to steal one or pigs looking for an early lunch. Implementing interactions like these is one way we’re making The Witcher 4 the most immersive Witcher game to date.

Tron: Catalyst gets a short but sweet surprise demo ahead of its release later this month

Tron is a world that I feel constantly surprised by its perseverance in just flat out still being a thing all these years later. And yet, I never feel upset about it given that the vibes of Tron just absolutely rule no matter the context in which they’re being delivered, the upcoming Jared Leto led film notwithstanding because of that guy’s whole vibe. In terms of what’s actually next for the fictitious video game world, there’s Tron: Catalyst from the folks over Bithell Games, and as it so happens, there’s a demo out for it today!

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A week before launch, two MindsEye studio executives have left the company, which I’m sure is a positive sign

Last week, I questioned whether MindsEye was a real game or not. This week, that question lingers. Why, you ask? Well, as spotted by our good friends over at Eurogamer, two executives at the studio behind the game, Build a Rocket Boy, have now departed the company. Let me just check when MindsEye is coming out… oh, that’s right, literally one week from today. Surely this is only good news!

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Holstin: 5 Reasons to Play This Phenomenal Pixel-Art Survival Horror Game

I don’t think I’ve hungered for a game this year as much as Holstin. This survival-horror immediately caught my eye with its gorgeous pixel art, perspective-shifting gameplay, and eerie Polish setting.

So I felt super lucky to get hands-on with an all-new, two-hour PC demo, sliced right out of Holstin’s ominous beginnings. While the previous Steam demo captured Holstin’s “feel” through mocked-up puzzles and a firing-range weapons tutorial, this new build puts it all together with a meaty (pun intended) story.

My friends, you’ve gotta keep an eye on Holstin – here are a few reasons why.

#1: “Disgusting” Has Never Looked So Good

It’s the first thing you’ll notice – Holstin is really, really good-looking, right from your sudden drop into a dilapidated train station overgrown with some weird, pulsing yellow substance. The art looks already great in screenshots, but you need to see and feel Holstin in motion to truly understand what an accomplishment these graphics are. Even the title screen is amazing.

Even the title screen is amazing.

What looks like 2D top-down pixel art becomes truly impressive 3D once you learn that you can move the camera around, with slick, seamless transitions through eight different angles. Even if you’re aware of this before you begin playing, swinging around for the first time is honestly one of Holstin’s most surprising moments – yes, right up there with enemy encounters!

(As a side note, the top-down movement in Holstin lends itself really well to twin-stick action on a controller, but it plays perfectly on mouse and keyboard as well.)

While most players won’t necessarily be choosing Holstin because of its technical proficiency, it’s what really makes this aesthetic work. There’s a reason why graphics like this aren’t manifold in the industry – it’s built on the studio’s custom in-house technology, which makes it likely to cement Holstin as a standout game graphically.

#2: Mind-Blowing Perspectives

Okay, so you can spin that third-person, top-down camera around and view the world from multiple angles – but that’s not just an awesome-looking gimmick. Those angles go hand-in-hand with Holstin’s environmental puzzles. If you’re not looking behind boxes or checking around corners to find alleys, you may – and probably will – miss things that will help you find your path forward in Holstin’s strange world.

But wait! There’s more!

There are aggressive mutated people everywhere. That means you need to shoot them. But unlike other twin-stick shooters, you won’t be staying in that fixed-camera view to ready your sights. Entering aim mode transitions you into an over-the-shoulder third-person view, freeing your camera to enable pinpoint precision for your headshots.

These two very different views really add to the suspense – for instance, while in top-down view, you might miss the enemy lurking quietly around a corner. I found myself constantly on my guard, switching between both viewpoints even out of combat. (And sometimes even that didn’t save me from being pounced on and grappled down by some grisly horror of a human.) The only part of combat that initially confused me was melee, as that isn’t in aim mode – but I got used to it quickly.

Holstin plays with other camera perspectives too, though more for atmosphere than for gameplay reasons. Think: a god’s-eye view in an eerily silent, unpopulated area. Your cursor disappears, suddenly removing your primary sense of defense. You might not be switching into aim mode here, but you’ll sure feel like some ominous force is watching your every move.

#3: Meat, Tentacles, and Gore Galore

Survival horror fans will want to know how gruesome the strange environment can get, but don’t worry – the squelchy mainstays of the genre are definitely represented in Holstin. The overall goal in this demo is to find your way to a slaughterhouse, after all.

The town’s dissolution into its kind of otherworld first emerges in the form of “Plasmodium,” the aforementioned yellow substance. At first, it looks like someone went wild with foam spray – but when you approach, tentacles will rise and wiggle at you. Are they saying hi or taunting you? Either way, it’s suitably icky and adds to a pervading sense of unease.

And then there are the mutant enemies. Imagine glowing orange orbs taking over your body, their tendrils taking the place of your tendons. Imagine those same orbs buried in the Plasmodium, which slowly spreads through streets and parks like an aggressive, menacing fungus.

Something I also found unsettling was the implied gore. While you don’t see the actual slaughterhouse in this demo, you will learn how it figures into the overall narrative through conversational dialogue and scribbled scraps scattered through the world. Something wicked is going on in that place, and you know it’s not going to be pretty when you finally get there.

#4: Adventure Gaming Puzzles That Don’t Suck

As a gamer who grew up with classic point-and-click adventures, I was very impressed by Holstin’s approach to its puzzles. Maybe I’m getting old and crotchety, but I’ve been disappointed in recent years with how linear puzzling has become in adventure-adjacent games. Receive an objective, figure out how to solve the objective, then receive the next objective.

Figuring out which are solvable in any given moment is almost a puzzle in itself.

Though Holstin is strongly narrative-driven, it never feels like a linear story with disparate puzzles slapped on top. In fact, I’d almost forgotten how challenging a well-designed puzzle tree can be. In Holstin, you won’t be completing objectives in the order they’re listed. You can work on multiple objectives at once, and figuring out which are solvable in any given moment is almost a puzzle in itself. You might have to retrace your steps, which feels realistic (like searching your house thrice for your car keys).

And as for the puzzles themselves – they make sense (well, as much as something can make sense in this mad world). Survival horror fans are all familiar with some of the genre’s most inane challenges – ranging from the dreaded sliding puzzle through to needing an intimate knowledge of Shakespeare to shelve books correctly in order to obtain a door code (*cough* Silent Hill *cough*).

None of that nonsense here. Holstin’s asks of you are simple: How are you going to get this trapdoor open? What twisting path through town will you need to forge in order to reach the playground? How you solve these problems feels organic, and really encourages you to explore your environs thoroughly.

#5: 1990s Poland Is a Trip

The Polish setting forms the bones of quite a specific – and unique – narrative. It’s not exactly a great tourism ad for Poland, but even covered with the weird tentacled Plasmodium, the town of Jeziorne-Kolonia still feels like a distinctly foreign experience compared to other games set in more vague locations.

This demo only has Polish voiceover, and as an English speaker myself, I found that this added to the believability and atmosphere – like watching a foreign flick. Though I don’t have the context of how the Polish language is structured, the voice acting sounded dead-on.

There’s the suicidal woman, her voice filled with defeat as she hands her gun over to you. The large, childlike man, squealing, talking in riddles, and just one plot twist away from losing it entirely. The cast of weirdos here is a lot wider than your usual survival-horror game – but their convincing creepiness doesn’t detract from the suspense at all. (I sure wished they would help me out in combat, though.)

And while Holstin set in the 1990s, it’s not exactly boy bands and GeoCities. For instance, your save checkpoints are decrepit-looking phone booths – and you’ll need to find physical telephone cards to actually make your save (just like the real-life anachronism of digging for change to do your laundry). Our hero Tomasz definitely does not have a cell phone for tracking objectives. Expect all the inconveniences in the pre-internet era – yet another stumbling block in your strange journey through this horrifying town.

All in all, this demo honestly blew me away – and I say that very rarely of any game. If the rest of Holstin is as polished and carefully crafted, it will be considered a survival horror classic in a decade’s time. I’m that impressed by what I’ve seen and played of it so far.

Section 13 Brings Twin-stick Action, Co-Op Chaos, and Roguelite Replayability

Section 13 Brings Twin-stick Action, Co-Op Chaos, and Roguelite Replayability

Section 13 key art

Summary

  • Now available on Xbox Series X|S.
  • Battle through the twisted lab of Section 13, blasting enemies with lead or lasers.
  • Unlock perks with each run to survive longer next time.

Get ready for precise, fast-paced action, ever-evolving challenges, and a dash of mystery. Section 13 is now live on Xbox Series X|S!

A World of Secrets

What exactly turned a top-tier facility into a paranormal creature-infested zoo? Section 13’s story takes inspiration from SCP-style lore, immersing you in a world of classified experiments, scientific anomalies, and monstrous boss creatures lurking in the depths. Playing as different S2P agents, you’ll not only uncover what happened to Section 13 but also piece together fragments of each character’s past, their connection to the facility, and the ties that bind them together.

Section 13 screenshot

Precision Combat Meets Roguelite Mayhem

At its core, Section 13 is all about precise twin-stick controls and fast, responsive combat. The action is quick and chaotic, rewarding sharp reflexes and strategic positioning.

Thanks to procedurally generated map layouts and randomized encounters, no two sessions play out the same way. And when you inevitably fall? Embrace death as an opportunity. Every failure in Section 13 helps to build up permanent rewards such as new weapons, upgrades, and more that make your next run even stronger.

Section 13 menu

Stay in the Light, Stay in Control

With the facility’s power offline and lighting scarce, the Fear System introduces a new kind of threat: your own panic.

Darkness isn’t just an aesthetic choice in Section 13—it’s a mechanic. Stay in the darkness too long, and you’ll enter a state of panic and accuracy takes a hit as your vision distorts, heart thumps louder, and the walls seem to close in. That’s not all, of course. You also take more damage, reload slower, and can’t regain HP.

To shake off the panic, find a strong light source—not some flickering flashlight, but something bright enough to make your interior designer wince. Step into the glow and get back in control.

Section 13 screenshot

Co-Op Mode: Team Up, Watch Your Fire

Fighting through Section 13 alone is thrilling—but bringing a friend (or two) kicks up the action to another level. Teammates boost your firepower but co-op mode plays differently from solo mode, so you’ll need to think twice before spraying bullets.

Online co-op is on the way, with couch co-op to follow. Here are some key  changes you’ll be able to find in the updates:

  • All characters will be unlocked from the get-go.
  • Friendly fire and ammo limits will be toggleable.
  • Enemies will be even tougher!
  • Key resources such as Medkits won’t be shared—anyone can grab them.
  • No narrative progression will be unlocked.
Section 13 screenshot

Whether you’re here for action or the intrigue, there’s always something waiting to be discovered.

Are you ready to face the darkness and uncover the secrets of Section 13?

Section 13

Kakao Games


1

$19.99

Section 13 is a roguelite twin-stick shooter packed with action and challenges. As an Agent of the S2P Corporation, it’s up to you to investigate a crisis at the most top-secret facility of a company whose whole thing is keeping secrets.

NOTE: Planned feature updates will bring online and couch co-op modes*, with optional friendly fire for maximum madness in the narrow corridors of Section 13!

CONSPIRACIES TO UNCOVER

When an Omega-level containment breach puts an off-the-books company black-site on lockdown, it’s up to expendable peons like you to get to the bottom of it. Literally.

Step into the shoes of Agents Red, Boy Scout, Beaker, and Scalpel, as they fight to unearth the buried secrets of Section 13… and solve a few personal mysteries of their own. Collect data on paranormal entities running amok and find out what it all has to do with you.

TENSE TWIN-STICK ACTION IN THE WEIRDEST WORKPLACE EVER

As a Tier-1 paranormal containment facility, Section 13 is full of unique hazards, and it’s up to you to overcome them with quick wits and reflexes.

Time your dodge-rolls and reloads to stay one step ahead of a horde of hungry monsters. Back against the wall? Pop off with a special ability… or grab a melee weapon and smash your way out.

But keep an eye on your Fear level, or risk a debilitating mid-mission panic attack!

CUTTING-EDGE TOOLS TO MASTER

Add some spice to every run with unlockable (and customizable) weapons, gameplay-altering Synaptic Enhancements, and of course, recreational genetic modification. (Some side effects may apply).

Utilize special abilities and unique tactical items to outsmart pissed-off cryptids, navigate a series of shifting levels, and push deeper into the base with every attempt.

Between deaths, you’ll also unlock persistent upgrades that change how you play and radically alter your chances of success.

* Co-op modes will be added as feature updates (online co-op in June 2025 and couch co-op in September 2025).

Online co-op will not support crossplay.

The post Section 13 Brings Twin-stick Action, Co-Op Chaos, and Roguelite Replayability appeared first on Xbox Wire.

Roadside Research is like if Lethal Company were a game where you’re a poorly disguised alien running a gas station

Let’s start this one with a definition: Lethal Company is “one of those kinda games.” By that I mean it’s a four player co-op title that doesn’t really adhere to a particular genre, predominantly prioritising mechanics that allow you and some friends to get up to some shenanigans. Like Content Warning, or REPO, you know, one of those kinda games! Now we’ve got that out of the way, let me introduce you to Roadside Research, one of those kinda games, except this time you are an incredibly poorly disguised alien running a gas station in order to research humans. See what I mean?

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Demeo X Dungeons & Dragons: Battlemarked Reveals Debut Gameplay Trailer, Confirms Release Window and Launch Platforms

Resolution Games has revealed a debut gameplay trailer for Demeo x Dungeons & Dragons: Battlemarked, and confirmed a late 2025 release window and launch platforms.

Resolution Games, best known for digital fantasy tabletop adventure Demeo, is working with Wizards of the Coast on the first virtual reality game set in the Dungeons & Dragons universe, called Demeo x Dungeons & Dragons: Battlemarked. It’s due out on PC via Steam, and PlayStation 5, with a VR version available on PlayStation VR2, Steam VR, and Meta Quest 3.

Battlemarked adapts D&D classes, actions, and lore to Resolution Games’ Demeo action role-playing system, which is DM-less and focuses on social strategy rather than social roleplay. This, Resolution Games said, encourages group tabletalk focused on tactics and decision-making.

“While the world of Demeo is rich with lore, our previous titles focus primarily on tactical action over motivation and narrative,” said Tommy Palm, founder and CEO of Resolution Games.

Resolution Games is working with story designer Matt Sernett as the project’s narrative lead. Sernett previously worked as a designer of the Dungeons & Dragons tabletop game and contributed to Dungeons & Dragons video games including Baldur’s Gate, Baldur’s Gate 2, and Icewind Dale.

“When Dungeons & Dragons launched fifth edition back in 2014, the first adventure that many players went on ventured into Neverwinter Wood, and I can think of no place better for Battlemarked players to begin their journey,” said Sernett.

“The first adventure in Demeo x Dungeons & Dragons: Battlemarked will take players to familiar locations including Cragmaw Castle and Mount Hotenow. The world of D&D is just as much a part of the story as its characters, and we can’t wait for players to immerse themselves in its dangers and delights.”

Battlemarked’s second adventure, which will be included at launch, will be revealed later this year.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

What’s next for the Umurangi Generation devs? Why, a game about penguins and people going mad on a mountain of course

How do you follow up a game like Umurangi Generation? Maybe move from photography to videography, or go full shooter (which developer Origame Digital do appear to be making too, that one’s just not had a full reveal yet). Perhaps instead of either of those things, you’ll make a game about penguins, which, yeah, no more beating around the bush, that’s exactly what they’ve done. Introducing: Penguin Colony, a narrative adventure game based on H.P. Lovecraft’s At the Mountains of Madness.

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Video: Do You Even Need A Pro Controller For The Switch 2?

Pros and cons.

When Nintendo properly revealed the Switch 2 back in April, it also confirmed that a new Pro Controller would be accompanying the console as an optional peripheral.

Now, most of us here have gone hands-on with the new controller at some point or another, but the lovely Alex has spent quite a bit of time with the ruddy thing playing the likes of Mario Kart World and Nintendo Switch 2 Welcome Tour. In his latest video, he has a good ol’ natter with Felix about whether or not the new Pro Controller is actually a necessity.

Read the full article on nintendolife.com

Check Out the Adidas x Minecraft Collab

Minecraft x Adidas Hero Image

Check Out the Adidas x Minecraft Collab

The post Check Out the Adidas x Minecraft Collab appeared first on Xbox Wire.