Halloween may be right around the corner, but the winter holiday season will come at us just as fast. If you’re a big Zelda fan or have special someone in your life that is obsessed, Hallmark has a handful of awesome ornaments spanning the franchise’s storied history you can buy right now. Ranging in price from $12 to $32, purchasing one of these won’t break the bank and will last for holidays to come. If you’re looking for an affordable Legend of Zelda gift to buy ahead of the 2025 Christmas season, this is a delightful option worth considering.
Legend of Zelda Hallmark Ornaments
Pretty much every era from Zelda’s history is represented with these ornaments, from the NES original 8-bit Link to 2023’s Tears of the Kingdom Decayed Master Sword. The Link with his sword and shield ornament is another notable inclusion, since it plays classic Zelda tunes at the push of a button. I personally would have appreciated some Twilight Princess love with this collection, but I can’t complain with what’s on offer here.
Each ornament is only a few inches in every dimension, so storing them efficiently in the off-season or utilizing them as year-round decor is definitely on the table. I have a game shelf that the Toon Link ornament would be right at home on. The 8-bit Link ornament is low on stock, so if you’ve had your eye on it, now’s the perfect time to pick one up.
More Hallmark Nintendo Ornaments
Naturally, The Legend of Zelda franchise isn’t the only Nintendo property receiving the Hallmark treatment. There’s an Elephant Mario from Super Mario Bros. Wonder would look great on any Christmas tree, and the winter hat Rowlet is one of the cutest things I’ve ever seen.
Is Hallmark a Good Ornament Brand?
Hallmark isn’t the only ornament brand out there, but it is certainly one of the most well-known. The main appeal of Hallmark Keepsake ornaments is that the brand offers yearly releases from popular IPs like Nintendo, Star Wars, Disney, and more. If you’re looking for a little piece of your favorite movie or video game to hang on your tree, it’s most likely going to be a Hallmark-branded ornament. Seeing as the ornaments are officially-licensed, they are also likely to be of higher quality than any knock-off brands you find elsewhere.
Do you remember the worst day of your life? It’s okay; you don’t have to answer. I do. I was doing something I loved, I made a mistake, and a story someone else told about it for their own purposes cost me almost everything I had. People I thought were my friends walked out of my life, doors slammed shut in my face, and everything I’d worked for evaporated. My family resorted to communication by postcard because I refused to answer the phone, and I spent the next two years contemplating suicide before finally finding some semblence of peace. Nearly a decade later, those moments, that mistake – such a little thing, really – impacts every aspect of my life. I spend a lot of time grappling with that, wondering if I’ll ever be the person I was before that moment again. I don’t know the answer.
The worst day of Clementine McKinney’s life reminded me a lot of my own, though it came inside the cockpit of a Raptor mech rather than behind a keyboard. She made a decision, one rooted in trying to do the right thing and defend people she loved, and it cost her everything she had. Clementine McKinney died that day, and Graveyard Clem was born from the ashes. Bounty Star is about who you are after the worst day of your life, about what you do when the only option is to climb back into the machine that put you there in the first place. I didn’t have a choice; neither does Clem. We don’t know how to do anything else.
Clem is a bounty hunter. Building and piloting a Raptor is all she knows, and it’s the main thing you’ll do across the roughly 15-20 hours it took me to finish Bounty Star’s story (though there is ample replayability if you want it). After her world collapses, her friend Jake Triminy, the local marshall of a post-plague future that caused the collapse of human civilization and the return of the dinosaurs, sets her up with an old workshop that has enough space to double as a farm. Nobody much trusts her after what happened, so the bounties she is offered are for small fry: local bandits and the like. You spend her money to buy food and cook it in her kitchen for stat increases before going out on a mission. The first time she gets into her Raptor after the decision she made inside one destroyed her life, she spends a long time staring at the ol’ girl, her heart beating fast. Then she closes her eyes, exhales, and gets to work. Clem sees the irony, but it might also be her only way out. Both she and I sit in that cockpit, but we are not in the same place.
Clem wears her battles on her body. There’s a nasty burn on the side of her neck, a deep scar on the right side of her face, and another on the opposite cheek. She’s not young anymore; if you leave her alone long enough, she’ll stretch and complain about the way her body is failing her, even though her physique tells the story of a woman who builds Raptors and welds steel. Her clothes are covered in engine grease and stained with sweat. Her accent bears the twang of the American South. She drinks, smokes, plays guitar, and swears like it’s going out of style – and yet, when she gets stuck on a problem, she’ll pull out a stuffed dinosaur named Jeremy and talk to him until she realizes the solution. After a completed bounty, Clem sits on her Raptor and writes down her thoughts in a small journal, a warrior poet hoping that she’ll find herself in the words she arranges on the page. She is a person, messy and flawed and glorious, and I loved her in the way you love a kindred soul, someone whose failings you understand and strengths you admire.
Clem is a person, messy and flawed and glorious.
Once you’ve got your assignment, it’s time to outfit your Raptor and get to work. Raptors are relatively tiny mechs – think an Armored Core’s AC, but smaller, less well armed, and faster. They have melee and ranged weapons that range from chainswords and giant hammers to assault rifles and grenade launchers. You can customize them to fit your playstyle even further by popping in things like a booster for quick dodges, a burst repairer for on-the-spot healing, or a thermal computer to restore your Raptor to its base temperature faster.
There’s a lot to consider: each weapon has one of three types (Blade, Bludgeoning, Boom) that operate in a rock, paper, scissors style against different types of armor. Weapons and systems also build or reduce heat. Too much or too little, and your Raptor will shut down until it comes back under control, leaving you vulnerable. But there are benefits. High heat speeds up your melee weapon swings, while a cooler Raptor fires its guns more quickly.
Some bounties are only available in the morning, afternoon, or evening. It’s cooler at night, so weapons that generate heat are more viable than they would be in the afternoon, when you’ll want systems to keep your Raptor running cool. The right build takes your targets, time of day, and heat into account, and there is a joy in stepping into Clem’s mind, getting under the hood, and building a smooth-running rig.
In the field, a Raptor is nimble but purposeful, a force of fury and steel. It can dodge and run to avoid fire, but when you swing that chainsword, you commit to its weight and momentum. An assault rifle will kill a man in a single shot, but it will be less effective against a Driller mech built heavy for mining and repurposed by outlaws for combat. A double-barreled shotgun will chew through an unmanned Sieger, but you’ll need to be more precise against another mech. The heavier enemies – Drillers, Raptors like yours – have stability that must be reduced before your melee weapons stagger them, but once it’s gone, a hammer, chainsword, or flame gauntlet will rock them to the frame, steel grinding against steel until something breaks. But be wary of counter-attacks, which can stop your offense cold and send your Raptor reeling. To compensate, you have melee and dash tricks of your own. Cancel a swing of your hammer into an evasive maneuver while leaping backward and firing your shotgun, or dash forward into a swing of a built-for-a-mech baseball bat. To fight another Raptor is to tango, two gunslingers circling until one finds an opening.
It’s satisfying, though repetition does set in when you see the same Raptor, the same Sieger, the same group of enemies again and again, especially during the Low Priority repeatable bounties you’ll do between High Priority story missions. The environments Clem navigates, clearly a loving tribute to the American Southwest, are stunning at least. Though you’ll see some of the maps several times, many of them never lose their beauty, especially at night. Variety is found in optional objectives that offer additional cash and challenge you to take no damage, use a specific build, complete a bounty quickly, destroy objects scattered around the environment, find a hidden item, and so on. And it is always worth scavenging an area to find secret chests for additional rewards like world lore, resources, or even blueprints for new weapons or recipes for Clem to whip up in the kitchen.
I found joy in the repetition of a life lived outside of the cockpit.
Between bounties, you’ll use the money Clem earns to build up her new home and improve her Raptor. Things start small. But soon enough, you’re crafting new weapons, unlocking additional slots or loadouts, producing your own fuel, making your own ammunition, growing crops, and raising chickens. As she rebuilds herself, a place she didn’t want to be becomes a home. These chores are minor – feed the chickens, water the plants, sow new seeds, make sure the fuel producing systems have enough water, cook a meal before you head out – but I found joy in the repetition of a life lived outside of the cockpit, of seeing the real, tangible progress Clem and I were making on our journeys of healing.
A I invested more time and money into the farm, I was able to do these jobs faster, more efficiently. Carrying water to each plant will get the job done. But it’s much more fun to build a firearm-activated irrigation system, to watch empty space get filled in by the work you’ve done, slowly, piece by piece. Isn’t that a life? And my Raptor was becoming fiercer, too, the bounties bigger. At the start, one feeds the other. The Raptor. The farm. Over time, they intertwine, and it’s harder to see where one ends and the other begins.
In one of her journal entries, Clem reflects on her relationship with Raptors, wondering if she should loathe them on principle as machines of war or lean into the power and joy she feels while piloting one. It’s a question not just for her, but us as the player, too. She opts for the latter, partly because she has no choice, and partly because she feels she is making the world a better place by removing bad men from it. You can thankfully take bounties alive or scare off dinosaurs with fireworks instead of killing them (and sometimes you are paid more for it), but you’re going to rack up a lot of bodies either way. The home she builds is the opposite of that. At first, she resents it, wanting out as quickly as she can find a way. But she comes to see its potential. Soon, I was making just as much money from farming as I was from bounty hunting. What was a chore became a way of life.
And as she builds a new life, other characters come to inhabit it. She befriends a reformed bandit who offers her a way to relive past battles, useful for completing optional objectives in bygone story missions; a former thief atoning for his crimes by wearing a ridiculous steak outfit and selling meat as Mr. Meat; a miner trapped inside his suit who has dedicated himself to building an ethical mine for other miners; a weapons dealer who becomes a confidant; a giant insect driven from its colony who becomes a friend (and, when fed and watered, a weapon to be mounted on a Raptor).
Each is a mirror that offers Clem a chance to reflect on her life, her choices, to show us who she is, and who she still might be. Shall she be a woman at war with herself, reliving the battles that brought her here? There are many kinds of prisons. Some you carry with you wherever you go. Clem’s Raptor could be a cell. But it could be armor, too, the key to something else. Something better. The past is prologue, but it doesn’t have to define us. We choose who we are every day.
Bounty Star is a simple game. You would never mistake it for something with a ton of money behind it, though the writing and voice acting are excellent. And there were times it frustrated me, such as when it locked story progression behind building an engine I couldn’t afford. (Luckily, I had a pretty sizable farm at that point, and chicken eggs and corn command a premium.) It crashed on me a few times. It can be repetitive. I’m not sure I care about much of that, but it was part of my experience. But I did care about Clem, about her story, the people she loved and who loved her in return. This town takes in all kinds. I wanted her to rebuild her life, and that saw me through.
Watch out. There’s a musician mystery afoot. They’ve gone missing, mysteriously. So says Silver Pines, a Twin Peaks-inspired survival horror puzzler that’s set to arrive next year, according to an announcement trailer that’s just barged into my house in a trench coat, waving a gun about and demanding to know whether I did it.
No, I respond calmly, there are no missing musicians around here. For a moment, I fear he might notice the outline of a guitar’s headstock buried under the carpet. Hmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm, he says, as all detective-ish types do. Hmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm…
The Anniversary Edition includes the base game and all six official add-ons — Automatron, Far Harbor, Nuka-World, and the three Workshop expansions. Plus there’s over 150 pieces of Creation Club content to discover. New weapons, different breeds of Dogmeat (that’s your dog companion in-game, in case you’ve never heard of this good boy), new quests… it’s a big ol’ package, let’s just say.
Buckle Up, Xbox – Pacific Drive Launches Today with Game Pass
Blake Dove, Communications and Marketing Specialist, Ironwood Studios
Summary
Pacific Drive is now available on Xbox Series X|S and Xbox on PC, with the base game included in Xbox Game Pass Ultimate, Game Pass Premium and PC Game Pass.
The new Whispers in the Woods expansion launches alongside the Xbox release.
Explore eerie forests, uncover strange anomalies, and survive the Zone in your trusty station wagon.
Attention, Breachers: Pacific Drive is now available on Xbox, and the base game is included with Xbox Game Pass Ultimate, Game Pass Premium, and PC Game Pass from day one.
We’re also thrilled to announce that the Whispers in the Woods expansion is launching today — bringing even more mystery, danger and anomalies to discover in the Olympic Exclusion Zone.
Welcome to the Olympic Exclusion Zone!
In a quarantined region, deep within the Pacific Northwest, surreal dangers lurk — surrounding mysteries that might have been better left alone.
Pacific Drive is a first-person driving survival adventure where your car is your only companion. Keeping your trusty wood-paneled wagon running is the key to your survival in an unforgiving, unpredictable and hostile environment. Each excursion out into the wilderness brings unique and strange challenges as you restore and upgrade your car from an abandoned garage that acts as your home base. You’ll gather precious resources, craft blueprints and investigate what’s been left behind in the Zone to unravel a long-forgotten mystery, and hopefully live to tell the tale.
What’s so Exciting About Pacific Drive on Xbox?
Ever since Pacific Drive first hit the road on PlayStation and PC, one question has echoed through our community: “When is it coming to Xbox?”
From social media comments to forum threads and fan messages, the enthusiasm from Xbox players has never let up — and the team at Ironwood Studios heard every one of those requests.
Today’s launch is such a special moment. Bringing Pacific Drive to Xbox was a long-standing mission for the team here at Ironwood — a chance to open the gates of the Olympic Exclusion Zone to an entirely new group of drivers. The team couldn’t be happier to finally make that dream a reality.
With the base game available with Game Pass, there’s never been an easier way to start your journey. Whether you’re stepping into the Zone for the first time or returning to see what’s new, Ironwood can’t wait to welcome you to the driver’s seat.
What to Expect in Whispers in the Woods
Within this expansion, Xbox players will uncover a new chapter in the Zone’s story. Whispers in the Woods adds a ton of new content and several new features to the game, including:
A new narrative arc that you can explore alongside your main campaign, revealing an Anomaly-obsessed cult lurking in the forests.
New Anomalies and environmental twists shake up what you thought you knew about the Zone.
Artifacts — objects with strange, unpredictable effects (some helpful, some perilous) that force you to constantly adapt your driving and strategies.
A whole new explorable map with a new forest region roughly one-third the size of the base world — plus hours of additional content for veterans and newcomers alike.
This expansion is our most ambitious update so far, and we’re so excited Xbox players get their hands on it at the same time as everyone else.
Ready to Drive?
If you’ve got Game Pass Ultimate, Game Pass Premium or PC Game Pass, Pacific Drive is already yours. Fire up your Xbox, hop into the driver’s seat, and see what the Olympic Exclusion Zone has in store for you.
Xbox players — thank you for joining us on this surreal journey. We can’t wait to see what you uncover out there.
With its unsettling backdrops and detailed worldbuilding, Tormented Souls 2 may look like a contemporary horror game, but don’t let that modern dressing fool you. At its core beats the blackened heart of stone-cold classics like Resident Evil and Silent Hill, with all the treats — and tricks — that both endeared me to and enraged me about these formulaic survival horror games when they first gained popularity. Fixed camera angles? Check. Tank controls? Check. Insanely complex puzzles and an even more bizarre story, complete with cheesy dialogue and a manual save system? Check, check, check, and check. It makes Tormented Souls 2 a surprisingly faithful homage, bringing back all the stuff I loved about old survival horror games… as well as many of the things I loved to hate.
Tormented Souls 2 picks up right after the events of its 2021 predecessor, but you don’t have to have met the Walker sisters before to make sense of this sequel. That’s partly because it tells a standalone story, and partly because it’s so fantastical that nothing makes sense anyway. Sure, you may have questions about Caroline’s fetching eyepatch, but all you really need to know is she’s searching for answers about her little sister Anna’s terrifying visions and reality-bending drawings. For reasons that seem to exist exclusively in schlocky horror tales, that answer apparently sits somewhere in the depths of a creepy convent nestled in a far-flung location.
Before Caroline even gets the chance to shrug off her (exceedingly 90s) leather jacket, though, Anna goes missing, and it’s up to the older sibling to both find her sister and figure out what the hell is going on before it’s too late… with an emphasis on the “hell” bit, naturally. As stories go, it’s not unique, no, but the twists and turns of Tormented Souls 2’s roughly 20-hour campaign are delightfully over-the-top in the same way the original Resident Evil games are. It’s packed with cheesy dialogue, curious flavor text, and some truly bizarre encounters I couldn’t help but smile at. Caroline’s stay in the remote town of Villa Hess will take you to a number of wonderfully grim places, including a processing plant, spooky school, abandoned mall, bunker, and the sprawling convent you start off in, keeping the creepy environments feeling fresh.
And those environments are so detailed! Stuffed with interest and plenty of lore, Villa Hess and its surroundings are such fascinating, atmospheric places to explore. You never know when a key item or a helpful tool may be secreted away in a hidden room somewhere, so it’s always best to keep your curiosity piqued. While your investigation is sometimes interrupted by a bladed demon or shambling zombie, you’ll find that enemies have a tendency to stay dead in Tormented Souls 2 — once you’ve cleared out an area, you’re usually left to explore at your leisure. With little more than a flickering candle to guide the way, though, it’s a little too easy to miss things; I’ve been caught out a couple of times by overlooking a key clue or item, even in areas I thought I’d examined pretty closely.
As is seemingly the law for old-school survival horror, the more you play, the more you’ll find yourself opening up new routes to old places, providing access to rooms and entire areas that were previously blocked off. I suspect the backtracking will irk some — there’s a lot of it, particularly early on — but as the levels and fetch-quests are well-designed and usually rewarding, I couldn’t begrudge it. That said, there’s a reason fixed camera angles and tank controls are considered relics of the past. I grew up playing the games Tormented Souls 2 pays homage to (Resident Evil, Silent Hill 3, Parasite Eve, Alone in the Dark), but moving around Villa Hess is frustrating even when there isn’t a demon on your tail, with tight corridors and dead ends that make getting from one side of a building to the other unduly long-winded.
Add in Caroline’s fear of the dark: she’ll freeze and start to hyperventilate if plunged into darkness for even a split second, dying completely if you leave her there too long. You can’t even put away your lighter to shatter a porcelain pot or smash open a wooden crate unless there’s an ambient light source nearby… which there very often isn’t. The lighter sure does add to the atmosphere, though, which is almost continually tense and unnerving. As the primary source of light quite often, you’ll have to proactively step into a room to illuminate what, if anything, is hiding in the shadows, which inevitably means unwittingly getting up close and personal with the denizens skulking around the place.
It all falls apart a bit when there is something hiding in the dark, though. Tormented Souls 2’s combat isn’t clumsy as much as it is enraging. The reliance on Caroline’s lighter means you’re often unarmed when something lunges at you, and the fixed camera angles and stiff character movement make it harder than it should be to retreat or create a little distance. Caroline protects herself with a range of acquired and improvised weapons, from a shotgun to a nail gun. Some of them can be upgraded to improve their rate of fire or reload speed, but they’re still slow to use and difficult to wield accurately in a panic. I know it’s kind of a genre convention to ensure we feel weak and underpowered, but this could’ve been achieved through scarcer ammo or by throwing more enemies at us; inefficient weapons and fixed cameras don’t ramp up the tension as much as snap the immersion entirely.
Perhaps unsurprisingly, that jankiness follows you into boss fights. One of the first you’ll encounter, a giant nun, stomps around the room trying to batter you with a gigantic steel cross. But in that one single room, there are at least three different fixed camera angles, which means you may find yourself inadvertently sprinting towards your foe if the camera shifts while trying to put distance between you. This wouldn’t be so bad if your shotgun held more than two shots at a time or if the nun flinched with each hit, but she’ll keep galloping like an aggravated rhino, which made the camera feel like the real boss I was fighting.
Thankfully, for every underwhelming boss fight you’re forced to endure, you’ll happen across a good half-dozen puzzles which confuse and delight in equal measure. I never felt closer to an old Resident Evil or Silent Hill game than trying to figure out how to open a door, or decode a cipher, or prise open the jaws of a dead shark for reasons I still don’t quite understand. Often deeply cryptic, maddeningly illogical, or completely unsolvable because I stupidly missed a clue somewhere, these puzzles were exactly what I want from a game like this, all the way down to the mini-puzzles that ask you to combine specific items in your inventory. Yes, I’ll admit one or two (or five) brain teasers truly stumped me for an embarrassing amount of time, but if that isn’t old-school survival horror, then what is?
Bethesda has used Fallout Day to announce the Fallout: New Vegas 15th Anniversary Bundle, which celebrates Obsidian’s much-loved post-apocalyptic role-playing game turning 15 years old.
This edition will be available for pre-order on October 23 via the Bethesda Gear Store, and includes:
Fallout: New Vegas: Ultimate Edition PC Code
Victor Statue (8″ PVC): The friendly Securitron stands tall and is ready to roll
Doc Mitchell’s Evaluation Cards (8×8 cardstock set): Straight from your first moments in Goodsprings, a true piece of New Vegas history
Vault Boy Enamel Pin (1.5″): Vault Boy stacks the odds with poker chips in hand
Mojave Express Patch (3.5″ × 1.9″): Woven, iron-on, and full of wasteland charm
NCR Recon Patch (3.25″ × 3.5″): Woven, iron-on insignia of the New California Republic’s finest
Collector’s Big Box: A throwback-style display box created exclusively for the anniversary
2010’s Fallout: New Vegas still lives long in the memory, and interest in it is surging as a result of Fallout Season 2, which will head to New Vegas for Season 2 in December. Indeed, there are all sorts of rumors floating around about potential Fallout remakes now that The Elder Scrolls IV: Oblivion Remastered is out the door (Fallout 3 Remastered was leaked back in 2023, but those plans may have changed). And we know Bethesda wants to eventually get to Fallout 5, albeit after The Elder Scrolls 6.
“For other Fallout games in the future, you know, obviously I can’t talk about those right now, but I would say, sort of rushing through them, or we kind of need to get stuff out that is different than the work we’re doing in 76… we don’t feel like we need to rush any of that,” he said. “The Fallout TV show fills a certain niche in terms of the franchise and storytelling.”
The last mainline Fallout game was Fallout 4, which was released in 2015. DLC content for the entry was steadily released for PC and consoles over the next year, and in 2018, Bethesda launched its multiplayer-centered offshoot, Fallout 76. While fans slowly flocked to the West Virginia-set open-world RPG, it wasn’t until the premiere of Prime Video’s Fallout TV show that the Bethesda series leveled up in terms of attention.
Still, Howard wouldn’t budge when it came to desires for a substantial video game release. For him, it comes down to wanting to treat Bethesda’s franchises with care.
“Totally get the desire for a new kind of mainline single-player game,” he said. “And look, those things take time. I don’t think it’s bad for people to miss things. We just want to get it right and make sure that everything we’re doing in a franchise, whether it’s Elder Scrolls, Fallout, or now Starfield, that those become meaningful moments for everybody who loved these franchises as much as we do.”
Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.
As we approach the one-year anniversary of Pokémon Trading Card Game Pocket, The Pokémon Company has lifted the lid on a brand new expansion that will be arriving in the app next week.
The “Mega Rising’ expansion bursts onto the scene one week today, on 30th October, and, as the name suggests, it’ll bring a Mega Evolution twist to proceedings. Mega Gyarados, Mega Blaziken and Mega Altaria take to the covers of this new set, and all users will receive one of each on launch day for free.
PowerWash Simulator 2 arrives on Xbox Series X|S, Xbox on PC and Game Pass today, the anticipated sequel to the extremely satisfying PowerWash Simulator.
The first game tickled a very specific part of our brains, giving free reign to blitz a wealth of dirt and grime from colorful environments, while an odd, endearing narrative unfurled across each level. The sequel promises more of what we loved, plus some extra surprises along the way.
Ahead of launch, we sat down with the team at Futurlab to learn what’s new, and uncover what makes PowerWash Simulator 2 is bigger, wetter, and better.
The first PowerWash Simulator game is a tough act to follow, and the team at Futurlab knew it had to pull out the big supersoakers, so to speak. PowerWash Simulator 2 has made a host of improvements to the cleaning mechanics, adding Soap and a new Surface Cleaner for new ways to tackle the toughest dirt, and a more intuitive experience.
“We’ve authored an entirely new set of dirt-types with an increased emphasis on realism, supported by the ambient occlusion to give their appearance more depth,” explains Nick McCarthy, Lead Game Designer. “While blasting the dirt away players will see a range of dirt particles that correspond with that dirt’s texture/ colour – this really helps with the washing gameplay to give feedback on whether dirt still remains on the surface currently being washed.
“We also have more flexibility with our dirt application on the backend so we’re able to stack and apply tough/easy layers of dirt in ways not previously possible in the first game to produce even better (or worse depending on how you look at it) looking levels. As always, our Design team works closely with the Art team to make sure the perfect dirts are placed for the most satisfying contrast dirty to clean while also accounting for context, lore and story telling.”
All of this can be tried and tested inside 38 new Career Job missions, complete with new buildings to hose, environments to explore, and a brand-new story to unravel, according McCarthy.
“This is where I think players will feel the biggest improvements,” McCarthy adds. “With a range of visual upgrades, added details and complexities with the dirt, design considerations into curating a selection of unique vehicles, buildings and locations to go to that expand on our world while also ensuring they make use of our new and improved features. The jobs really are the heart of the game and I can’t wait to for everyone to experience them!”
Traversal is another element that the FuturLab team wanted to iterate upon – with bigger spaces to explore, it was crucial to give players all the tools they need to reach every area with ease.
Adding these tools also allowed the team to design new Jobs and environments that expand upon the levels in the first game, and really make use of the traversl mechanics. With the new Scissor Lift and abseiling mechanics, you’ll be able to reach even the most inconveniently placed ledges and scale large walls with ease.
Another big feature in PowerWash Simulator 2 is the Home Base – a central hub that you can decorate with furniture and items discovered during main missions, and use to assemble friends before setting out on a co-op cleaning adventure. It’ll also become your hall of achievement, where you’ll be able to showcase collectibles earned from completing Jobs.
“The Home Base is like an onion – it has layers,” McCarthy adds. “Firstly, the base is what it seems on the tin. A place to gather with your friends and decorate to show off. But, it is also a great way to level-up the lore/world building, with trinkets, map and clues style pinboard in the back. The other big thing is allowing us to add a lot of smaller cleanable items in the form of furniture, which gives players a growing library of mini-jobs to clean. We also see it evolving and being added to post launch.”
PowerWash Simulator 2 also introduces couch co-op to the series for the first time – you’ll be able to enjoy side-by-side two player cleaning action, as well as online play that supports up to four players.
“The experience of power washing and chatting together is a great chilled out experience online, and we felt the sequel was a brilliant opportunity allow the same in a local setting,” adds Dan Chequer, Game Director. “As players can only ever help and never hinder, split screen is a perfect way to let anyone of any age or experience level to drop in and contribute to the clean as much or little as they can in a fun and collaborative way.”
PowerWash Simulator 2 launches October 23, and will be available on Xbox Series X|S, Xbox on PC, and via Xbox Game Pass.
PowerWash Simulator is back, satisfaction is a spray away!
Dust off your power washer and relax into pure feel-good fun. Blast away every last speck, smear and splatter of filth to restore Muckingham (and beyond ) to gleaming glory.
Craving more to Clean?
The jobs and water keep flowing in PowerWash Simulator 2. Play through a fresh new campaign, uncovering more of Muckingham’s mysteries. Plus, venture even further out to brand-new grime-coated locations like Sponge Valley, Power Falls and Lubri City.
Alongside new locations and jobs, you’ll also find a new job type. Multi-stage jobs will unlock different areas of a job – from vehicle interiors to entirely different rooms, your to-do list keeps growing.
Tools of the Trade
Reach new heights of power washing professionalism with a range of new tools to help you achieve a spectacular sparkle, high and low. Realise even your loftiest cleaning ambitions with the help of an all-new abseiling rig and cherry picker or stay grounded with a grime busting surface cleaner for large areas.
No Place like your Home-base
Kick back and relax in your home-base after a hard-days-cleaning. Make the place yours by collecting furniture and trinkets to spruce it up along the way, then invite your power wash pals over to check out your pad.
You didn’t think we’d leave your furry friends in the van, did you? Your pretty kitties are the purr-fect distraction for when you’ve pressed paws on work for the day.
Soap-erior Washing
Watch your worries melt away with each swipe of your power washer. Cleaning feels even better in PowerWash Simulator 2, with enhanced soap that clings to stubborn stains and annihilates dirt.
Clean in Split-screen!
Satisfaction on the double! Share campaign progression online together for the first time. In addition to online play, split-screen co-op has entered the chat. Team up and take on the dirt with twice the wash-power, from the convenience of one screen.
There’s Lots More to Come…
Watch this space as we dish the dirt on new content and features coming in PowerWash Simulator 2!
Ghost of Yōtei has been a labor of love for Sucker Punch, and we’re happy to have it out in the world for everyone to play. Now that players have gotten a taste of the game, we thought this was a good opportunity to talk a little bit about the technology that helped get us here.
Coming off of what we achieved with Ghost of Tsushima, the project vision for Ghost of Yōtei put a stronger emphasis on a player’s sense of freedom in an untamed wilderness. This meant striving for less intrusive ways to guide players, beautiful environments with longer sightlines, more flexible weapon combat, memorable characters with personality, and emotional story moments. Trying to do all this while maintaining a good frame rate is clearly a challenge.
So, let’s dig into a few aspects of the technology we used to create Ghost of Yōtei!
Wandering a wild world
In prototyping our vision for free exploration, we found it most effective if players could gaze across a beautiful landscape and follow their curiosity to find the game. From a technical perspective, landing that feeling required longer sight lines, meaning better rendering for grass, terrain and mountains into the distance.
We improved the appearance of distant mountains by baking models and detailed terrain materials into textures that we could display at higher detail. We also doubled the amount of grass and renderable items our GPU compute renderer is allowed to produce. In this shot, the distant mountains with over one million trees, rocks, and bushes are culled down to about sixty thousand individual items that we render to generate our G-buffers to build the final image.
We use procedural assisted authoring techniques and lean heavily on GPU compute to process all of these instances efficiently without CPU involvement. This involves sequences of compute jobs to perform occlusion culling, memory allocation, fill out draw records before we readback that information on the CPU to stitch into the final command lists for the frame. Here’s an animation of a similar shot with all GPU drawn geometry animating into place to give you a sense of the scale involved. We use these techniques for runtime generated data as well like our broad fields of flowers, and even occasionally for things like ropes and chains.
To give each area of the world a unique flavor, we built interaction systems that help emphasize their themes. Much of the world has grass or small plants, and in addition to deforming with wind and character motion, we added a system that renders weapon sweeps into a “cut buffer.” This buffer is then sampled by cuttable geometry and is used to spawn particles with the geometry above the cut. This allows Atsu to cut most grass, flowers and small plants in the game.
Hokkaido has Japan’s most extreme winters, so we wanted to realistically portray the interaction of characters with deep snow. To support that, we built a terrain tessellation system that both increases the amount of detail that can be represented by the terrain, and which can be dynamically deformed at runtime. To achieve this, particles and geometry are rendered to a displacement buffer as characters walk, roll and fight through it. This was flexible enough that we extended it to allow characters to knock snow off of trees and bushes, spawning snow particles in the process. When we combine that with a new snow sparkle effect using stable screen-space noise, it ends up looking like this.
Tall mountains like Mt. Yōtei are often covered by clouds, so we had to come up with a way of rendering clouds in front of world geometry, which wasn’t possible in Ghost of Tsushima’s engine. We also wanted to give the impression of stormy, unsettled weather by increasing the speed at which clouds could move. To enable faster cloud motion without objectionable artifacts, we store the average visible depth of each texel in the cloud map (measured from the camera), which allows us to use parallax mapping techniques while scrolling each cloud frame. (We also blend three cloud frames instead of just two, which results in even smoother motion.) By also storing the average visible squared depth in the cloud map, we are able to reconstruct a simple statistical distribution of the cloud opacity along each ray, and this lets us compute how much the clouds should obscure world geometry like mountains.
Fog and atmospheric scattering was an important focus when establishing the art style of Ghost of Tsushima, and for Ghost of Yōtei we wanted to build on that by adding support for local fog volumes. These are computed efficiently by using the PS5’s expanded 16-bit floating point GPU instructions. As a side effect of our cloud optimizations, we compute a light-space cloud shadow map, and this enables crepuscular rays (“god rays”) to be visible in our volumetric fog, even far from the camera. We also let artists place “god ray targets” in the world so that they are more frequently lit by a hole in the clouds.
Character and movement
One of our primary goals was to make the world of Ghost of Yōtei feel alive. We want everything on the screen to move with the wind, including all the clothing characters wear, the tassels on weapons, and all of the hanging cloth in settlements. When you roll around and fight, we want to kick up dust and leaves while leaving you muddy and bloody, to really anchor you in the world.
Atsu’s complex costumes can only move realistically thanks to the new layering support we built into our high-performance GPU compute cloth system. In addition to adding support for multiple layers of simulated cloth (seen below), we support cloth collisions, and use a set of carefully tuned heuristics to simulate large numbers of individual cloth simulations efficiently. Here is an example of Atsu in one of her more complex costumes, surrounded by moving cloth.
GPU particles have been a strong suit for Sucker Punch since Infamous Second Son. In Ghost of Yōtei we continue to add to our bag of tricks, allowing particles to sample terrain material, deformation and water flow. For example, this shot shows particles landing on and flowing down river.
In addition to affecting the world, we anchor characters by having the world punch back. We do this by splatting information into a directional grid deformed around the character which we then use to layer in texture effects to make the character wet, bloody, muddy or snowy.
We also leverage our particle systems to allow the player to swap to the past to explore Atsu’s family history. To swap between past and present, we change the skeleton and geometry of Atsu while keeping her character state and animation consistent. Elements of the background and lighting are also changed instantly thanks to the speed of the SSD with some carefully chosen prefetching. This is done behind a curtain of animating particles which sample a copy of the frame buffer from just before the transition.
Ray Tracing and PS5 Pro enhancements
As a native PS5 game, we knew we wanted to improve image quality by leveraging some of the platform’s newer technology. With the release of the PS5 Pro, we also wanted to push in a direction that would help us with future games. Based on the solid support from the PlayStation central technology teams, we invested in two big areas: ray tracing, and image upsampling with PSSR.
Since Ghost of Yōtei takes place in the wilderness of 17th century Hokkaido, there are few mirror-like surfaces that lend themselves to ray-traced reflections. Instead, we decided to use ray tracing to improve the fidelity of our global illumination solution. We attacked this from two directions: first with a more automated, improved baked lighting model, which we could then augment with short-range ray-traced global illumination (RTGI). This required significant changes to our mesh streaming format, allowing us to dynamically decompress the acceleration structures used by the ray tracing hardware. By using the PS5 Pro’s more efficient ray tracing hardware, players can enable RTGI targeting 60 frames per second on Pro consoles.
For Ghost of Yōtei we rebuilt our frame to use a more general dynamic resolution algorithm, with upsampling, partly so we could take advantage of PSSR. PSSR works very well for us with only a few tweaks, including running conservative rasterization for small particles. By comparison, our standard upsampling algorithm requires significantly more hinting and authoring help to achieve good results. Here’s a side-by-side look. If you zoom in very close (16x before gif compression), you can see that PSSR does a better job reconstructing fine details on architecture and foliage. It is also more stable under motion.
Loading speed
For a long time, Sucker Punch has prided itself on getting players into our games as quickly as possible. In Ghost of Yōtei we continued this tradition by doubling down on fast load times.
We optimize loading by preprocessing data so that it requires only a handful of SSD reads and patching operations per location or terrain tile to load gameplay-relevant data. We then compute and load only the texture mips and mesh LODs needed to render the first frame, with one read per element. Here’s what loading from the far south to the far north looks like without the screen faded out. (Note that this is somewhat slower than it would be if we didn’t have to render the world the whole time.)
Throughout development we “dog food” these systems rather than using a different loading model for shipping builds. Dog fooding is programmer-speak for every programmer, artist and designer testing what we ship to improve its quality.
Conclusion
This is a small peek into some of the technical work we do at Sucker Punch. Making games is more than that though — it’s a huge team effort with art informing technology and technology informing art throughout.
When we began this project five years ago, our goal was to build a game world that players would love getting lost in. Many of our technical decisions were anchored around the core fantasy of Ghost of Yōtei — that of a wandering warrior coming to terms with events from her past. We’re thrilled to see this vision coming to life with players sharing their experiences and posting incredible in-game screenshots and videos using Photo Mode.
We’re certainly proud of the result and we hope everyone enjoys wandering the wilderness in Ghost of Yōtei.
If you’re interested in more info on Sucker Punch’s technology and development process, take a look at our past presentations at conferences like GDC and SIGGRAPH. We expect to share more in 2026.
Special thanks to Jasmin Patry, Doug Davis, and Eric Wohllaib who helped me edit and prepare content for this post, as well as all the Sucker Punch folks whose work I am representing here.