Category: Video Games

Warhorse Studios has officially announced Kingdom Come: Deliverance II, the sequel to its popular RPG set in medieval Bohemia. Warhorse Studios fully unveiled the sequel at a private event last week, confirming among other things that it will be twice as large as the original, touting it as a “behemoth” of a game.

“What we are making now is what it was supposed to be in the beginning, but we weren’t able to do it because we didn’t have enough resources and experiences and all that stuff,” creative director Daniel Vavra said in a presentation. “We’ve proven the concept works, so now we can take it to another level, which is what we always wanted.”

To that end, Kingdom Come will be “much bigger in scope,” with “five hours of cutscenes instead of three” and a story that’s “much more epic.” It will pick up the story where the original left off with the game’s protagonist, Henry, and his traveling companion, Sir Hans Capon, but where the previous game was about “small nobility,” Kingdom Come II will be about the “problems of kings.”

Kingdom Come: Deliverance II will seek to build on the success of the original game, which drew attention for the way that it mixed Elder Scrolls-like first-person exploration with a granular focus on historical detail. While it received mixed reviews from critics, who among other issues criticized its technical performance, it managed to sell around 6 million units by February 2024. Warhorse Studios has grown considerably since then, rising to around 250 employees from a team that numbered just 11 a little more than a decade ago, and is currently one of the studios under Plaion – a subsidiary of the Embracer Group.

Like other recent RPG success stories, most notably Baldur’s Gate 3 and Cyberpunk 2077, Kingdom Come: Deliverance II will seek to craft a highly-reactive world in which players can develop Henry in any way they see fit.

“Henry is a young guy, so he’s not so deeply entrenched in his already, you know, set character traits,” lead designer Prokop Jirsa explains, “so you can build your Henry in different ways.”

Among other details revealed by Warhorse, Kingdom Come II will include a reputation system in which NPCs will call out Henry if he develops a reputation for drinking or thieving, and he can respond in kind. At a higher level, Henry will be able to “save the world” or “punish it for its sins,” implying a multitude of different paths for the young knight.

Kingdom Come: Deliverance II will once again utilize the CryEngine, which studio spokesperson Tobias Stolz-Zwilling attributed to familiarity and established pipelines, and will feature a variety of environments, including lush forests and other areas. Players will be encouraged to explore the countryside, which Warhorse Studios hints will be “serene and full of secrets.” It will also be dangerous, of course, and the initial trailer shows plenty of period accurate medieval combat, but Warhorse didn’t delve into too many details on that front. That said, players can expect new missile weapons like crossbows – which were sorely missed in the original game – as well as early firearms.

Kuttenberg may change Kingdom Come in more ways than one

Beyond the countryside, Kingdom Come II’s story is mainly set in Kuttenberg, also known as Kutná Hora in Czech – a real-life silver mining city mentioned multiple times in the original game but never shown. It figures to be one of the game’s stars as a large, explorable medieval urban center.

“Kuttenberg is a huge step forward for us and I will say it was the biggest challenge in the game,” art director Viktor Höschl said.

Vavra added, “It’s really big, it’s even too big in my opinion.”

Today Amazon is offering the SteelSeries Arctis Nova 7X wireless gaming headset for only $119.99. That’s a 33% discount and the best price we’ve ever seen. For our hands-on impressions, check out our IGN SteelSeries Arctis Nova 7 review. We picked the Nova 7 as one of the best wireless gaming headsets and the Nova 7X as the most comfortable Xbox headset.

A quick note on compatibility. The Nova 7X is compatible with the Xbox Series X|S consoles and PC. Unlike the 7p (PS5) and 7 (PC) versions, this one is also technically compatible with the PlayStation 5 console as well, albeit with a little more limited support.

SteelSeries Arctis Nova 7X Wireless Multi-Platform Gaming Headset for $119.99 (Lowest Price Ever)

The SteelSeries Arcis Nova 7X is the latest successor to the highly rated Arctis 7 series of headsets. It’s every bit as good as its predecessor but with some welcome upgrades like a USB Type-C charging port, a longer battery life (38 hours vs 30 hours), simultaneous wireless and Bluetooth connectivity, and multi-platform compatibility. PC gamers also have access to the SteelSeries GG app, which opens up a whole suite of customization for your audio. You can tailor your audio settings independently for each game. If that’s too much for you, there are presets for specific games that are actually tailor-made by the game developers.

Other than that, the Nova Arctis is largely similar to the original Arctis. That’s not a bad thing because the Arctis 7 happens to be Steelseries’ most successful gaming headset ever. This headset has significantly better build quality over the official $100 Xbox wireless headset. If you want an even better wireless headset, in our opinion you’d have to step all the way up to something like the Nova 7 Pro, whose $350 price point puts you in a completely different bracket altogether.

Check out more the best Xbox deals today.

Next up in our IGN First coverage of Eternal Strands, we’re diving into the unique and colorful art in the land of the Enclave. We sat down with art director Sebastien Primeau and lead character artist Stephanie Chafe to ask them all about it.

IGN: Let’s talk about Eternal Strands’ distinctive art style. What were some of the guiding principles behind the art direction?

Primeau: I think what was guiding the art direction at the beginning of the project was to find the scale of the game, because we knew that we were having those gigantic 25-meter tall creatures and monsters. So we really wanted to have the architectural elements of the game – the vegetation, the trees – to reflect that kind of size.

So one of my inspirations was coming from an architect called Hugh Ferriss, and I was very impressed by his work, and it was very inspiring for me too. So just the scale of his work. So he was a real influence for Metropolis, Gotham, so I was really inspired by his work.

Chafe: I think one of the things that, just as artists and as creators, we were interested in as well was going for a color palette that can be very bright. And something that can really challenge us too as artists, and going into a bit more of at-hand painterly work, and getting our hands really into it, into the clay, so to speak, and trying to go for something bright and colorful.

IGN: That’s not the first time I’ve heard your team describe the art style as “painterly.” What does that mean?

Primeau: Painterly is just a word that can give so much room to different types of interpretation. I think where we started was Impressionist painters. So I really enjoy looking at many painters, and they have different types of styles. But we wanted to have something that was fresh, colorful, and unique.

And also, I remember when we were starting the project there was that word. “It’s going to be stylized,” but stylized is just a word that gives so much room to different kinds of style. And since we were a small team, we had to figure out a way to create those rough brushstrokes. If it was painted very quickly by an artist, like Bob Ross would say, “Accident is normal.” So I think we wanted to embrace that. And because we’re all artists, it’s hard too, at some point, to disconnect from what you’re doing. It’s like, “Oh, I can maybe add some more details over there.” But I was always the- “Guys, oh, Steph, that’s enough. Let’s stop it right there. I think it looks cool.”

IGN: So, when you create an asset for Eternal Strands, is somebody actually painting something?

Chafe: I can speak more on the character side. For us, we do a lot of that hand painting, a lot of those strokes by hand. And we try to embrace, not the mistakes, but the non-realistic part of it having an extra splotch here and there.

We’ve got brushes that we made that can help us as artists to get the texture we’re looking for. It really is a texture that gives to it. But a lot of the time it’s not just something generated in a substance painter, or getting these things that will layer these things for you, making it quick and procedural. Sometimes we have those as helpers, but more often than not we just go in and paint.

IGN: Eternal Strands is a fair bit more colorful than lots of games today. Why was it important to the team to have lots of bright colors?

Primeau: You need to be careful, actually, with colors. Because with too many colors you can create that kind of pizza of color.

We wanted to balance the color per level, because we’re not making an open-world game. I really wanted each level to have their own color palette identity. So we’re playing a lot with the lighting. The lighting for me is key. It’s very important. You can have gorgeous textures, props, characters, but if your lighting is not that great, it’s like… So lighting is key. And especially with Unreal Five, we have now, access to Lumen. It brought so much richness to the color, how the color is balancing with the entirety of the level. It definitely changed the way we were looking at the game.

We’re using the technology, but in a way to create something that feels like if you were looking at a painting. I think we have achieved that goal.

Chafe: I’m very happy with it.

IGN: What were your inspirations from other games or other media when developing the art style?

Primeau: I have many. I’ll start with graphic novels, European graphic novels. I really wanted to stay away from DC comics, Marvels comics, those kinds of classics.

Before I started Eternal Strand, I saw a video. It was one of the League of Legends short films for a competition. It’s “RISE.” I don’t know if you remember that one, but it was made by Fortiche Studio who did Arcane, and I’m a huge fan of Arcane. When I saw that short film, it was way before Arcane was announced, I was like, “oh gosh, this is freaking cool. This is so amazing. I wish I would be able to work on a game that has that kind of look.”

Chafe: For me, when we started the project, one of the things that I wanted to challenge myself a lot was in concept and drawing and stuff like that and doing more, learning more about color as well, which is something I find super fascinating and also kicks my butt all the time because of just color theory in general.

But with the [character] portraits specifically, I think, I mean, growing up I played a lot of games, a lot of JRPGs too. I played just seeing basic portraits in something like Golden Sun or eventually also Persona and of course Hades, which is a fantastic game. I played way too much of that, early access included. But I really liked that part. Visual novels too, just that kind of thing. You can get an emotion from a 2D image as well when it’s well done, especially if you have voices on top of it.

IGN: Were there any really influential pieces of concept art that served as a guiding document the team would reference later on?

Chafe: I have one personal: It’s really Maxime Desmettre’s stuff because it was so saturated. Blue, blue, blue sky. Maxim Desmettre is our concept artist that we have who works from Korea. When I joined the project, seeing that was just like… and seeing that as a challenge too, like ‘how are we going to get there?’

The one that I’m thinking of that hopefully we could find after, just in general with the work that always speaks so much to me is this blue, blue sky and the saturation of the grass. But also when he gets into his architecture and stuff like that, there’s just a warmth to everything. The warmth to the stone that just makes it look inviting and mysterious at the same time. And I think that really speaks a lot to it.

IGN: How did you go about designing Eternal Strand’s protagonist: Brynn?

Primeau: I think that Mike also, when he pitched me the character, he was using Indiana Jones as an example. So courageous, adventurer guy, cool guy. Also, when you’re looking at Indiana Jones, he’s a cool guy. And we wanted to create that kind of coolness also out of our main protagonist. And I remember it took time. We did many iterations.

Chafe: It was a lot of iterations for sure. Well, I think I had done a bunch of sketches because it’s what’s going to be the face of the player, and also to have her own personality as well in the story, and her history as well. And the mantle was a really big one too. What gives her one of sets of her powers and stuff, figuring that out was actually one of the longest processes. It’s just a cape, but at the same time, it’s getting that to work with gameplay and all that kind of stuff. But yeah, all of Brynn’s personality and her vibe really comes from a lot of good work from the narrative team. So, mostly collaboration there.

IGN: What’s the deal with Brynn’s mentor: Oria? How did you settle on a giant bird?

Chafe: Populating the world of the enclave was, “it’s free real estate.” You get to just throw things on the wall and see what sticks. And, “Oh, that’s really cool. Oh, that’s nice.” At some point I’d done a big sketch of a big bird lady with a claymore, and Seb said, “That’s cool.” And then kind of ran with it.

IGN: What’s the toughest part about the art style you’ve chosen for Eternal Strands?

Primeau: The toughest part was…A lot of people in the team have experience making games, so it was to get outside of that mold that we’ve been to.

For me, working on games that were more realistic in terms of look, I think it was really tough just to think differently, to change our mindset, especially that we knew that we would be a small team, so we had to do the art differently, find recipes, especially when we were talking about textures, for example. So having a good mix.

Chafe: One of the things too is also as we’re all a bunch of artists, and every artist has their own style that they just suddenly have ingrained in them, and that’s what makes us all unique as artists as well. But when you’re on a project, you have to coalesce together. You can’t kind of have one look different from the other. When you’re doing something more realistic, you have your North Star, which is a giant load of references that are real. And you can say “it has to look like that, as close to that as possible.”

When you have a style in mind and you’re developing at the same time, you kind of look at it and you review it and you have a feeling more than anything else.

You’re training each other with your styles as you kind of merge together in the end. And that kind of is how the style happened through, like you mentioned, like finding easy recipes, through just actually creating assets and seeing what comes out and, “Oh, that’s really cool. Okay, we can now use that as kind of our North Star.”

For more on Eternal Strands, check out our preview of the Ark of the Forge boss fight, or read our interview with the founders of Yellow Brick Games on going from AAA studios to their own indie shop, and for everything else stick with IGN.

The next step in Helldivers 2’s ongoing Galactic War is here, and it’s just about the most straightforward yet: kill bugs. Lots of bugs.

Two billion to be exact. After the PC and PlayStation 5 co-op shooter’s community successfully completed a Major Order to slow a significant Automaton invasion, Game Master Joel has turned players’ attention to the Terminid front with the biggest kill order since the game’s explosive launch in February.

Helldivers 2 players now have just under six days to kill two billion Terminids. That sounds like a lot, but at the time of this article’s publication, with five days and 20 hours left to complete the major order, players had already hit 19.6% completion. That is, over 391 million bugs had already bit the dust.