Line of Fire: Burnt Moon Board Game Review

Of the many war-themed board games, Osprey Games’ Undaunted series is arguably one of the best in the current board game generation. These games’ unique deck-building mechanics, mixed with historical theaters of war, including Normandy, Stalingrad, or North Africa, have helped grow its fanbase. And the release of last year’s Undaunted 2200: Calisto took the series from the fields of World War II and into space with a futuristic science fiction entry. Now, the team at Osprey has distilled the experience of the series into a solely deck-building experience with the release of Line of Fire: Burnt Moon. And they’ve done so with a surprising level of success.

Ditching the modular tiles or fold-out boards of the Undaunted games, Line of Fire gives two players a set of five identical location boards, each with an assigned point values. Once all five get randomly placed out for both players, each side deploys forces to the various spots in an effort to hold eight points’ worth of locations, or destroy all of the oppositions land-capturing units, claiming victory.

Turns begin with both players drawing four cards, and secretly selecting one of those to offer up in a bid to gain that round’s initiative. Whoever offers the card with a higher value gets to play first. Both of those cards are then discarded and the first player takes their turn placing out their hands of cards, followed by the second player, and once they are finished, new hands are drawn and the the process starts over.

Set on Jupiter’s moon, Io, in the world of Undaunted 2200, Line of Fire has a science fiction motif. So, instead of troops on the ground, you deploy ROVs – Remote Operated Vehicles – into the warzones. ROVs are composed of four different varieties, divided into A and B forces. Each ROV type has special actions it can take. For example, the MOSS units allow you to capture locations, while the DaCU units can build fortifications that can only be activated by playing an identical unit card on a previously deployed card. Players also have access to a small selection on personnel cards which provide benefits including adding cards to your deck or disabling an opponents ROVs, further adding strategy elements to Line of Fire.

For players who are familiar with Osprey’s Undaunted titles, many of Line of Fire’s mechanics will feel identical, from the initiative bidding to removing casualties. When a unit is destroy in Line of Fire, players first try to remove a copy of that card from their hand. If none are in their hand, they then search their discard, then their deck, then the reserve, and lastly remove the unit on the board that is being attacked. I personally love this approach, as I find searching for hold cards and seeing your supply slowly dwindling away to be far more of a tense experience than simply removing the card that was attacked. It’s also through this method that if ever all of you or your opponent’s MOSS ROVs (the only unit type that can capture) are gone from the deployed regions, you lose.

Despite the box’s small footprint, Line of Fire provides a riveting strategic experience in a fairly short time frame. The matches I played rarely took even a half hour to complete, with games taking even less time the more experience both players have, as you can quickly play your three cards and be done.

The matches I played rarely took even a half hour to complete.

Even with both choices of cards being identical, there is still a good bit of strategy required in Line of Fire. Knowing what cards to add to your deck, where to deploy them, and when to retreat when a battlefield is lost are all key decisions you have to make. Being a deck-building game, there is still some aspect of luck involved, as the cards you have in hand dictate what actions you can take on your turn – but I never found that luck overpowered solid tactics and decision making. That said, I did find that some of Line’s design direction made it harder to get into than I feel it really needed to be, with much of that coming down to the card designs and naming.

Admittedly, I have not yet played Undaunted 2200: Callisto, so this may be less of an issue for some folks, but the naming of the ROVs threw my friends for a loop and never made sense. Terms like “infantry”, “tank”, and “sniper” I can grasp at a glance, but if you were to ask someone which of “MOSS”, “TIR”, “xED”, or “DaCU” was your heavy artillery unit, they would probably look at you and walk away.

Between the random names and various symbols that make almost as little sense as the names, it just makes the cards harder to decipher than they need to be, even with the handy reference cards that both players have. I get that Line is set in the future and leans into the science fiction element, but sometimes it’s just easier to say “my tank is attacking your plane”.

From a visual and component standpoint, Line of Fire is a striking game, with artwork and designs that evoke classic science fiction book covers with blocky-square robots. Both players also have unique artwork for their units, that are also clearly denoted by heavy use of either redish-pink colors or blues for their respective side. This extends even into the storage solution with each player’s cards, fortifications and location tiles all fitting snuggly into a color-coordinated box, that both then are carried in a magnetically sealed box roughly the size of a VHS tape. I’m a sucker for games with good storage solutions, and Line of Fire’s does it’s job splendidly, making it quick and easy to set up and break down, and small enough to fit in your bag to take with you.

Flip 7 Card Game Review

As much as I love a good “heavy” game, one that fills my tabletop with decks of cards, a sprawling board, and colorful assortment of components, I also appreciate a small games that I can bust out at a moment’s notice, that I can teach in just a minute or two, and have a great time with. The newest game in my collection that fits that role spectacularly is Flip 7, a card game we’ve featured as one of the best cheap games you can buy. It was also nominated for the prestigious Spiel des Jahres, and won Board Game Geek’s Party Game of the Year during their Golden Geek Awards 2024. It’s very good.

Designed by Eric Olsen and published by the OP Games, Flip 7 at its core is a push-your-luck game where players race to be the first to reach 200 points by playing cards blindly from a deck of cards that range from 0 to 12. For all the numbered cards (except zero), each card has as many copies as its value – there’s a single 1-value card, two 2s, etc. A player’s turn immediately ends if they ever pull a duplicate value card, they choose to pass their turn and take the points they have earned in that round, or if they manage to flip seven value cards, which also earns the player bonus points. Rounds continue until one player has reached those 200 points.

Despite being a simple game, Flip 7 is visually striking with an Art Deco aesthetic and cards featuring bright colors and large numbers. Each number has its own color, with the modifier cards a bright honey-yellow that contrasts with the more tan-centric backgrounds of the number cards to avoid confusion. As a pleasant added touch, some of the frills and decorations on the cards connect seamlessly to one another, allowing you to create a lovely, rainbow-like collage of cards with each one you pull.

Flip 7 has such a low barrier of entry, really only requiring at least one of the players to be able to do simple math (even that you can mitigate somewhat thanks to the free tracking app), and with games only taking maybe 15 minutes, it makes it an easy recommendation for basically anyone. It’s a game that I could just as easily recommend for my friends I play heavy board games with, or my mom, who is more comfortable in the land of solitaire, and know that both audiences would have fun with it. The fact that this game scales up incredibly well, too, for parties is just an added cherry on top.

Where Flip 7 may be a bit of a turn off for some folks comes from the fact that this game is, at its core, a game of pure luck, with the only strategy coming from whether or not you’ll risk drawing another card to try for more points. Ideally, I would have loved if there was a smidge of a hint of an element that lends itself to strategy in here. Flip 7 fills very much the same spot as, say, an UNO or Skip-Bo, simpler games that appeal to a far broader market – but in those games, players have more choices they can make, as opposed to Flip 7’s only real choices it provides players is to either to draw a card or not play.

Among my collection, I have a very elite selection of games, my Glove Box Collective. These are games I like to keep in my car’s glovebox so that I always have them on hand when I go places. These are games that I can bust out at a moment’s notice, when I have a few minutes to kill, when I’m meeting friends at a local brewery, or am simply visiting family. Flip 7, thanks largely to its quick-to-teach and easy-to-play nature, has earned its spot among this most prestigious collection of mine.

I do wish that there was a bit more player choice involved but the tense “should I or shouldn’t I” nature of the game has led to some great moments of celebration where taking that risk has resulted in me winning a game, and those of frustration where I blew through all of my extra chance safety cards back-to-back only to still lose. But such is life in games of luck.

Where to Buy

PlayStation Exclusive Ghost of Yotei Gets Official Popcorn Bucket Inspired by a Traditional Japanese Rice Bucket

We’re now used to outlandish popcorn buckets for Hollywood movies. Who can forget the Deadpool & Wolverine popcorn bucket from last year, which let people eat out of Wolverine’s head? Speaking of popcorn bucket heads, The Fantastic Four: First Steps’s Galactus head is a gargantuan $80.

Now it’s time for video games to get in on the act. Upcoming PlayStation 5 exclusive Ghost of Yotei is getting its own official popcorn bucket as the video game crosses the divide into blockbuster movie territory.

Alamo Drafthouse Cinema is working with Sony to showcase five classic samurai films inspired by Ghost of Yotei on the big screen in a programming series called Way of the Samurai, and as part of that it will launch a custom Ghost of Yotei-themed menu featuring appetizers, desserts, and cocktails “crafted to complement the mood and mythology of the films.”

But the big draw is the exclusive, 100-ounce Ghost of Yotei popcorn bucket modeled after a traditional Japanese rice bucket. The popcorn bucket launches today, July 17, at AlamoMart.com and will be available in theaters from August 2 to September 4.

The special Ghost of Yotei menu will be available at Alamo locations nationwide during the Way of the Samurai screenings.

The movies are:

  • LADY SNOWBLOOD (1973, dir. Toshiya Fujita) – A blood-soaked tale of revenge that
  • influenced KILL BILL and countless others.
  • LONE WOLF AND CUB: SWORD OF VENGEANCE (1972, dir. Kenji Misumi) – A
  • brutal, beautiful saga of a disgraced samurai and his infant son on a path of vengeance.
  • THE TALE OF ZATOICHI (1962, dir. Kenji Misumi) – The first installment of the
  • legendary blind swordsman series.
  • 13 ASSASSINS (2011, dir. Takashi Miike) – A modern epic of strategy and sacrifice that
  • redefined large-scale action.
  • RAN (1985, dir. Akira Kurosawa) – The master's sweeping tragedy of power, madness,
  • and betrayal.

As for Ghost of Yotei, Sony recently revealed more information on the game during a dedicated State of Play. Ghost of Yotei launches October 2, 2025 on PS5.

Wesley is Director, News at IGN. Find him on Twitter at @wyp100. You can reach Wesley at wesley_yinpoole@ign.com or confidentially at wyp100@proton.me.

Random: We’re Big Fans Of This Switch 2 Summer Gaming Solution

USB-C what we did there?

Summer! It’s hot. It’s ‘close’, as they say round here. And when you’re already hot and bothered, sometimes turning on your Switch 2 console in portable mode for a quick session, well, it’s not gonna make you any cooler, let’s put it like that.

And so, we’ve been delighted to see one gamer over on Reddit coming up with a very silly tip for hot days spent playing Donkey Kong Bananza, Mario Kart World, or whatever else it is you’ve got on the go (this writer is all over The Hundred Line: Last Defense Academy right now, FWIW).

Read the full article on nintendolife.com

Unfinished Business: How Nacon Created RoboCop’s Most Difficult Assignment Yet

Unfinished Business: How Nacon Created RoboCop’s Most Difficult Assignment Yet

RoboCop: Rogue City - Unfinished Business Key Art

Summary

I’m going to do that thing people don’t like, where I remind you about the inevitable passage of time. If that’s the sort of thing that does about as much damage to you as failing to comply when ordered by ED-209, then look away now. Today marks 38 years since RoboCop’s debut and what better way to celebrate than with a double feature.

On the surface, “RoboCop” might feel like a gratuitous action flick, but that would be ignoring the deep worldbuilding, themes, and characterization explored across these movies. It’s also deeply satirical and not afraid to have fun, with some iconic jokes, gags, and one-liners.  

These were a must when it came to building RoboCop: Rogue City, a first-person shooter that launched at the end of 2023 and is available today with Game Pass for Xbox Series X|S and Xbox PC! As RoboCop, you can hit the streets, interrogate witnesses, and complete objectives in alignment with your moral compass. If you’ve still not checked out Rogue City, now’s the perfect time.

Rogue City was a fantastic success for us, and that’s down to the passionate fans. Their support also gave us the opportunity to work on a follow-up, RoboCop: Rogue City – Unfinished Business.  If Rogue City is a little more about downtime, exploring Old Detroit, and experiencing the life of RoboCop, then Unfinished Business can be considered playing a high intensity RoboCop movie.

Unfinished Business begins with a group of mercenaries tearing through the Metro West Precinct, bodies and bullets left in their wake. With components stolen from RoboCop’s chair, their objective is clear: the OmniTower. Combine these with the technology at the top, and they can seize control of all OCP technology, including RoboCop. The stakes are high and since the OmniTower is outside the Detroit Police Department’s jurisdiction, it means RoboCop is going in alone.

Unfinished Business follows on from Rogue City, and both games sit between “RoboCop 2” and “RoboCop 3” on the timeline. This gives us a lot of lore to draw from, it means we can introduce new enemies, like the katana wielding androids (those don’t look like OCP tech), or jetpack users, who rain fire down from above. These threats turn each level of the OnniTower into a puzzle that needs to be solved.  How will you navigate the turrets, drones, and the small army of heavily armored mercs standing between you and the summit.

One of the most important things for players is that they feel the power of being RoboCop, we’ve kept the option to toss enemies and objects with ease, but we’ve also added powerful environmental finishers where the camera pulls back and see RoboCop in action. This was in response to feedback from our players who wanted to see more of the iconic hero.

Another thing we wanted to do with Unfinished Business is to dive deeper into the man in the machine. Humanity has always been a core theme in this series, and while the bulk of the story takes place in the OmniTower, levels that put you into the shoes of different characters present new gameplay styles that serve as a change of pace throughout the campaign.

When playing as Alex Murphy back when he was a beat cop, players will need to alter their playstyle without RoboCop’s powerful armor serving as a shield. Ammo counts become important when you can’t fall back on the Auto-9, but more than that, it’s an opportunity for us to build on Murphy’s story. The link between Murphy and RoboCop was a crux in the films, something that Peter Weller was known for doing so well, and the reason we needed to get him back for the standalone — welcome back to Old Detroit, Murphy.

It’s a great day for RoboCop fans! RoboCop: Rogue City is available today with Game Pass and the action-packed standalone follow-up, RoboCop: Rogue City – Unfinished Business, is available now for Xbox Series X|S!


Xbox Play Anywhere

RoboCop: Rogue City – Unfinished Business

Nacon


12

$29.99

ROBOCOP IS BACK ON DUTY TO SETTLE UNFINISHED BUSINESS

FIGHT YOUR WAY TO THE TOP FLOOR
Following RoboCop’s decisive victory over Detroit’s gangs, a new chapter unfolds in this standalone extension set after the events of RoboCop: Rogue City.

The New Guy in Town has been defeated, but the streets are still riddled with crime. A spark of hope comes from OCP’s latest project: OmniTower – a massive housing complex designed specifically to provide for the needs of the residents of Old Detroit.

But when a group of highly trained mercenaries armed with cutting-edge weapons takes control of the building and turns it into their deadly fortress, RoboCop must take action to put a stop to their plans and uphold the law.

FACE A DEADLIER CLASS OF CRIMINALS
Prepare to take on a new breed of enemies: OmniTower is packed with high-tech threats.

From flying drones to exploding bots and anti-personnel turrets, every floor is riddled with deadly traps, and heavily armed elite troops. Expect to face minigun-toting armoured squads, special forces equipped with jet packs or even katana-wielding foes who look more machine than man.

RESTORE ORDER WITH JUSTICE SERVED COLD
When it’s too late to shout “freeze”, you can rely on RoboCop’s arsenal to to cool down enemies’ ambitions. Choose from a wide range of powerful weapons to serve Justice, including the iconic Auto-9 or the all-new Cryo Cannon.
Unleash RoboCop’s unmatched strength to deliver devastating finishing moves – whether smashing an opponent’s skull against a concrete wall or into the nearest drinks vending machine.

PLAY AS ALEX MURPHY AND ED-209
Experience unique missions with familiar faces which reveal more of the storyline of Unfinished Business.

Before becoming RoboCop, he was plain old police officer Alex Murphy, brave and resolute, but all too vulnerable on the beat in Old Detroit. Discover a different side of the legendary law enforcer, voiced by Peter Weller.

Step into the big boots of ED-209 and make the mercs know the efficiency of the iconic urban pacifier in action. This time, criminals won’t have 20 seconds to comply.


Xbox Play Anywhere

RoboCop: Rogue City

Nacon


365


$59.99

$47.99
PC Game Pass
Xbox Game Pass

Become the legendary part man, part machine, all cop hero and bring justice to the dangerous, crime-ridden streets of Old Detroit.

Uphold the law by any means necessary:
With your powerful Auto-9 or one of the other 20 weapons available, eradicate criminals throughout this explosive first-person adventure. Your cyborg strength and cybernetic abilities can be upgraded as you progress, to make you an even more formidable law enforcement officer.

It’s up to you to decide how to fulfil your prime directives:
Explore open areas and complete your objectives according to your own sense of justice. Finding evidence, interrogating suspects and maintaining public order are just some of your daily tasks as a police officer. But don’t take decisions lightly: your choices can determine the fate of citizens and the result of your mission.

An original story set in the world of RoboCop:
The city of Old Detroit has been hit by a crime wave, with a new enemy threatening the peace and order. Your investigation leads you right into the heart of a shadowy conspiracy in an original story that takes place between RoboCop 2 and 3, with striking locations to explore and familiar faces to meet. Peter Weller, the original RoboCop actor, is even back on duty to voice the cybercop.

Get ready to…

PROTECT THE INNOCENT AND UPHOLD THE LAW


RoboCop: Rogue City – Alex Murphy Edition

Nacon


924


$69.99

$6.99

The ”Alex Murphy” Edition throws you into the thick of the action for an even more exhilarating experience. It includes:
– The base game
– The ”OCP Shotgun” side arm
– The hero’s damaged armour, taken from the first RoboCop film (cosmetic)
– The ”Prototype” version of the Auto-9 gun (cosmetic)
– Early access to the game, 48 hours before the official launch
– The digital artbook containing 100 pages of images, with comments from the game developers


The post Unfinished Business: How Nacon Created RoboCop’s Most Difficult Assignment Yet appeared first on Xbox Wire.

Julian LeFay, ‘Father of The Elder Scrolls,’ Steps Back From Game Development Due To Cancer

Julian LeFay, former chief engineer at Bethesda and co-founder of OnceLost Games, is stepping back from game development due to his ongoing battle with cancer, the company announced yesterday.

In a video from OnceLost Games, producer Victor Villareal announced the news. “Our technical producer Julian LeFay, who I’m sure needs no introduction, has been fighting a battle with cancer for the last several years,” said Villareal. “He’s fought bravely and strongly, but it seems he doesn’t have very much time left. He has stepped away from the project to spend that remaining time with his family and loved ones.”

LeFay is often referred to as the “father of the Elder Scrolls” series, as he joined Bethesda Softworks after its founding in 1987 and led the company as Chief Engineer through games like The Elders Scrolls: Arena, The Elder Scrolls II: Daggerfall, and Battlespire. Julianos, the God of Wisdom and Logic, and one of the Nine Divines in The Elder Scrolls, is named after LeFay.

Dabbling in various projects over the years, LeFay co-founded the studio OnceLost Games in 2019 with former Bethesda colleagues Ted Peterson and Vijay Lakshman, to work on a Daggerfall spiritual successor called The Wayward Realms.

Peterson penned a statement, released in the description of the announcement video from OnceLost games, tracing his history with LeFay.

“I could talk stories about our friendship and how we’ve worked together recently with our team on Wayward Realms as creative and technical directors, but I need to come to the point of this,” wrote Peterson. “Julian has been courageously battling cancer. His doctors have informed us that his time with us is limited, and we are preparing to say goodbye to a true legend of the industry.”

Peterson invited fans to share thoughts, prayers, well-wishes, memories, or simply the impact LeFay’s life and work has had on them.

“To me, this is deeply personal, and I regret every second I didn’t spend with one of the most charming, smart, funny, and interesting people I’ve ever met,” wrote Peterson. “It’s also a spur to action for me: I will not let down his legacy.

“That said, a final quote from the eminently quotable Julian LeFay,” he continued. “He said this at our last team meeting, and I believe it represents him and his beliefs well. ‘It is personal. And if it’s not personal, then you’re just doing work for hire and you’ll never have the motivation to accomplish a significant goal.'”

Eric is a freelance writer for IGN.

Mixtape is a suave and syrupy retro music love-in with a useful undertow of hustle

Mixtape isn’t entirely the retro 90s nostalgia piece you might be expecting from trailers – it’s also a playable job application. Protagonist Stacy Rockford is enjoying one last night in their east US hometown with childhood friends Slater and Cassandra, before Rockford sets off to chase a music supervisor gig in New York City. Mixtape is both a going-away celebration and, on some level, Rockford’s portfolio project, edited together from teenage flashbacks and waiting to be thrust into the hands of a distant producer.

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Pass Man: My doomed attempt to play Rematch as a support class

Fantastical football sim Rematch has, we’re told, a passing problem. Specifically, no-one is doing it. While I suspect this dearth of teamplay is exaggerated in the darkness of upset Steam forum posts, I definitely remember a lot of ballhogging going on in the third person booter’s open beta.

It sounds to me, then, that Rematch is suffering from the same issue you get in low-ranked Dota 2 lobbies: everyone wants to be the superstar, the one who ends the match with the biggest numbers next to their name, oblivious to how few instances of the letter ‘I’ occur in the word ‘Team’. It’s very few, people. Clearly, what’s needed is someone willing to do the dirty work as a passing-focused support character, and today, that would be me. I’d score no goals and seek no glory, only defending, distracting, and most importantly, promoting the redistribution of stitched leather orbs.

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Despite Laying Off 270 Staff, Development Studio Virtuos Remains ‘Fully Committed’ to The Elder Scrolls IV: Oblivion Remastered, Cyberpunk 2077, and Metal Gear Solid Delta: Snake Eater

The Elder Scrolls IV: Oblivion Remastered development studio Virtuos has said it remains “fully committed” to ongoing work on the game, as well as its contributions to Cyberpunk 2077 and Metal Gear Solid Delta: Snake Eater, despite shedding up to 270 staff.

In a statement today, Virtuous said it was “evolving to meet the changing needs” of its partners and the wider video games industry by cutting several hundred staff members, predominantly from its Asian workforce.

Describing the job losses as a “rebalancing of roles across our studios and geographies,” Virtuos said its changes would impact 200 roles in Asia and a further 70 roles in Europe.

Still, the company has made clear that its team behind the recent, well-received Oblivion Remastered is not among those hardest hit. “Fewer than 10” roles will be impacted in France, Virtuos continued, “where the core team working on Oblivion Remastered is located.” Oblivion Remastered update 1.2 will soon be released widely.

Ongoing work on Cyberpunk 2077 — which only today received its latest patch — will continue, Virtuos assured. The same is also true of its team working on Metal Gear Solid Delta: Snake Eater, due out on August 28.

Discussing its staffing changes in more detail, Virtuos said the company’s focus had shifted over the past 12 months after acquisitions of teams in North America and Europe, and it was now “selectively exiting service segments where demand is weakening.”

“We are grateful for the contributions of those impacted,” Virtuos concluded. “We are providing separation packages, career transition assistance, and opportunities for redeployment across our global network where possible. The company’s immediate focus is on managing this transition with care, transparency, and respect.”

Headquarted in Singapore but with studios across the world, Virtuos employed 4,200 staff before these latest layoffs. The company is a renowned co-development partner that has contributed to a laundry list of recent blockbuster games, from Hogwarts Legacy to Call of Duty, and Horizon Zero Dawn to Mortal Kombat 1.

Virtuos’ Cyberpunk 2077 Update 2.3 is available today for all platforms and adds new vehicles, jobs and a photo mode to CD Projekt’s futuristic open-world, while CD Projekt itself is busy building Cyberpunk 2.

Tom Phillips is IGN’s News Editor. You can reach Tom at tom_phillips@ign.com or find him on Bluesky @tomphillipseg.bsky.social

The Drifter review

The Drifter is sometimes quite silly in ways I don’t think are intentional, and it managed to yank me right out of the experience more than once. You obviously have to be in a thing to get yanked out of it though, which is my way of saying that The Drifter is good, although I will be taking the piss out of it later. It’s stylish, moody, and pulls off the point n’ click adventure game two-for-one: characters worth caring about, and also characters worth irritating by fiddling with their stuff.

Mostly though, it’s just got a great eye for an arresting scene or setpiece. Some of my favourite parts did end up being its more complex multi-scene puzzles, but mainly because these are used sparingly in a story with bloody-minded dedication to anxious forward momentum.

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