Fortnite dev thinks bans on generated AI art will eventually become “unenforceable”

Ding ding, it is AI-slop-alypse-O-Clock. Time for another helping of doom-ridden commentary upon the technologies that are busily scraping and remaking all the wit, lore and gibberish accumulated over 30 blessed years of the internet. Here’s a cut from a Mustard Plays interview with Fortnite product management director Dan Walsh, in which he comments upon the issue of Fortnite players using latter-day generative AI tools to conjure up thumbnail images for their profiles.

While Epic aren’t, Walsh says, about to use any genAI when creating their own assets such as character models for Fortnite, they don’t really care if players do, as long as the resulting images don’t break any rules around graphic violence or similar. Beyond that, Walsh argues that generated images are becoming so tricky to spot that the idea of banning their usage in a game like Fortnite is impractical. Hmmm.

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World of Warcraft Is Getting a One-Button Option That Will Automatically Cast the Ideal Next Spell — but at a Cost

Blizzard is preparing to add a new feature to World of Warcraft that might sound strange at first: an option to have the game tell you what spell you should optimally cast next in combat, with an additional option to simply let the game cast the ideal next spell for you.

Today, in a lengthy video interview between game director Ion Hazzikostas, Team Liquid raid leader Maximum, and content creator Dratnos, it was announced that the upcoming World of Warcraft patch 11.1.7 a new feature will be added called Rotation Assist. Rotation Assist, when turned on, will highlight in combat the recommended next ability for your character to use based on class, specialization, and the combat situation.

Additionally, the feature will come with an optional “one button” option that will allow a player to simply press one button to automatically cast whichever spell the game is recommending cast next. However, there’s a penalty for using the one-button option – it will add an additional small amount of time to the global cooldown, meaning players using the single button option will overall cast spells slower and deal less damage than someone playing manually.

If you ask people ‘How can I get better?’ The first answer shouldn’t be, ‘Well, download this add-on.’

In the video, Hazzikostas explains that the new feature is based on the popular add-on Hekili, which similarly recommends optional next spells to cast but does not provide a one-button rotation. As Hazzikostas explains:

“Add-ons are amazing. The things that the community has done over the last 20 years to allow people to experience different aesthetics, different functionality, have information available at their fingertips like that is a huge part of WoW’s success. And we don’t question or want to undermine that for a moment. At the same time, ideally…if you ask people you know, ‘hey, how can I get better? I’m really struggling at this.’ The first answer shouldn’t be, ‘Well download this add-on, this add-on, this add-on. Otherwise you’re doing it wrong.’ Because that’s starting to get into that mandatory place, whether we like it or not.”

Hazzikostas goes on to explain that long-term, Blizzard is thinking more deeply about the role of add-ons in World of Warcraft and how for players wanting to participate in competitive content, many of them have essentially become mandatory. The team, he says, wants to move away from that philosophy, and is thinking down the line about improvements that can be made to World of Warcraft’s class design, boss encounter design, and UI that will ensure the functions players feel are necessary from add-ons are built-in natively.

And though Hazzikostas says they’re never going to simply ban add-ons outright, once the team feels their objectives around reducing the necessity of add-ons are accomplished, he wants to “rein in” some of the functionality of add-ons around “real time in combat problem solving, specifically where like automating, coordination, communication, in ways that are always going to be better than anything the UI could natively provide you, as long as they remain possible.”

If you’re not sure what Hazzikostas is talking about, these changes likely won’t impact you. But as he, Maximum, and Dratnos discuss in the video, high-level raiders have frequently felt the need to rely on add-ons such as WeakAuras that allow players to essentially build custom tools to solve difficult raid encounters in real-time, such as telling them where exactly to stand or assigning them groups on the fly. And while this might feel like cheating if you’ve never experienced it firsthand, Hazzikostas is candid in the video that some of the team’s raid encounter design decisions may have pushed players in that direction by being a bit too difficult to figure out sans add-ons. “The way we design encounters has been influenced in significant ways, by the way players use add-ons,” he says. “I know you know the community sometimes speculates that [certain encounters were] built clearly to require an add on. I can’t say that’s never the case.”

Hazzikostas goes on to explain that while encounter designers are never specifically designing mechanics with the intent for players to create add-ons to solve them, when players inevitably do so in testing, they have historically seen feedback from playtesters using add-ons complaining that the fight was too easy. But instead of redesigning the encounter to make the add-ons unusable and reinstate the intended difficulty, they have simply added more mechanics. “I think that’s not a great place for things to land,” he says.

You can watch the full 45-minute video here, but we also spoke directly to Hazzikostas to ask him questions about both the upcoming new Rotation Helper feature and the developers’ intentions for future add-on restrictions and interactions. Our full interview is posted below, lightly edited for brevity and clarity:

IGN: I think you talked around this a little bit in the video. But is it your opinion that it’s essentially become mandatory to have add-ons to play WoW at anything above a basic questing level at this stage?

Ion Hazzikostas: I don’t know that I would go that far, but certainly it’s been something that’s been part of community trends over time, where players are clever. When you give them a very versatile toolbox, they will make more and more clever and more and more powerful things. And when it gets to competitive content, trying to defeat challenging raid bosses, trying to clear the highest Mythic+ keys that you can or PvP at a competitive level, every advantage helps. And while certainly people can and do play the game without using add-ons and succeed, I think most players at a high level, including Max[imum] and Dratnos, and I was talking to them in this , agree that you are at a disadvantage if you’re not using some of these tools.

And in social content, if you’re in a raid group, if you’re part of a group that’s running Mythic+, there’s an expectation that it doesn’t matter how you personally want to play. If everyone requires that you use this tool, then you feel like you have to. And on the one hand, while the legacy of add-ons over the course of 20 years of World of Warcraft is an amazing part of how the game has grown and evolved, I think looking at a world where someone is told that they need to use an external third-party tool if they want to play the game the way that they prefer, that’s not healthy, we think.

And so, that’s the question of, how do we tackle that really has begun with us trying to look at building up the native functionality of the game’s UI, of the game’s systems, of how we’re presenting information, not just through the user interface, but also things like visual effects and how we’re telegraphing the clarity of different boss mechanics or class mechanics or the like.

I know this is something you’ve probably thought about for a very long time, but was there any moment or any particular raid boss or something that made you go, “Okay, we actually need to address this.”?

Hazzikostas: Honestly, I don’t know that I can pick out a single thing. I mean, I think there have definitely been occasions over the years. This is not the first time that the World of Warcraft team has waded into this space. I mean, even before I worked on the team going way, way, way back, like 20 years ago, literally in vanilla World of Warcraft, add-ons could do very powerful things like automating targeting. People who raided in the early days of Molten Core, right? If you played back then, you probably had Decursive if you were a healer. And you would just push a button, and it would automatically, intelligently dispel someone in your group who needed dispelling.

We have no intent of touching anyone’s RP add-ons, world informational helpers, accessibility tools, gathering assist.

And the team looked at this at the time and was like, “This feels like it’s actually kind of undermining some of the core gameplay of the game. Let’s restrict this functionality. But also, let’s continue to improve our built-in raid frames. Let’s continue to improve these things.” And so, I think there’s been an ebb and flow there over the years. But I think increasingly, when I’m just reading through community discussions on our official forums, on Reddit, wherever, and it’s very common to see people ask like, “Hey, I need help improving. I’m trying to play Mage really well. I’m trying to play Rogue well and it feels like I just can’t compete with other people.” The first question that they get asked is, “Well, what add-ons are you using? What’s your weak core configuration?” Not, “What is your rotation? What is your talent build? What decisions are you making?” It’s like, “What tools do you have?” That’s not healthy. It’s a barrier to approachability.

And so, again, the path here is not to… Really, just to try to narrow that gap by improving the baseline functionality that our game is providing, and really focus in any long-term efforts in terms of what we might limit or restrict on just that narrow sliver of combat functionality stuff.

And that’s why we’ve tried to make it super clear here. We have no intent of touching anyone’s RP add-ons, world informational helpers, accessibility tools, gathering assist. Any of that stuff is great. It really is just a question of like, how do we improve the information that our default UIs giving combat-wise? And then once we’ve gotten 90% of the way there, what do we do about that last mile or so that includes functionality that feels like it wouldn’t really make sense to come from our UI? Like things that are solving a raid mechanic for you and telling players where to run, that’s kind of the point of the gameplay itself.

We want to provide information, make it clear how you’re supposed to tackle the problem. But at the end of the day, it should be up to the raid group to figure that out for themselves.

Obviously you always want to improve your UI and improve your boss encounters. But as far as adding stuff like a WoW internal version of Hekili. You talked in the video a little bit about looking at maybe doing in-house damage meters at some point or other things like that that are currently solved by add-ons. Why not just continue letting the community handle that level of stuff? Is there any concern that if you try to start doing the job of modders, you’re going to need a lot more time and resources when currently you’ve got basically crowdsourced problem solving?

Hazzikostas: To some extent, so I think, yes, it’s taking on more responsibility for the team. But I’d argue that this is responsibility that we really should’ve been shouldering for a while now. And I think the community at times has said that add-ons are solving problems in our games design, and I think sometimes they’re right. Sometimes there are places where a class mechanic or a talent really is asking a player to do something that the game isn’t natively giving them the tools to do correctly, like tracking stacks of a buff and making decisions on the fly based on how many stacks you happen to have based on some proc that triggered.

That’s not a reasonable in-the-moment computation for a human, but add-ons streamline and simplify that. Similarly, when something isn’t clear in an encounter, when a visual effect is not clear, but someone has an air horn that’s telling them when they’re standing in something to make up for a lack of clarity in our VFX, that’s a completely reasonable criticism. And if some of this means that we need to do extra work to fix issues, honestly I think that’s in players’ interest and something we should’ve been doing all along.

And again, to be clear, we’re not looking to, in any way, marginalize or push aside our wonderful add-on author community. Step one here and step two and step three involve nothing about restricting any sort of add-on functionality. They’re just continuing to build up our alternative solutions, give players a chance to give us feedback on those, understand what more they would need to do, what more would need to change for those to feel like they’re sufficient.

And then when we get to the end of that road, eventually restrict some things. Because again, that part is required, I think, in order to solve the problem of joining a group and being told you have to download this or use this week or whatever. Again, when there’s an open-ended toolbox, players are always going to try to computationally solve the challenges we put in front of them. And of course, people are going to use every advantage that’s at their disposal. That’s just the nature of competitive players

…Another aspect is there are tons and tons of players, even setting aside accessibility concerns that may limit someone’s ability to do a mechanically intensive rotation. There are many people who, honestly, combat is not what they enjoy most about WoW. Mastering and optimizing how to use all 20 of their abilities in sequence to maximize their damage is not what’s fun. It’s immersion, exploring, collecting, doing all these other things. And the mechanics of the game are sometimes an obstacle to enjoying the parts that many players want to embrace. And so, I think offering just a baseline way of opting out of that complexity is something that, I think, will be welcome to many players. It’s the same way, when we changed our talent system in Dragon Flight. We offered just a default starter spec.

If you didn’t want to deal with optimizing and placing all your points, you could just use our preset loadout for yourself and focus on the parts of the game you enjoy. At the end of the day, this is about giving players more options and more customization. It’s also an example of how, in some of our sort of built-in solutions, we can do things that add-ons couldn’t. Hekili obviously can highlight the next buttons for you, but it can’t actually automatically pick which ability to cast based on a single key bind, whereas our solution is able to do that.

Have you spoken to the Hekili folks at all? Do they have an opinion on this?

Hazzikostas: Personally, not yet. I know that our UI team, and particularly the engineers on our UI team, have close communications with our add-on author community. A lot of bug reports and updates and things go back and forth. They’re usually trying to keep them up-to-date on any changes we’re making to the APIs, so they’re not caught off guard. So I think that’s going to be part of this conversation going forward for sure. And I think we understand that when we offer a solution ourselves, it’s not going to be as deeply and fully customizable as add-ons for power users are.

And so, our goal is not to kind of subsume, like take over a space entirely, but rather offer a strong baseline solution to something while still leaving add-ons as a space for people who want cosmetic customization. They want to tweak the display of the information even more than what the base UI allows. And also, again, it’s a chance for us to get feedback on the nature of those gaps, so we can try to offer as much of what our players want as possible.

As far as the functionality of this thing goes, how reactive is it to different types of builds? When I play, I have set up builds for a single target spec, a single target with cleave, a multi-target Mythic dungeon, a Delve loadout. And with Undermine right now, there are a lot of fights where I’m using my single target rating build mainly, but there are also moments in the same fight where I have to switch to cleave damage or something like that. And so, I’m curious how adaptive this tool is going to be towards what sort of build you’re running and what sort of things you might want to do in the moment in a fight.

Hazzikostas: So I think that’s going to vary a little bit by specialization. I’d love to say that we have every possible permutation that someone might spec into accounted for, but we don’t. And we’re going to get feedback on that. Some of that will simply be a bug or something we overlooked. But the system itself is designed to be very versatile and something that our team can continue to update over time. It is looking at what talents you currently have, but it’s also making recommendations situationally based on your current available resources, whether there’s one enemy in front of you or four enemies in front of you, so you don’t need a separate preset loadout of dungeon versus raid.

It will recommend an AOE ability if it’s going to hit five targets or a single target ability if there’s only one boss in front of you. And again, the goal here is, not absolute perfection. There’s certainly all sorts of little sneaky min-max tricks that players have optimizing for movement and things that the system can’t know about. But the goal is really to be something that helps if you’re trying to learn a new spec or if you’re just trying to, like you’re trying to learn an encounter and you don’t want to put too much of your bandwidth into thinking about your rotation for a bit. The same way people use many of these add-ons, we think this will be a very helpful tool for just approachability of spec gameplay and just trying to raise the skill floor in the game.

Especially with the one button option, is there any worry that it might inadvertently have the opposite effect where you’ve got people joining up into a normal or heroic group through Group Finder, and then just sort of closing their eyes and hitting the button, and then pissing off a raid leader or something. I can hear the comments coming in now.

Hazzikostas: I mean, honestly, frankly, for some folks who may struggle with their rotations currently who haven’t really kind of grasped how they’re supposed to build, spend their resources, and use their different tools situationally, I think even the one-button rotation will be an improvement. Certainly, it will allow them to focus on mechanics and focus on other parts of something that they’re doing. I think we’ve crafted that. It has a small penalty that’s incurred to the global cooldown when you use it, to make sure that… It’s never the best way to play.

We definitely don’t want a world where a raid group is failing to meet some damage check, and the raid leader tells all other players, “Stop trying to play your class. Just turn on this one button thing and that’s going to be the right way.” But as just a simple baseline, that should be adequate for solo gameplay, for outdoor questing, for raid finder, things along those lines, this should be more than sufficient and allow people to just focus their attention on other parts of the game that they find more engaging.

Do you think that raiding has gotten harder over the years?

Hazzikostas: Yes. I think that it has gotten more involved, more complex. I think that our targets for how many attempts we wanted to take to defeat a certain raid boss at a certain difficulty haven’t changed, right? In that sense, we may think, “Okay. On heroic mode, the final boss should take 20 or 30 attempts. It should take a few hours for a group to beat for the first time.” That’s true today. That was true 10 years ago. Now the thing is, players on average have gotten better, as is the case in any game, right? Whether it’s a PvP game, otherwise. I mean, it’s easiest to see in PvP games where someone maybe has stepped away from their favorite MOBA, or Overwatch, or whatever and they used to be a platinum player. Then, they come back and they’re like, “Oh, wow. Everyone is so much better now.”

And that’s the same phenomenon that we’ve been working through in our dungeon and raid gameplay. We do have to offer novel looks at things. We have to throw a couple more mechanics in the mix to provide the same level of relative challenge that we used to be able to do with less, right? Going all the way back to Classic, you could see clearest-cut example of bosses that seemed impossible, that took groups literally months to defeat that now look simpler than a common dungeon boss, and that modern players without prior knowledge go in and steamroll in classic versions of the game. That’s just how the player base has evolved.

You’ve also designed things differently too in that regard, right? Raiding with 40 people was much harder just purely on a communications level. If you want to provide challenge when we have fewer people, you have to make things harder in different ways.

Hazzikostas: I think that’s certainly part of it. I think another factor is… I think this is something that was touched on in the conversation with Max and Dratnos. We never design things with the intent that add-ons are going to solve them, but we also can’t be ignorant of what add-ons are capable of doing. And if we have a fun idea for something that might be a fun mechanic, that might’ve been done years and years ago in terms of a raid-wide coordination challenge, the puzzle that you have to solve as part of your group, we know that someone’s just going to make a WeakAura that solves it for you. The raid leader’s going to pre-type everyone’s name into it before they’ve even pulled the boss once, and that mechanic is not going to play out the way we wanted it to.

And so we’re probably just not going to make that mechanic period. And so instead, I think we have probably over time skewed more and more towards testing skills in players that add-ons can’t trivialize, things like just reaction time, getting out of a lot of stuff that’s under your feet, rapid movement, twitch reactions, things on that level. And I think while that’s a niche that should exist in WoW encounters, I don’t think it’s healthy for the game. And I think players agree for all encounters to be like that. I think if you’re a raider in the World of Warcraft today, here’s a challenge. Try to count the number of bosses that aren’t at some point putting a swirly under your feet that you have a couple seconds to move out of. Good luck. It’s basically all of them. I would love for the game to just have more variety in the challenges that it’s posing to players. And I think that eventually when we get there, being able to restrict a couple of aspects of what add-ons can do today, I think will open up a very fertile design space and allow for encounters that are equally challenging in terms of how many hours they’re going to take your group to learn and to beat, but that put that challenge in different places that are, hopefully, a bit simpler and more engaging.

Is this something you have already been slowly trying to implement as far as Undermine goes? Are we already subtly seeing changes to encounters to move in the direction of that philosophy?

Hazzikostas: A bit. Yes. I think that we’ve gotten feedback from the community on Liberation of Undermine. But I think there are fewer fights in this tier than in previous tiers that feel like they were solved by an add-on, that they really almost required one. There were encounters in past tiers like Broodtwister or the like that made people feel like, “Okay, we don’t know how to do this without using an external tool.” And we are consciously trying to steer away from that. Another example of a way that we’ve continued to improve things in our Undermine update earlier this year, one of the changes we made was really revamping a lot of our spell visuals for increased clarity.

Ultimately, I think philosophically for years we had often said, “Okay, we want these things not to feel too gamey.” We want them to feel a little bit like chaotic fire or whatever. And ultimately, just kind of accepted that that’s not in the best interests of gameplay and readability. And let’s get some hard edges on things and let’s make it really clear cut when you are or aren’t standing in something. And even things like that can instantly help players to be able to just jump into an encounter and feel like they know what they should be doing as opposed to needing assistance to let them know what’s safe versus what isn’t.

Long-term, how soon should we expect some of these bigger changes to what types of add-ons you will and won’t allow? Is this a next raid tier kind of thing, a next expansion kind of thing?

Hazzikostas: Yeah, so I think there’s no specific date in mind. It’s more kind of kicking off a conversation and signaling a general trajectory, a heading. I think we know we have a bunch of work to do. I wanted to kind of put into context some of the changes that players have seen that feel like probably like a departure from past practice, like the cooldown manager that we added as a first iteration of helping to track your own abilities and cooldowns in our most recent 11.1.5 update.

Of course, this combat assist coming in 11.1.7, and more things that will follow. I think we know that before we reach an eventual endpoint of limiting the ability of add-ons specifically to parse real-time combat events, we’ll need to have our own solution for a customizable damage meter for things like encounter boss timers, letting you know when an ability is coming next and how far away it is. Things that players have relied on add-ons based on real-time combat information for a long time.

Our intent is not to suddenly just break things and leave players in the lurch.

Our intent is not to suddenly just break things and leave players in the lurch. We want to build up a solid foundation. And then, when the community feels and we all collectively feel like we’re ready for that next step, we think it’s one that the community will hopefully embrace and be for the good of the game in the long run, making things more approachable while keeping the full array of informational and cosmetic customization that add-ons have always offered.

Do you expect that long-term, your changes to design are going to dramatically change the flavor of any classes or specs? I know you were talking in the video a little bit about Outlaw Rogue – I don’t play Rogue, but you suggested it was maybe perhaps a little too complex.

Hazzikostas: Honestly, I don’t think it will dramatically change the flavor. No. I think there are certain mechanics that will need to be revisited. Outlaw Rogue is a fun spec, but it’s one that I pick on for these purposes. Because if you go look up a guide for playing Outlaw Rogue, you’ll see that there’s some situations where it’s like, if you have more than 60 energy, and the cooldown of this ability is less than 12 seconds, then do this. And it’s like, “Come on.” There’s no way that anyone is going to parse that in real time without just having a way forward that pops up and tells you, “Okay, push this button now.” And those are the sorts of things where it’s like, “Is that fun? Is that part of the flavor of the spec really?” What could an alternative implementation of that sort of general vibe based around the idea of re-entering stealth and unleashing your attacks and combat as a rogue? How can we realize that without leaning on something so intricate and mechanically intensive?

Have you looked at all at what Final Fantasy 14 has done in terms of how much they restrict add-ons? They restrict them pretty heavily and always have. How do you look at what they’ve done and how it’s impacted the flavor and the type of game that they have over there?

Hazzikostas: I think it’s their decisions made at the start that inevitably affects how things evolve. There’s certainly a lot more control that you have as a designer of understanding exactly what information your players are going to have at their disposal, what tools they have at their disposal to overcome an encounter? And so, you can design in that world for everybody in a more level playing field, or as we have to accept that people will have a bunch of different ways of looking at or processing things.

But that’s part of how World of Warcraft has evolved. I think that we want to be very narrow and surgical in these restrictions, and they’re not terribly different from things we’ve done over the years in the past. Years ago, add-ons could draw things in the 3D game space, and that was something the team looked at and was like, “No, this is clearly too far.” That’s not a thing that add-ons should be able to do, and that functionality was restricted, and players evolved, and the game moved on. There’s an alternate world where if the team had never done that, if 15 years ago the team in Wrath had said, “Yeah, this seems fine.” Today, every encounter you go into would be full of these virtual 3D markers that are telling you exactly where to run and stand, and that would be how people played the game. And so, it’s like having this powerful ecosystem.

It’s tremendously empowering to players, but it also requires vigilance on our part as developers to ensure that we’re kind of preserving the integrity of the game and giving people a level playing field. Where if you just install World of Warcraft and you want to play the game and experience what it has to offer, it really it is our obligation that the out-of-the-box experience should be sufficient. And if it’s not, that’s a problem we need to work on solving.

Is there any concern that it’s sort of a one button rotation is going to lead to people doing annoying exploits? Going into LFR or basically AFKing or something like really causing issues with it?

Hazzikostas: I hope not. Honestly, you’ve been able to go in and try to fly under the radar and just auto attack. Those are situations that have happened in groups for a long time, whether it’s non-participation in Battlegrounds or just trying to coast and leech off a group. But I think most players when they’re sitting down to play World of Warcraft or looking to play World of Warcraft and accomplish some goals, and I think that’s always going to be, we want to design in the interest of the majority. And we have tools, whether it’s reporting or other measures to make sure that people aren’t disrupting other people’s gameplay or being toxic.

So you said that you’re not looking to mess around with people’s quest add-ons and stuff. But you’d also talked about wanting to build in-house tools like damage meters and stuff like that. Would you ever consider doing more internal stuff that is based off add-ons that people use for stuff that is outside of combat? Pet battling, auction house stuff, professions, anything like that?

Hazzikostas: I mean, I think absolutely and that’s stuff that we continue… We’re definitely inspired by the sorts of tools that the players turn to for outdoor world game plan for convenience as we look to continue to just make the game more approachable. I mean, things like, this has been several years now, but in the world of 3D navigational marker when you have a quest tracked or some objective tracked is something that in the past people would use an add-on to do for them to add kind of wayfinding support. That just felt like a more modern way of doing it than asking you to constantly pop open your 2D map to see where you were headed. So we added something like that. We’re going to continue improving all of that functionality. I don’t think there’s any world though where we’re going to restrict what add-ons can do in that space, because I think there’s a big difference between convenience and competitive advantage.

Someone might say, “Oh, having this gathering add-on or having this World Quest tracker or whatever, it’s convenient. Or someone with a Quest add-on maybe saves themselves a couple of alt tabs to look something up. But I don’t think anyone would seriously claim like, “Oh, no. You have to use that add-on if you want to succeed in World of Warcraft.” And that really is the difference. It’s us looking at add-ons where someone is pretty reasonably, incredibly able to say to a new player or to their group mates, “Really, you pretty much need to use this if you want to succeed.” And our goal is in this blue sky idealized world, that we can say that there isn’t a competitive advantage to using add-ons in World of Warcraft, that they’re a powerful tool for customizing your aesthetics, for customizing your information, and for kind of add an extra layer of self-expression in your game experience, but not a competitive advantage.

Is there any concern as you think about what sorts of things to add and how to add them, that the UI might become too heavy or too complex or actively work against the player in becoming unapproachable? Right now, opening World of Warcraft for the first time, there’s already a lot of things on screen. And we’ve all seen that sort of joke screenshot of someone’s UI with all the add-ons on it.

Hazzikostas: Always. I mean, I think we’re always mindful of trying to strike a balance between serving our engaged core players who’ve been with us for years and making sure that the game stays approachable to someone who’s coming back to it or picking it up for the first time. Because if we’re not hitting both of those, really, we’re not going to be able to continue to serve our audience and grow our audience. And so when we talk about these things, we have a lot of customization built into the UI. Some things are going to default off, some things are going to default on.

We’re talking about how we want to introduce some of these new elements to players in their new player experience, kind like if you’re level three on Exile’s Reach and you only have two abilities, do you need to know about a one button rotation? No. We’re actually like, “Press frostbolt. You’ll be fine.” At some point, maybe when you’re level 40 and you just spent your 30th talent point and you have a couple dozen abilities, might that be a great time to introduce something like this and make sure you were aware that exists? Yes. And so, I think that’s how we want to continue to think about and iterate on our onboarding experience as we add more customization built into the game.

Well, thank you so much, Ion. I really appreciate you taking the time. This has been really interesting. I’m very curious to see what my guild thinks of this announcement.

Hazzikostas: Me too. And truly, the goal here is really just to kick off a conversation. I know it’s a scary looking 45-minute video that’s really just announcing two minutes of new stuff at the start. Then, the rest is like, “Let’s talk philosophy and let’s get a sense of how open players are to us walking down this long path.”

Rebekah Valentine is a senior reporter for IGN. You can find her posting on BlueSky @duckvalentine.bsky.social. Got a story tip? Send it to rvalentine@ign.com.

Video: Nintendo Shares More Footage Of F-Zero GX For Switch Online

Check out the Story Mode.

After years of being stranded on the GameCube, F-Zero GX is finally seeing the light of day via a new batch of GameCube games for Nintendo Switch Online on the Switch 2.

Now, Nintendo has shared some additional footage of the upcoming release via the Nintendo Today! app, which has been kindly shared online by TodayNews. In it, we get a good glimpse at the game’s Story Mode, featuring various clips of cutscenes along with some juicy gameplay.

Read the full article on nintendolife.com

The Brutal, Unforgiving, and Unforgettable Monstrous Bosses of Wuchang: Fallen Feathers

The Brutal, Unforgiving, and Unforgettable Monstrous Bosses of Wuchang: Fallen Feathers

Wuchang: Fallen Feathers Key Art

In Wuchang: Fallen Feathers, a brutal Soulslike action RPG set in a dark reimagining of Ming Dynasty China, danger waits in the shadows — and at the heart of it all stand the game’s unforgettable bosses. Each encounter is a test of skill and resolve, with foes drawn from myth, history, and nightmare alike. From corrupted monks to towering beasts, every boss fight offers its own punishing challenge, rewarding players who press forward through the crumbling world of Shu.

With pre-orders now live on the Xbox Store and launch set for July 24, 2025, on Xbox Series X|S, Windows PC, and day one with Game Pass, you can now get a deeper glimpse of what awaits.

The latest trailer highlights a fearsome showdown against the Perfect Bride, a nightmarish foe whose corrupted beauty hides monstrous power. Alongside this reveal, you can explore a full breakdown of pre-order and Deluxe Edition bonuses, featuring exclusive outfits, enchanted weapons, and gameplay-enhancing rewards that will shape your journey when Wuchang: Fallen Feathers arrives.

Meet the Foes That Await

Beyond every crumbling temple and bloodstained battlefield in Wuchang: Fallen Feathers, terrifying foes stand between you and the truth. Each boss you encounter tells a story of decay, obsession, or betrayal — and overcoming them will be key to surviving Shu’s collapse.

Perfect Bride – Fang Ling

Clad in an ornate phoenix crown and ceremonial gown, Fang Ling embodies a corrupted dream of love and legacy. Once a symbol of hope, she now haunts the land as a spectral bride twisted by Feathering, wielding deadly grace and devastating magic against all who cross her path.

Wuchang: Fallen Feathers Screenshot

Wuchang: Fallen Feathers Screenshot

Master Raider – Man-eating Dhutanga

Leader of a ruthless gang of tomb raiders, Dhutanga carved his stronghold into the Hanguang Zen Temple. A brutal warrior with a surprising love for opera, his ceremonial robes and fearsome painted mask signal both cultural reverence and lethal cunning.


Feathered Priest – Lu Bingzhang

Once a revered priest, Lu Bingzhang now serves a darker power. His golden mask and bronze staff, inspired by the ancient relics of Sanxingdui, channel twisted sorcery drawn from forgotten gods. Defeating him will demand mastery over both blade and spirit.

Wuchang: Fallen Feathers Screenshot

Wuchang: Fallen Feathers Screenshot

Blightweaver – Great Centipede

Deep beneath Shu festers the Great Centipede, a grotesque fusion of corrupted monks and mutated flesh, driven mad by Red Mercury. Able to burrow, poison, and wield spells once sacred to the monks it devoured, this abomination turns ancient knowledge into monstrous power.


Reborn Treant – Soulwood

Born from death and ritual, the Soulwood grew as corpses piled beneath the sacred Immortal Tree. Now, it roams with haunting shrines embedded in its bark, entwining the hopes, prayers, and lingering souls of a shattered town into one relentless force of nature.

Wuchang: Fallen Feathers Screenshot

Wuchang: Fallen Feathers Screenshot

Bo Sorcerer

The master of forbidden rites, capable of warping reality itself with devastating magic. Facing him is not only a test of combat skill but of mastering the battlefield before he bends it to his will.


Monstrous Toddler – Bai Kru

The third child of Bai Tingzhao, Bai Kru was once seen as a promise of conquest. Now, twisted by Feathering and the ambitions of his father, he has become a nightmarish figure, an eerie blend of innocence, brutality, and tragedy.

Wuchang: Fallen Feathers Screenshot

Wuchang: Fallen Feathers Screenshot

Ming General – Liu Cheng’en

A loyal eunuch to the Emperor and master manipulator, Liu Cheng’en hides ruthless ambition beneath a mask of devotion. Adorned in python-embroidered robes and a noble Sanshan hat, he commands authority and terror in equal measure, a final test of strength and will.

Pre-Order Bonuses and Deluxe Edition Details

The journey through Wuchang: Fallen Feathers will test your resolve, but you can prepare to embark with greater style, deeper customization, and a more personal touch to your legend. Pre-order today to receive exclusive rewards that enrich your experience across the land of Shu.

Wuchang: Fallen Feathers Key Art

Pre-orders will unlock two unique Enhanced Costume Sets: the White Spectre and Night Spectre, reimagining ceremonial garb into hauntingly beautiful attire that reflects the game’s dark world. In addition, the Vermillion War Club (Axe) offers a fierce new weapon to master, and the Glistening Red Mercury Skill Upgrade Item provides an early boost to help refine your character’s fighting style.

If you’re seeking an even richer adventure, the Deluxe Edition offers an expanded array of treasures. This edition includes four legendary outfit sets, Soul Ritual Robe, Tiger of Fortune, Overlord’s Regalia, and Draconic Resurgence, each woven with lore and symbolic power. You will also receive four rare weapons: the Dragoncoil Lance (Spear), Eternal Sovereignty (Dual Blades), Moonlight Dragon (Sword), and Watcher’s Gaze (Sword), each designed to add new layers of depth to combat. The Deluxe Edition also grants the Blood of Changhong, a significant Skill Upgrade Item to further personalize your abilities.

Whether you’re drawn to Wuchang’s corrupted world by elegance, strength, or legend, the pre-order and Deluxe rewards are designed to enhance your journey and help you carve a story that is truly your own. Wuchang: Fallen Feathers launches July 24, 2025, on Xbox Series X|S, Windows PC, and day one with Game Pass. Pre-orders are available now.


WUCHANG: Fallen Feathers Deluxe Edition Pre-order Bundle

505 Games


13

$59.99

Pre-order WUCHANG: Fallen Feathers to receive the Night & White Pack.

The WUCHANG: Fallen Feathers Deluxe Edition Pre-order Bundle includes:
– WUCHANG: Fallen Feathers Base Game
– Night Spectre Enhanced Costume Set*
– White Spectre Enhanced Costume Set*
– Tiger of Fortune Costume
– Draconic Resurgence Costume
– Soul Ritual Robe Costume
– Overlord’s Regalia Costume
– Vermillion War Club (Axe)
– Watcher’s Gaze (Sword)
– Dragoncoil Lance (Spear)
– Eternal Sovereignty (Dual Blades)
– Moonlight Dragon (Sword)
– Blood of Changhong Skill Upgrade Item (Large)
– Glistening Red Mercury Skill Upgrade Item (Medium)

*Each Enhanced Costume Set includes 5 costume pieces.
**Some items will be sold separately at a later date.

WUCHANG: Fallen Feathers Deluxe Edition includes:
– WUCHANG: Fallen Feathers Base Game
4 Costumes:
– Tiger of Fortune Costume
– Draconic Resurgence Costume
– Soul Ritual Robe Costume
– Overlord’s Regalia Costume
4 Weapons:
– Watcher’s Gaze (Sword)
– Dragoncoil Lance (Spear)
– Eternal Sovereignty (Dual Blades)
– Moonlight Dragon (Sword)
1 Skill Upgrade Item
– Blood of Changhong Skill Upgrade Item (Large)

WUCHANG: Fallen Feathers is a soulslike, action RPG set in the land of Shu during the dark and tumultuous late Ming Dynasty, plagued with warring factions and a mysterious illness spawning monstrous creatures.

Become Wuchang, a skilled pirate warrior struck by amnesia, who must navigate the uncertainties of her mysterious past while afflicted by the horrific Feathering disease. Explore the depths of Shu, enhancing your arsenal and mastering new skills harvested from fallen foes. Evolve your fighting style by sacrificing elusive Red Mercury and further develop new techniques obtained throughout your action-packed journey. Augment the weapons in your repertoire with powerful enchantments, allowing for a unique approach to combat and strategy that suits your personal style.

Battle against grotesque abominations, drawing on ancient lore to challenge the creeping darkness that threatens the humanity that remains. Your quest for truth will take you through forgotten temples, overgrown ruins, and shadowed paths fraught with peril. As you piece together Wuchang’s lost memories, your choices will lead you to one of several endings—each determined by the choices made, secrets unearthed and the allies you choose to trust.

Immerse yourself in a rich storyline, dynamic combat system, and breathtaking visuals that offer an unforgettable adventure through lands veiled in chaos and death. Will you reveal the truths of Wuchang’s curse and bring peace to Shu, or will you succumb to the encroaching horrors? The fate of the land rests in your hands.


WUCHANG: Fallen Feathers Pre-order Bundle

505 Games


13

$49.99

Pre-order WUCHANG: Fallen Feathers to receive the Night & White Pack.

The WUCHANG: Fallen Feathers Pre-order Bundle includes:
– WUCHANG: Fallen Feathers Base Game
– Night Spectre Enhanced Costume Set*
– White Spectre Enhanced Costume Set*
– Vermillion War Club (Axe)
– Glistening Red Mercury Skill Upgrade Item (Medium)

*Each Enhanced Costume Set includes 5 costume pieces.
**Some items will be sold separately at a later date.

WUCHANG: Fallen Feathers is a soulslike, action RPG set in the land of Shu during the dark and tumultuous late Ming Dynasty, plagued with warring factions and a mysterious illness spawning monstrous creatures.

Become Wuchang, a skilled pirate warrior struck by amnesia, who must navigate the uncertainties of her mysterious past while afflicted by the horrific Feathering disease. Explore the depths of Shu, enhancing your arsenal and mastering new skills harvested from fallen foes. Evolve your fighting style by sacrificing elusive Red Mercury and further develop new techniques obtained throughout your action-packed journey. Augment the weapons in your repertoire with powerful enchantments, allowing for a unique approach to combat and strategy that suits your personal style.

Battle against grotesque abominations, drawing on ancient lore to challenge the creeping darkness that threatens the humanity that remains. Your quest for truth will take you through forgotten temples, overgrown ruins, and shadowed paths fraught with peril. As you piece together Wuchang’s lost memories, your choices will lead you to one of several endings—each determined by the choices made, secrets unearthed and the allies you choose to trust.

Immerse yourself in a rich storyline, dynamic combat system, and breathtaking visuals that offer an unforgettable adventure through lands veiled in chaos and death. Will you reveal the truths of Wuchang’s curse and bring peace to Shu, or will you succumb to the encroaching horrors? The fate of the land rests in your hands.


The post The Brutal, Unforgiving, and Unforgettable Monstrous Bosses of Wuchang: Fallen Feathers appeared first on Xbox Wire.

Smash Drums hits PS VR2 May 15 with exclusive features

Get ready to light up the stage like never before – Smash Drums is launching on PlayStation VR2 on May 15, and it’s more than just an upgrade.

We’ve fine-tuned the experience to take full advantage of PS VR2’s power — from razor-sharp visuals with eye-tracked foveated rendering and native 120fps gameplay, to immersive headset haptics and adaptive triggers that bring the action to life.

Hang on to your sticks. Here’s what’s new.


Smash Drums hits PS VR2 May 15 with exclusive features

Feel the upgrade: Visuals like never before

PS VR2 takes Smash Drums’ visuals to the next level. We’ve enhanced environments with richer detail and better textures, while real-time lighting and shadows bring each performance to life. New effects like heat haze above the flames crank up the spectacle, making every session an explosive ride.

Thanks to eye-tracked foveated rendering, visuals stay razor-sharp where you’re looking, allowing for more environmental detail and smoother performance. And with native 120fps in Performance mode, this is the cleanest, most responsive version of Smash Drums yet.

Enhanced Performance on PS5 Pro

Smash Drums shines on all PS5 consoles, but if you’re rocking a PS5 Pro, you’re in for an extra level of intensity. The Fidelity graphics mode delivers enhanced resolution and visual effects — all while running at a smooth 120fps, compared to 90fps on the base PS5.

Lights, camera, destruction: social mode

PS5 brings the power to not only rock harder, but look cooler doing it. Our new dynamic Social Mode features smooth first-person camera movement and cinematic third-person angles that turn every performance into a full-blown visual show on your TV.

It’s also designed for sharing — capture gameplay that looks amazing straight out of the headset. Whether you’re chasing high scores or just vibing to the beat, you can tailor what shows up on screen: display the song title at the start, hide the interface, overlay your score and leaderboard rank, or disable the dynamic camera angles for a steady shot.

Feel the rhythm, literally

Smash Drums has always been about energy, chaos, and letting loose — and on PS VR2, the physical feedback takes things up a notch.

Headset haptics let you feel the chaos when stage debris crashes into you, adding an extra layer of presence. And when you spin your sticks using the adaptive triggers, it’s not just a visual — it buzzes through your fingers, pulsing with every rotation. It’s magical.

Turn it up: Your Smash Drums soundtrack

The Standard Edition of Smash Drums features 58 rock tracks spanning punk, metal, and classic rock — delivering hours of explosive gameplay right out of the gate.

Looking to expand your setlist with more iconic hits? The Premium Edition includes all currently released song packs, featuring licensed tracks from legendary artists. Each pack adds five songs, and if you’re not ready to go Premium, you can pick and choose individual packs to upgrade your Standard Edition at your own pace.

Join the mayhem

Legions of players already love Smash Drums on other platforms, making it a VR drumming classic and the #1 top seller in this category. The PS VR2 edition takes the experience to the next level.

Whether you’re chasing leaderboard glory, vibing to the music at your own pace, or going for the Platinum Trophy, Smash Drums on PS VR2 is the loudest, hardest-hitting version yet. Wishlist now and join the mayhem when we launch on May 15.

The stage is yours. Light it up.

The Developers Behind Clair Obscur: Expedition 33 and Hundred Line Recommend Playing Each Others’ Games

There’s certainly been no shortage of games in the last month or so, and it’s easy for games to get lost in the proverbial avalanche. In a show of mutual admiration, though, two leads behind two RPGs, both of which launched in the same week, are promoting each others’ games to fans.

As spotted by GamesRadar, Kazutaka Kodaka — creator of Danganronpa and co-director behind the recently released The Hundred Line: Last Defense Academy — shouted out players reaching a milestone in his own game. Then, he went on to shout out another current RPG in Clair Obscur: Expedition 33. “Even after you finish Expedition 33, this Japanese cult game will still be here, waiting for you!” said Kodaka.

He went on to praise Clair Obscur: Expedition 33 in a follow-up post, drawing a comparison between the two games’ unique takes on their respective genres. “Expedition 33 is an amazing tribute to classic JRPG, while Hundred Line is a cult Japanese VN & SRPG,” said Kodaka. “Hundred Line has its own unique charm too, so why not play!!!”

Sandfall Interactive seemed to notice the shout-outs, and the official Expedition 33 account posted a message from creative director Guillaume Broche:

“After your Expedition, check out The Hundred Line, another great turn-based RPG that was also released last week, and made with love by an awesome team. There’s too many good RPGs coming out at the same time, these days!”

Kodaka followed up, with more praise for Expedition 33:

“Thank you!!!! And for those of you who finished your school life first—it’s time to head out on an expedition! Expedition 33 is the future of RPGs. With unique RPGs like these coming out at the same time, now’s the perfect time to dive in and enjoy everything the genre has to offer”

There are, frankly, a lot of games coming out every year. Per SteamDB, over 6,000 games have hit Valve’s PC platform in 2025 as of this writing. Over 18,000 released on Steam last year alone. By any metric, that’s a baffling number, and even games with newsworthy creators may struggle to reach audiences in the massive flood of new things to play. Factor in ever-evolving live-service games and their content update schedules, and everything, everywhere is fighting for your time and attention.

In light of that, it’s heartwarming to not only see two creators acknowledging and promoting each others’ games, but encouraging fans to go play them afterwards. In the never-ending battle for eyes and attach rates, encouraging players to roll credits and move on to other experiences is noteworthy.

Clair Obscur: Expedition 33 is out now for PlayStation 5, Xbox Series X|S, and PC. The Hundred Line: Last Defense Academy is also out now, for PC and Nintendo Switch. If you’re close to finishing one, it sounds like you might want to check out the other, too.

Eric is a freelance writer for IGN.

Very good RPG Sea of Stars gets a free eight hour DLC campaign about a creepy clockwork circus

“A beautifully made retro-inspired RPG that will instantly transport you back to the 16-bit golden years, for better or worse,” was how Katherine Castle (RPS in peace) summarised Sea Of Stars, a Chrono Trigger-style pixelart sojourn down memory lane from Sabotage Studios, creators of The Messenger. I imagine it’s better rather than worse for the addition of some sizeable, circus-themed free DLC, Throes Of The Watchmaker.

Out 20th May, the expansion adds a new playable character, Arty, together with an estimated eight hours of new areas, music, dungeons, minigames, enemies, bosses, puzzles, and playable classes for original protagonists Valere and Zale. Run your rose-tinted retinas over this trailer.

Read more

Shotgun Cop Man Review

With your hands full of guns and a warrant for the Devil’s arrest in your pocket, Shotgun Cop Man sends you on a nonstop blitz of new ideas. This short and sweet action-platformer continually reinvents itself across 10 clever worlds, leaving little room for a good idea to get stale. Once I mastered its distinct style of projectile-based movement, barrelling through the circles of hell turned into a pure power fantasy. Even though it’s harder than it should be to chase high scores and better times, I still had a blast gunning for a more optimized run after the credits rolled.

Shotgun Cop Man’s goofy vibes, flashy acrobatics, and time attack setup transported me back to my middle school days of bypassing the browser security settings in the computer lab to sneak in runs of Flash games like Fancy Pants Adventures or Electricman 2. Granted, this would blow many of those study hall time killers out of the water, but I could still easily see myself racing to the end of its first world with a friend while we’re supposed to be working on a research paper or math homework. It shares the same tight scope and paired back tone, but here those mask a surprisingly deep platformer.

Shotgun Cop Man isn’t just a standard run-n-gun shoot-em-up. Instead, the recoil from your shotgun serves as the driving force behind most of the movement. Need to take out some demons to your right? Well, you better make sure the coast is clear to your left when you pull the trigger. This challenging, but ultimately rewarding, system of ballistic blowback fills in for genre-standards like jumping or dashing midair, while firing your sidearm — which ranges from a satisfyingly snappy but weak pistol to a powerful gatling gun — allows you to hover midair or make more precise hops.

You can’t just spray and pray you wind up on the next platform, though. Each weapon has limited ammo, keeping Shotgun Cop Man relatively grounded: the shotgun itself only holds three shells at a time, so he needs to touch terra firma to reload. That said, sidearms tend to have bigger magazines, allowing for a reliable second option to fall back on when you need to get to the ground and take another shot at a tough jump. This restrained approach brings a levelheaded balance to Shotgun Cop Man that encourages mayhem and speed without leaving precision and skill in the dust.

Shotgun Cop Man bets big on its platforming acumen, and it pays off.

To make matters more difficult, Shotgun Cop Man also has to contend with the armies of Hell as he chases down their leader. Aside from a few combat-focused levels that blend each circle of Hell’s unique mechanics into an arena-style showdown, as well as the requisite boss that shows up at the end of each 17-level world, Shotgun Cop Man is all about movement. Because of that, enemies play second fiddle here, being treated as platforming obstacles masterfully woven into each level. They act like the bright-red explosive barrels of a 3D shooter, providing the satisfaction of popping them while offering direction on where and when to shoot. Shotgun Cop Man bets big on its platforming acumen rather than falling in-line with other action platformer successes like Katana Zero, and it pays off in spades.

Still, this unique movement takes quite some time to get used to, especially if you’re playing with a controller: Pointing in two different directions like a twin-stick shooter (left for walking, right for aiming) makes for an unnatural platformer control scheme. Wrapping my head around it felt like being asked to rub my belly and pat my head at the same time. Unfortunately, there’s really no better way to make this specific type of movement work on the sticks, though it is much more comfortable with a keyboard and mouse. Thankfully, Shotgun Cop Man’s accessibility features allow you to skip certain inputs, like making it so you pick up new sidearms automatically, so you can tweak things to be much more comfortable.

I was halfway through the roughly five hour campaign by the time I felt like I’d fully climbed its relatively steep learning curve, mastering this propulsion-based blend of combat and movement. Normally, this initial struggle would be a knock against it, but Shotgun Cop Man constantly introduces and innovates on new ideas while rewarding your growing mastery of them. It also sets up systems that successfully encouraged me to obsessively replay levels in an attempt to shave nanoseconds off my time. This potent blend dangles an appetizing carrot-on-a-stick to gnash at in bite-sized speedruns once you’ve found your footing.

When he inevitably takes a hit, Shotgun Cop Man’s heart comically pops out of his body. Running into it will pick it up and restore health, but he’ll die in one hit without it. When that happens, the camera zooms in on his oddly detailed face as he says, “I die,” in a goofy, computerized voice. This minimal, self-aware sense of humor sets the tone overall, as there’s otherwise not much of a premise to explain here (and developer Dead Toast Entertainment even pokes fun at this in the credits by putting quotes around the word “Story”). You’re a cop with a shotgun trying to arrest the Devil. Naturally, Old Scratch doesn’t play ball. Each time our hero catches up to him, Satan tells the boy in blue to shove it, and you continue on your chase once more. It’s thin, but it works, and is just amusing enough to keep things moving.

Unfortunately, that sense of humor eventually becomes Shotgun Cop Man’s Waterloo. Each time it zooms in on his face as he points out the obvious, it takes far too long to get back into the action. It takes as many as three button presses to respawn, and even longer to restart a level. I know how silly this sounds in the face of everything Shotgun Cop Man gets right, but in a game where you’ll be dying and trying again quite a bit, these add up to completely hamper any sense of momentum. That’s especially glaring when every level in Shotgun Cop Man grades your performance on whether or not you killed every enemy, beat the par time, took any damage, or did all three of those in the same run. In what feels like a big oversight, there’s no quick level restart button when you die, so to chase that perfect run, you need to resume the level after that death, pause, and then hit the retry option from there. Because Shotgun Cop Man trades in seconds and milliseconds (most levels took me less than a minute to complete), this otherwise small bump in the road became an outsized, unnecessary part of mastering each level.

That said, for a game that only took me about five hours to see from end to end, Shotgun Cop Man crams in a staggeringly impressive range of innovations and spins on its seemingly simple run-and-shoot formula. It ricochets from idea to idea, never allowing a mechanic to get old — in fact, there are quite a few I wish got some more time to shine, like reactive floors, which alternate between safe and deadly each time they’re shot, or clever box-moving puzzles that put your understanding of each weapon’s power to the test. Most mechanics get a chance to shine before being woven into more new mechanics later on, but there’s also an impressive level creator (exclusive to the PC version) that lets you toy with some of these ideas yourself if you feel like your favorite didn’t get its time in the sun.

I’m not much of a level designer myself, but the creation suite provides a robust toy chest for dedicated designers to mess around with. It doesn’t just feature tools that enable you to recreate or expand upon any clever idea found in the campaign, it even includes wholly unique mechanics that aren’t found there, like extra enemy and NPC types. I didn’t get to try any user-created levels during the pre-release period, but I’m really excited to see what people think up once Shotgun Cop Man is out in the wild.

The Outer Worlds 2: The First Preview – IGN First

I remember vividly when I first caught wind of The Outer Worlds back in 2018 – my managing editor at the time talked about his preview of what developer Obsidian was working on; an original first-person RPG with the makings of a Fallout game. As someone who still won’t shut up about Fallout: New Vegas to this day, that was music to my ears. It turned out to be one of my favorite games of 2019, but instead of expecting it to be the next coming of Fallout, I saw it more as a new foundation for Obsidian to work within.

There were certain limitations to what the first Outer Worlds could be in terms of size and scope, and that much was clear in the several conversations I’ve had with the development team when reflecting on it. But after seeing the sequel in action for the first time and interviewing key folks at Obsidian, The Outer Worlds 2 seems like that original vision fully realized. For all the details I’ve been able to dig up about the revamped gameplay systems and worldbuilding, the overarching idea was that The Outer Worlds 2 needed to be a deeper RPG where player choice has more of an impact in nearly all aspects of the experience. And from everything I’ve gathered from our month’s-worth of exclusive coverage, this sequel looks like it’s stepping in the right direction.

What I’ve seen thus far is based on an early build of the game, all of which has been through hands-off demos, and all the footage you’ve seen was provided by Obsidian. So while I haven’t played it yet, The Outer Worlds 2 is so far reminding me of some of the best parts of the studio’s long list of RPGs, where unconventional playstyles are viable and unpredictable choices and outcomes are intrinsic to the roleplaying aspect, asking you to roll with the punches regardless of whether or not it’s deemed “optimal,” and this manifests in several ways.

Attributes, which were stats that you invested in as you leveled up, have been set aside for a heavier focus on Skills – a total of 12 (including staples like Engineering, Explosives, Guns, Hacking, Leadership, and more) now dictate how your character functions. While this may seem like further streamlining, the goal is to make sure the points you put into various Skills have a more noticeable impact throughout the process of leveling up, as opposed to the minute effects you’d feel in the old Attributes system. Of course, I can’t speak to how this comes to fruition in a full playthrough, but there are other systems in place that feed into the idea that these mechanical decisions can affect your character in bigger ways.

[U]nconventional playstyles are viable and unpredictable choices and outcomes are intrinsic to the roleplaying aspect.

That leads to Perks, of which there will be about 90 to choose from. There are specific Skill levels needed to gain access to certain Perks, but these are said to offer significant changes to what you can do in combat, conversations, exploration, and more. One example is a Perk that lets you aim, fire, and reload while sprinting and sliding for those who want to approach enemies with the mentality of a traditional shooter. Or the Serial Killer and Psychopath Perks that grant bonuses for those who try a much more violent playthrough. Or the Space Ranger Perk that lets you convert points in your Speech Skill into damage bonuses in battle. Dialogue branches may vary based on the Skills and Perks you have (more so than the original), or your character may pick up on things in the environment they wouldn’t be able to otherwise, so the results of your build aren’t just isolated in combat scenarios. Those are just a few examples of how these systems feed into specific playstyles with the intention of rewarding you for the way in which you’re specialized.

Then there are Traits that stack additional permanent effects that you wouldn’t necessarily get through Perks. The catch is that if you want to take more Positive Traits, you have to also select Negative Traits, and that’s where things can get interesting. I’m actually curious about how I’d play with something like “Dumb” where I’d have to lock myself out from ever putting points into five of the 12 Skills, or “Sickly” where I’d take lower health and toxic resistance. It seems like a trade-off that could be worth it, depending on how I want to build out my character.

But if you want to lean more into unconventional mechanics, accounting for things you usually wouldn’t in other RPGs – enter the new Flaws system. Like in the original, the game is watching your behavior and then offering permanent bonuses at the cost of a permanent detractor depending on how you play. However, The Outer Worlds 2 goes deeper on this idea – you’re not just offered a Perk point if you take a Flaw. Flaws now have bespoke status effects and conditions that can have major ramifications for how you’ll play the game, should you take a Flaw. I only got to see two of them, but they speak to the philosophy behind them. Sungazer offers regenerative health outdoors during the day at the cost of extreme visual lens flare and reduced accuracy, and that’s activated by staring into the sun multiple times. Or if you quickly skip through dialogue choices frequently, Foot-in-Mouth offers a permanent XP bonus while forcing you to make all future dialogue choices in a 15-second window – and if that timer runs out, the game will pick for you, which can lead to some unintended consequences. There’s another Flaw that’ll force you to accept all future Flaws no matter what, and Obsidian hinted at one that will account for those who save scum, but that remains to be seen – it’s bizarre ideas like these that can shake up playthroughs. Obsidian said there are around 30 Flaws in total, and my hope is that the incentives will be worth the trade-off, and that they’re built in a way that it won’t be easy to circumvent their effects, which could diminish their impact.

All that said, it’s clear that Obsidian put a lot of thought into how to rebuild its RPG mechanics with the intention of making something that is more reactive and impactful, or at least purposeful along the progression path. And with no respec beyond the intro mission, you’ll have to build out your character with a little more care. Hands-off demos can only tell me so much, so I’m expecting everything else around The Outer Worlds 2 to bring out the best in those systems and push me to engage with them beyond the surface level.

That sounds all well and good, and the brief gameplay sequences I saw were also promising. While the first game had approachability at the forefront, The Outer Worlds 2 looks like it’s offering more variability with a web of systems that come together for something a bit more sophisticated. For example, we now have actual stealth mechanics with a better detection system, proper stealth kills, and scenarios in which this approach would make sense – and features such as damage bar read-outs tell you whether or not a stealth attack will be worth it. The N-Ray Scanner is one of the new gadgets you’ll use, and this lets you see through walls and detect cloaked enemies or key objects hidden in the environment, but it’ll expend your mana-like energy – it’s a tool that’s conducive to this playstyle, and I’m looking for how this approach can be sustained throughout.

Judging from the brief run of the N-Ray Facility, for example, I saw snippets of that in action, which leans into this particular playstyle I prefer. This level was also ripe for playing it like an immersive sim, and it gave me hints of Deus Ex or Dishonored, especially with how you navigate the level and find different paths. I know the DNA of those games will always find their way into first-person RPGs, but it’s something that wasn’t quite as present in the first Outer Worlds, and very much apparent in this sequel.

If the original was Obsidian building the framework, my hope is that this sequel is the series reaching its full potential.

And while I’m excited for stealth options and wielding the environment to create paths forward, the punched-up gunplay and addition of gadgets shows an improvement in combat approaches across the board. The aforementioned sprint-slide-firing Perk – along with the returning Tactical Time Dilation (TTD) – looks to be a deadly combo in a firefight, but some wild unique weapons like the crank-powered sniper rifle called the Planet Killer or the advertisement-blasting Pop Gun that’ll distract enemies, widen your toolset. When all hell breaks loose, the triple-barrel shotgun will probably be an old reliable in my playthrough. And I’m sure I’ll be saving those rare shots I’ll find for this game’s version of the BFG for the toughest fights.

But with Obsidian looking to games like Destiny in terms of reworking gunplay, I think it’s a net-positive for how the game feels on a moment-to-moment basis. There’s an emphasis on better mobility, smarter enemy behavior, and varied enemy types, along with that wider, more creative arsenal. But there’s also no more level scaling, and so there’s been more consideration in how difficulty works in The Outer Worlds 2 with tiered enemies and static levels for encounters across the game, letting encounters be designed with more intent, especially with where the designers will funnel players and create friction.

The more intimate details of level design excite me, and seeing interiors like the Zyranium Lab be noticeably bigger and intricate with multiple paths has me thinking about the gameplay possibilities. But its large open zones are also a key point in this sequel. I’ve said in previous coverage that bigger doesn’t always mean better, and Obsidian is aware of that. So, The Outer Worlds 2 has an emphasis on density and rewarding players who poke around its areas with more side stories and useful loot in a way that the first game didn’t. Points of interest out in the distance are built intentionally and are said to be placed for a reason and draw players to those locations and discover quests off the beaten path. This is all based on a brief walkthrough of Golden Ridge, which is the only open zone I saw, and it does seem like there’s a lot more going on at the ground level. And I hope that this design philosophy extends to the rest of The Outer Worlds 2’s open regions.

Finally, Obsidian wasn’t ready to share many details on story or companions, but game director Brandon Adler hinted at a world-changing event happening early on when landing on Golden Ridge, and that being indicative of the types of narrative swings they’re going for. Creative director Leonard Boyarsky, who was one of the original Fallout developers, spoke to how the team is thinking about The Outer Worlds 2’s story. He mentioned being sharper with its humorous tone while going deeper on its commentary about how corporations, and those in power, will exert and abuse their power on those seen below them. It seems a major factor in conveying these themes will be through factions – The Protectorate, The Order of the Ascendant, and Auntie’s Choice (a merger between Auntie Cleo and Spacer’s Choice from the first game). While companions are optional, it appears they’ll be an important lens through which you navigate and understand the world. Boyarsky also emphasized the intention of making a story that can stand the test of time with its dissection of the human condition, rather than directly reflect the times in which it was made – and that’s largely been the philosophy that guided the old Fallout games, including New Vegas.

Overall, I get the impression that Obsidian is trying to avoid homogeneity in its gameplay systems, and build worlds with questlines and encounters that tease out the varied options you have this time around. You can have complex and creative systems to toy with, but ultimately, it’s a means for engaging with the captivating stories tucked within where we have a distinct role to play. If the original Outer Worlds was Obsidian building the framework, my hope is that this sequel is the series reaching its full potential. And that’s something we’ll have to see when The Outer Worlds 2 comes out later this year.

Borderlands 4 launching early has “literally 0%” to do with GTA 6’s release date, Marathon or anything save “confidence”, says Gearbox boss

Gearbox and Take-Two recently brought forward the release of giggling gunslinger Borderlands 4 from 23rd September to 12th September. This came a week or two after Bungie and Sony also decided to release their Marathon reboot on 23rd September.

If you thought all that was evidence of publishers playing 4D chess around the currently unannounced release date of GTA 6, with Bungie and Sony making the fair assumption that Take-Two won’t release GTA 6 and Borderlands 4 on the same day… then you were mistaken. You should be ashamed to speculate in this fashion! Pshaw! Harrumph! Damn your eyes, sir, and damn the stalking horse you rode in on.

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