Minecraft developer Mojang has warned players not to update the game through the official Xbox app on PC because it may delete their worlds.

The Minecraft support page on Mojang owner Microsoft’s website now opens with a stark warning for PC players. “Do not download the recent update for Minecraft through the Xbox app for PC,” it reads. “If you do, your worlds may be lost.”

Mojang said it is currently investigating the world loss issue and is blocking the update from Windows to prevent the possibility of it affecting more users.

“We recommend that you run the Gaming Services Repair Tool for PC in the Xbox app on PC before installing any Minecraft update,” Mojang added. “Using this tool updates the Gaming Services to version 19.87.13001.0, which will avoid the update error.”

Players can do so by launching the Xbox app on PC, clicking their profile, then support, then on Gaming Services Repair Tool, and finally on Start Troubleshooting.

Mojang also warned players that, for those not on version 1.20.70 or 1.20.71, some online services may be unavailable including cross-platform multiplayer, Realms, and Featured Servers. “We appreciate your patience while we continue to investigate and address this issue,” it added.

This bug, which has the potential to delete tens, hundreds, and thousands of hours of playtime, comes not long after Mojang announced a monthly subscription service just for Minecraft called the Marketplace Pass.

This costs $3.99 a month and grants Bedrock players access to a catalog of more than 150 different content packs from the Minecraft Marketplace, which is refreshed every month. Players won’t need to pay for the Marketplace Pass to continue playing Minecraft as normal.

Ryan Dinsdale is an IGN freelance reporter. He’ll talk about The Witcher all day.

After spending more than a dozen hours with the Early Access version of Tribes 3: Rivals, I could really get used to skiing around at 200 miles per hour while firing a grenade launcher at weaklings with no mind for speed. Channeling all of the silliness and style the series is known for, this lethal game of capture the flag is packed with moments of satisfying exhilaration and devastating defeat, and it largely nails everything I’ve loved about the Tribes games of yore. The trouble is that it only takes a matter of minutes to see all the maps and try out all the classes and weapons currently available, with no alternate game modes or other distractions beyond an extremely long and demanding ranked skill grind for those truly dedicated to their deadly craft. I fear Tribes 3 may be fated to fizzle out as quickly as some of its predecessors due to that lack of longevity, but the potential here is at least clear from moment one, and it feels great to be reunited with the zany, high-octane action I’ve adored for many years.

Tribes 3 pits two teams against one another in a stupidly fun capture the flag to the death, giving you and your friends a pair of skis and a jetpack to help you move across its large maps lightning fast, and an arsenal of futuristic weapons to maim those who get in your way. Maintaining momentum is key to your success, as you’re rewarded for timing your landings at the edge of a slope or boosting up hills to gather speed every bit as much as you are for having good aim. Learning to shred on skis and soar through the air makes all the difference between becoming an unkillable blur and watching someone glide overhead as they take you out with heavy weaponry like the sorry mook that you are – and spending my time somewhere in between those two extremes has been a blast so far.

Capturing the enemy flag while protecting your own requires attackers and defenders of varying expertise, and with six playable classes (three offensive and three defensive), you’re given a solid number of options for how to approach each side of things. I have a natural affinity for throwing myself at the enemy flag and doing everything I can to break the sound barrier, so I tend to select the lightly armored and minimally armed Pathfinder class, which allows for deviously delightful teleportation and faster movement at the cost of being both short on explosive weaponry and very easy to explode. If you’re feeling lethargic, there’s also lots to do while remaining slightly more stationary as the Juggernaut, a heavily armored defender that is armed to the gills and can withstand quite a bit of punishment – they have also pretty much been the bane of my existence, all too happy to turn my squishy face into blood broth as I rush toward the flag. All six classes feel pretty unique, and each has some game-changing options, like the technician class, which can throw down defensive turrets and keep the base well-guarded alongside its pre-built protective structures.

The magic of Tribes 3 is in moments where you hit a slope just right, take out an enemy right before scooping up the enemy flag, then go flying across the map to score a point for your team. I can’t claim to be anything more than middling in this incredibly demanding twitch shooter, and even I found myself overcome with feelings of godlike might – screaming into my monitor, absolutely shocked by what I was able to pull off. There were also plenty of times where I was brought low and reminded of my mortal limitations, like when a real expert blasted me to pieces and tore through my base like a lightning bolt, making off with my treasured flag. But those humbling encounters have only pushed me to hone my skill, and are easily drowned out by the satisfaction of victory. There just aren’t many better feelings than those moments of pure PvP triumph, which are made uniquely epic by Tribes’ blazingly fast, ridiculously over-the-top style.

Aside from the usual tug-of-war involved in a game of capture the flag, there are also some interesting strategies to consider, like how you can fight over smaller bases located strategically throughout levels, which give a minor edge to the controlling team by turning turrets in those areas into your allies. Each team also has a generator located in their base that, if damaged, can shut down every defensive asset on that side of the map, leaving you extremely vulnerable to getting steamrolled by the enemy’s offensive players, which gives you another thing to defend or attack if the flag proves too well-guarded. You can even destroy a radar dish located on your opponent’s side of the map, which completely disables their ability to keep track of the flow of battle on their trusty HUD.

Unfortunately, none of these optional targets have seemed to matter all that much in the larger fight, since bum-rushing the enemy flag almost always proves the best path to victory. Even sabotaging the radar dish, which you’d expect to be a major game changer, didn’t do a whole lot since opponents are pretty easy to spot on their own – especially since their names hover over them even across long distances. It takes a lot of energy to effectively attack these extra structures, and you could just as easily have stolen and scored the enemy flag a couple times to win the match instead of spending time to secure a minor edge.

The main issue with Tribes 3 is that, despite providing a very entertaining opening hours, there isn’t much to it at this time. As an Early Access game, that’s hardly surprising, and developer Prophecy Games has already announced an ambitious roadmap that aims to inject some much-needed variety into the maps and single game mode currently available – but in its current form at least, I foresee all but the most dedicated jetpackers running out of things to do in short order, as I have already). It would certainly help if some more stuff from previous Tribes games made a return, be that beloved game modes like Rabbit or Bounty, or my cherished vehicles like the Beowulf or the HAVOC. Hopefully some of this will be fleshed out in the coming months of Early Access, but for now the package is fairly thin.

Beyond the main 16v16 casual mode, there’s a ranked playlist that hosts smaller teams of 7v7, but this changes little else beyond drawing in a significantly sweatier playerbase. Still, halving the number of players does actually feel significantly different, since the reduced chaos means you can really dial in a strategy and your individual performance is more impactful while executing it . It also makes some of the less useful tactics in the casual playlist, like taking down the enemy’s base defenses, slightly more meaningful. On top of ranked, there’s a goofy time trial minigame to test your skiing and boosting ability where you move through a course of rings and try to set a high score, as well as custom matches where you’re given complete control over the inner workings and balance of the meta. That could mean decreasing the amount of damage players can take to almost nothing or increasing jetpack energy so players can fly without care – mostly stupid stuff, but can definitely make for a good time.

There are also some perplexing design decisions and a small amount of bugs that hounded my time with Tribes 3. For example, it’s very odd that I’m limited to hosting only three others in my party when the team sizes are either seven or 16. This became awkward a few times when we had more than four people online together and couldn’t join the same games, and I can’t think of a good reason for this cap. Especially in the ranked playlist, you think they’d want to encourage communication with the whole team – not just the four allowed in your party, which just seems like an odd limitation. The exception to these rules are custom matches, but then you’re left a bit shorthanded unless you’ve got a whole lot of friends or are willing to subject yourself to the ups and downs of an LFG. There’s also some irritating bugs, like one my group got hit with quite a bit where our party would randomly be split up into different matches or find ourselves otherwise separated from one another, and we’d all have to reboot to get things back in shape. I’m sure initial bumps in the road like these will be ironed out, but for now they can be a bit of an annoyance.

If I could, I would spend hours in the world of Hyper Light Breaker doing nothing in particular. I’d settle my character on the edge of a bright pastel cliff and gaze into the distance, where crumbling skyscrapers and strange rock formations silhouette against a neon sky. I’d let the soothing electronic soundtrack wash over me and observe the way the day/night cycle changed the Shadow of the Colossus-sized broadsword protruding from the earth in the distance. Maybe I’d see if a friend wanted to chat with this ‘80s sci-fi novel cover as a backdrop, before hopping on a hoverboard and skating off into that whimsical, colorful horizon to see what’s beyond.

But Hyper Light Breaker will not let me roleplay truancy. I’m in the Overgrowth with a purpose: hunting the minions of the Abyss King. For my hands-on preview, developer Heart Machine plunked me into a pre-generated world suitable for a beginner, though in the full game each run will take place in a unique, procedurally generated world. My first foes are little slime creatures easily dispatched with a few sword swings. And I’m delighted to find that each hit feels just as solid and chonky as I hoped back in my original hands-off preview last year. Around a bend are bigger enemies – humanoid creatures with a bit more speed and damage behind them – so I take advantage of a homing melee attack to successfully chain together smooth combos between enemies. A bit further on, I fire a battery-powered gun to dispatch some snipers so I can safely proceed up a steep hill.

I tried three different pre-built loadouts for the demo, though in the final game you’ll be able to customize them however you like. My favorite melee weapon is a pair of knives, fast and snappy but weaker, and I struggle more with an enormous, slow, and hard-hitting broadsword. A shotgun proves useful against packs of wolves, but I like the subtle but helpful snap-aiming feature of the pistol when I spot some weird one-eyed bats flapping around in a nearby forest. As I expected, my favorite special ability drops a giant cube on the heads of everyone in front of me. It’s effective when I’m surrounded and struggling, which I often am, because even in an early demo area Hyper Light Breaker isn’t especially forgiving. I left the demo retaining a vendetta against a giant tree monster that took me out in just a few whacks, and I’m told that guy wasn’t even a boss monster!

Hyper Light Breaker is an extraction roguelike, so while I spent a lot of the demo just putzing around getting a feel for different cool glow swords, it turns out that’s (mostly) a valid strategy early on. The player’s goal is to defeat the Abyss King, who can only be unlocked by besting a series of boss monsters scattered across different biomes in a single run, who in turn are only unlocked by completing a number of other tasks out in the world, most of which also include defeating enemies. The bosses themselves are hard. I met a wolf-themed one that landed on my head and kicked my inexperienced butt in about five seconds flat. Maybe having friends around will help, as Hyper Light Breaker will feature online co-op. But even so, instead of beelining to these guys, early runs at Hyper Light Breaker will largely involve running around, killing smaller stuff, finding upgrades, and taking it to certain points on the map to be extracted and saved for future runs. Then leave before you get killed, and start afresh. Sometimes it’s better to quit while you’re ahead.

With some enemies cleared out I’m able to hop on a hoverboard and scoot around the environment a little, riding over water and neatly gliding down hills. Hyper Light Breaker takes some cues from Solar Ash’s parkour, especially evident in the smooth way you can swoop up on ledges that are juuuuust too high or chain airdashes into other moves. I liked the on-foot movement and the ways in which it gracefully melded into combat, but I’ll just say it: I wish the hoverboard was cooler! It’s a little slow and clunky! I hope they can lean into the Solar Ash of it all and make it feel a little faster and a little more epic.

Missing from the demo was any clue as to Hyper Light Breaker’s story. I did get to run around a little hub town briefly and enjoy its cyberpunk fusions of nature and tech, populated by an adorable cast of NPCs. But none of them spoke to me in this demo. Like Hyper Light Drifter, I’m told Breaker’s story is told in images and not words, and given the pedigree of the studio I’m expecting something lovely. But for now, all I know is I’m a person with a cool sword and a cool gun who keeps going out into the Overgrowth to chase down an Abyss King. I know my ultimate verdict on Breaker is going to hinge heavily on how well it can weave a story through a multiplayer, roguelike structure, but given the excellence of Drifter, I’m willing to let Heart Machine keep its secrets just a little bit longer.

My demo of Hyper Light Breaker largely confirmed everything I’d hoped and expected when I first saw the game a year ago. It’s mysterious and colorful, movement feels good and combat satisfying, enemies are challenging, customization holds promise, and the music belongs on vinyl. Above all, the sheer vibes are impeccable. I feel like I’m walking around an episode of .hack//sign, or that I’ve somehow fallen 5000 years into the future on another planet. I can’t wait to step beyond baby’s first biome and figure out what it all means.

Rebekah Valentine is a senior reporter for IGN. Got a story tip? Send it to rvalentine@ign.com.